Mostrando resultados por narrador "Rebecca Lowman" en Todas las categorías

Weezy and Will Coffey raised their children, Martha, Claire, and Max, to be kind, smart, and independent. They gave them help with their homework, a dog, and homemade birthday cakes. It's true that Martha's a little too sensitive - she calls Claire several times a week to discuss natural disasters and local crime. And Claire has a short fuse with her sister - she becomes irate when Martha suggests that the two of them attend couples therapy. And Max, the baby and a senior in college, is a little too happy-go-lucky, though not as lucky as everyone would hope....

Being a teenager has never been easy, but in recent years, with the rise of the Internet and social media, it has become exponentially more challenging. Bullying, once thought of as the province of queen bees and goons, has taken on new, complex, and insidious forms, as parents and educators know all too well.

We first meet Leda in a coffee shop on an average afternoon, notable only for the fact that it’s the single occasion in her life when she will eat two scones in one day. And for the cute boy reading American Power and the New Mandarins. Leda hopes that by engaging him, their banter will lead to romance. Their fleeting, awkward exchange stalls before flirtation blooms. But Leda’s left with one imperative thought: She decides she wants to read Noam Chomsky. So she promptly buys a book and never - ever - reads it.

Everyone in the newsroom knows that somebody is monitoring their emails, but Beth and Jennifer don't believe anyone would read their never-ending conversations. But Lincoln does, it's his job, and Beth and Jennifer's hilarious, no-holds-barred emails are the best part of his day. The only problem is he's starting to fall in love with Beth and yet she doesn't even know he exists. With ex-boyfriends, office politics and family drama, there never seems to be a good time for Lincoln to introduce himself. But to get the life you want sometimes you need to put yourself out there....

Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her now: dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a head-turner: including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building.

Eleanor is the new girl in town, and she's never felt more alone. All mismatched clothes, mad red hair and chaotic home life, she couldn't stick out more if she tried. Then she takes the seat on the bus next to Park. Quiet, careful and - in Eleanor's eyes - impossibly cool, Park's worked out that flying under the radar is the best way to get by. Slowly, steadily, through late-night conversations and an ever-growing stack of mix tapes, Eleanor and Park fall in love. They fall in love the way you do the first time, when you're 16, and you have nothing and everything to lose.

In 1353, Giovanni ​Boccaccio wrote The Decameron: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables. In March 2020, the editors of The New York Times Magazine worked to create a collection of stories written just as the pandemic first swept the globe.

It's been nearly two decades since the Red Allies first attacked New York, and Manhattan is now a prisoner-of-war camp ruled by Rolladin and her brutal, impulsive warlords. For Skyler Miller, Manhattan is a cage that keeps her from the world beyond the city's borders. But for Sky's younger sister, Phee, the POW camp is a dangerous playground of possibility--and the only home she'd ever want.

When Jane meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife. As Jane’s career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it together. That is, until John leaves her.

In the years after World War II, the bleak yet beautiful plains of South Dakota still embody all the contradictions - the ruggedness and the promise - of the old frontier. This is a place where you can eat strawberries from wild vines, where lightning reveals a boundless horizon, where descendants of white settlers and native Indians continue to collide, and where, for most, there are limited options. René shares a home, a family, and a passion for dance with her older brother, Leon. Yet for all they have in common, their lives are on remarkably different paths.

It’s 1993, and Rory Ramos works as a ranch hand at the stable her stepfather manages in Topanga Canyon, California, a dry, dusty place reliant on horses and hierarchies. There she rides for the rich clientele, including twins June and Wade Fisk. While Rory draws the interest of out-and-proud June, she’s more intrigued by Vivian Price, the beautiful girl with the movie-star father who lives down the hill. Rory keeps largely separate from the likes of the Prices - but, perched on her bedroom windowsill, Rory steals glimpses of Vivian swimming in her pool nearly every night.

Ethan has always been one of the good guys, and for years, nobody has appreciated this fact more than his wife, Zo. Until now. Jolted into activism by the 2016 election, Zo’s transformed their home into the headquarters for the local resistance, turning their comfortable decades-long marriage inside-out.

After her deadly brush with the paranormal, Flynn just wants to get back to her life: construction work, semiprofessional bowling, and her fiancée, Genesis. Unfortunately, Flynn’s abilities have caught the attention of the National Psychic Registry, and they have their own agenda. Wherever Flynn goes, the registry follows, hounding her to attend the conference in Atlantic City for evaluation and training. Flynn can handle the registry’s heavy-handed tactics, threats, and guilt trips. But the offer to heal the wounds she sustained in Dead Woman’s Pond is much more tempting.

To Julie Metz, her mother, Eve, was the quintessential New Yorker. Eve rarely spoke about her childhood and it was difficult to imagine her living anywhere else except Manhattan, where she could be found attending Carnegie Hall and the Metropolitan Opera or inspecting a round of French triple crème at Zabar’s. After her mother passed, Julie discovered a keepsake book filled with farewell notes from friends and relatives addressed to a ten-year-old girl named Eva.

In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection.

It's 2010. Staggeringly successful and brilliant tech entrepreneur Bix Bouton is desperate for a new idea. He's 40, with four kids, and restless when he stumbles into a conversation with mostly Columbia professors, one of whom is experimenting with downloading or 'externalising' memory. Within a decade, Bix's new technology, Own Your Unconscious—that allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.

The residents of a sleepy mountain town are rocked by troubling visions of an alternate reality. At first, the visions are relatively benign, but they grow increasingly disturbing - and, in some cases, frightening. When a natural disaster threatens Clearing, it becomes obvious the visions were not what they first seemed and that the town will never be the same.

Justin Fisher has a successful career as the manager of a luxury hotel, a lovely wife, and a charming young son. While all signs point to a bright future, Justin can no longer ignore the hole in his life left by his estranged family. When he finally gathers the courage to reconnect with his troubled past, Justin is devastated to learn that his parents have passed away.

Clara Marsh is an undertaker who doesn't believe in God. She spends her solitary life among the dead, preparing their last baths and bidding them farewell with a bouquet from her own garden. Her carefully structured life shifts when she discovers a neglected little girl, Trecie, playing in the funeral parlor, desperate for a friend.

Miranda Popkey's first novel is about desire, disgust, motherhood, loneliness, art, pain, feminism, anger, envy, guilt - written in language that sizzles with intelligence and eroticism. The novel is composed almost exclusively of conversations between women - the stories they tell each other, and the stories they tell themselves, about shame and love, infidelity and self-sabotage - and careens through 20 years in the life of an unnamed narrator hungry for experience and bent on upending her life.