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Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

Herbert George Wells was born on September 21st, 1866 in Bromley in Kent. He was the youngest of four siblings and his family affectionately knew him as ‘Bertie’. The first few years of his childhood were spent fairly quietly, and Wells didn’t display much literary interest until, in 1874, he accidentally broke his leg and was left to recover in bed, largely entertained by the library of books his father regularly brought him. Through these Wells found he could escape the boredom and misery of his bed and convalescence by exploring the new worlds he encountered in these books.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

The United States may be far younger than many nations on Earth, yet its tumultuous history has reaped a harvest of poets and poetry of very fine calibre. In this volume we explore the verse of Massachusetts.

In this volume we gather together those 17th Century poets and their poems which took poetry in a different but very revealing direction, with their artistry and verse.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents whose time has now come again.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

Set against the background of Dublin at the turn of the century, Joyce's celebrated collection of short stories recount a series of unremarkable incidents in the lives of ordinary men and women. Stylistically straightforward, it is Joyce's eye for detail, matched only by his interest in the habits and patterns of daily life and celebration of the unique wit and landscape of the Irish, that makes these stories so enchanting.

In this volume we collect together poets who, by the difference in the colour of their skin, were treated with such disdain and racism that it is difficult to believe that poetry of such tenderness, beauty and authority could exist.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

The Irish Short Story tradition is packed with literary leviathans who take the raw ingredients of the land, it’s people and their own talents to create quite dazzling narratives in these perfectly pitched short stories. Genius has many names.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’. In literary circles this was hailed as the first work of American literary Naturalism. Two years later, in 1895, he was the subject of worldwide acclaim for his Civil War novel, written without the benefit of any actual war experiences, ‘The Red Badge of Courage’.

Edgar Poe was born in Boston Massachusetts on 19th January 1809. His father abandoned his family the following year and within a year his mother had died leaving him an orphan. In January 1845 ‘The Raven’ was published and became an instant classic...

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the West Midlands who created such revered, enduring and respected verse.

Rupert Chawner Brooke was born at 5 Hillmorton Road, Rugby, Warwickshire, on 3rd August 1887, the third of four children. Brooke attended preparatory school nearby at Hillbrow and then went on to Rugby School. In 1905, he became friends with St. John Lucas, who thereafter became something of a mentor to him. While travelling in Europe he worked on a thesis, 'John Webster and the Elizabethan Drama', which won him a scholarship to King's College, Cambridge.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

Margaret Oliphant Wilson was born on 4th April 1828 in East Lothian in Scotland but spent her childhood in Midlothian, Glasgow and Liverpool. She wrote from a young age and in 1849 had her first novel about the Scottish Free Church movement, a cause her parents sympathized with, published. Her next, ‘Caleb Field’, a couple of years later, led to a lifelong association with Blackwood Magazine to which she contributed more than a 100 articles and reviews.