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Late-night radio show psychologist Rain Sommers is used to the crazies calling in to rage from the shadows, but one caller’s chilling obsession with her and her long-ago murdered mother - an iconic singer beloved by the Goth community - has even Rain running scared as a serial killer known as the Vampire prowls New Orleans. FBI agent Trevor Rivette is convinced the caller and the killer are one and the same.

Liza Cole has 30 days to write the thriller that could put her back on the best seller list. In the meantime, she's struggling to start a family with her husband, who is distracted by the disappearance of his best friend, Nick. With stresses weighing her down in both her professional and her personal lives, Liza escapes into writing her latest heroine, Beth. Beth is a new mother who suspects her husband is cheating on her while she's home alone caring for their newborn. Then the lines between fiction and reality begin to blur.

This book builds on a simple premise: good teaching cannot be reduced to technique but is rooted in the identity and integrity of the teacher. Good teaching takes myriad forms but good teachers share one trait: they are authentically present in the classroom, in community with their students and their subject. They possess "a capacity for connectedness" and are able to weave a complex web of connections between themselves, their subjects, and their students, helping their students weave a world for themselves.

Paul Cartledge, one of the world's foremost scholars of ancient Greece, illuminates the brief but iconic life of Alexander (356-323 B.C.), king of Macedon, conqueror of the Persian Empire, and founder of a new world order. Alexander's legacy has had a major impact on military tacticians, scholars, statesmen, adventurers, authors, and filmmakers.

For over two millennia in the West, familiarity with the literature, philosophy, and values of the Classical World has been synonymous with education itself. The traditions of the Greeks explain why Western Culture’s unique tenets of democracy, capitalism, civil liberty, and constitutional government are now sweeping the globe. Yet the general public in America knows less about its cultural origins than ever before, as Classical education rapidly disappears from our high school and university curricula.

Born Henry McCarty, Billy the Kid was a diminutive, charming, blond-haired young man who, growing up in New York, Kansas, and later New Mexico, demonstrated a precocious dexterity at firing six-shooters with either hand - a skill that turned him into an American legend of the old West. He was smart, well spoken, attractive to both white and Mexican women, a good dancer, and a man with a nose for money, horses, and trouble. His spree of crimes and murders has been immortalized in dime Westerns, novels, and movies.

As a boy in the 1890s he went looking for thrills in a rural Georgia that still burned with humiliation from the Civil War. As an old man in the 1960s he dared death, picked fights, refused to take his medicine, and drove off all his friends and admirers. He went to his deathbed alone, clutching a loaded pistol and a bag containing millions of dollars worth of cash and securities. During the years in between, he became, according to Al Stump, "the most shrewd, inventive, lurid, detested, mysterious, and superb of all baseball players." He was Ty Cobb. In Cobb, Stump tells how he was given a fascinating window into the Georgia Peach's life and times when the dying Cobb hired him in 1960 to ghostwrite his autobiography.

Focusing mostly on Italy and Germany but also considering Spain, Romania, Japan, and movements in other countries, Payne describes fascism as revolutionary ultranationalism based on national rebirth, extreme elitism, mass mobilization, and the promotion of violence and military virtues. He also suggests that the early Russian communists borrowed many techniques from fascism, and that though we are fairly well-inoculated against fascism itself, the values it represents could still emerge in new forms.

Kidnapped at an early age, Ansset has been raised in isolation at a mystical retreat called the Songhouse. His life is filled with music, and having only songs for companions, he develops a voice that is unlike any other. But Ansset's voice is both a blessing and a curse, for it reflects all the hopes and fears of his audience, and, by magnifying their emotions, can be used either to heal or to destroy.

James Keene had it all: cars, girls, houses up and down the Gold Coast. But behind his well-connected star athlete façade was a money-obsessed drug dealer desperate to make the big score to get him out of the business. When he was sentenced to prison, it seemed the only lessons he would learn would be about navigating convict society. Instead, he was offered a chance to regain his freedom in return for going undercover in the nation’s highest security prison for the criminally insane.

This is the story of the eclipse of the British Raj and the birth of an independent India and Pakistan. The fabled India of the maharajas, with their palaces and harems, their gold-caparisoned elephants and their glittering private armies—the India of Kipling’s legendary army, with its young British officers commanding troops of a dozen races, religions, and castes—the India of tiger hunts and pigsticking.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

England, 1919. Verity Kent's grief over the loss of her husband pierces anew when she receives a cryptic letter suggesting her beloved Sidney may have committed treason before his untimely death. Determined to dull her pain with revelry, Verity's first impulse is to dismiss the derogatory claim. But the mystery sender knows too much - including the fact that during the war Verity worked for the Secret Service, something not even Sidney knew.

Young Stalin tells the story of an exceptional, charismatic, darkly turbulent young man born into obscurity, fancying himself a poet and a priest, and finally embracing revolutionary idealism as his Messianic mission in life. Equal parts scholar and terrorist, a mastermind of bank robberies, extortion, piracy, and murder, he was so impressive in his brutality that Lenin made him, along with Trotsky, his chief henchman.

The year is 1739. Eliza Lucas is sixteen years old when her father leaves her in charge of their family’s three plantations in rural South Carolina and then proceeds to bleed the estates dry in pursuit of his military ambitions. Tensions with the British, and with the Spanish in Florida, just a short way down the coast, are rising, and slaves are starting to become restless. Her mother wants nothing more than for their South Carolina endeavor to fail so they can go back to England. Soon her family is in danger of losing everything.

The 14th century reflects two contradictory images: on the one hand, a glittering time of crusades and castles, cathedrals and chivalry, and the exquisitely decorated Books of Hours; and on the other, a time of ferocity and spiritual agony, a world of chaos and the plague.

A moving, compelling memoir about growing up and escaping the tragic legacy of mental illness, suicide, addiction, and depression in one of America's most famous families: the Hemingways.

For the U.S. Navy's elite team of SEALs, the mission seemed straightforward enough: to take control of a towering, 10,240-foot mountain peak called Takur Ghar, a key post in their plan to smash Taliban al Qaeda in eastern Afghanistan.

During the 1930s at Oxford, C. S. Lewis, J. R. R. Tolkien, and Charles Williams - remarkable friends, writers, and scholars - met regularly to discuss philosophy and literature and to read aloud from their own works in progress. Calling themselves the Inklings, their circle grew. It was in this company that such classics as The Lord of the Rings, The Screwtape Letters, and The Lion, the Witch, and the Wardrobe first found an audience.

Rita Hayworth was the epitome of 1940s glamour. A legendary "Love Goddess", she was a huge box-office star, and her sultry beauty and sensational figure made her into one of Hollywood's greatest sex-symbols: a pin-up so incendiary that GIs pasted it on to the first atom bomb ever detonated.