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Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

Love whether fleeting or of the ages, expressed with a look, a touch, or a thought is wanted by us all. Our classic poets did not surrender to the logic of the group or seek advice from others quick to blame but slow to embrace. Their legacy remains because it is true, because in that look, that touch, that thought, that display of words the heart remembers us and treasures us. Here are words and verse of love. For your ears, your loved one’s ears and hearts everywhere.

Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī is commonly known to us as Hafiz, the Persian poet who was born in Shiraz, Iran, in either 1315 or 1317. The facts of much of his early life are unknown to us but it is said that, at an early age, he memorised many passages of the Quran and was therefore given the title of Hafiz, which means 'the memoriser or the safe keeper'. Hafiz mainly wrote lyric poetry or ghazals - an ideal form for expressing the ecstasy of the divine and the intoxicating mystical union with God.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East Midlands who created such revered, enduring and respected verse.

In 1890 W. B. Yeats and Ernest Rhys founded a poetry club. Based mainly at Fleet Street’s immortal ‘Ye Olde Cheshire Cheese’ pub, with occasional appearances at the Domino room in the Café Royal, poets gathered together to dine and drink. Whilst it was based on a core of poets, many others attended on an ad hoc basis including Oscar Wilde, Francis Thompson & Lord Alfred Douglas. The camaraderie, banter and poetry that played out in their dreams, ambitions and for many, their difficult lives led Yeats to call them ‘the tragic generation’.

Mary Anne Evans was born on 22nd November 1819, at Nuneaton in Warwickshire, England. Her first major literary work was completing an English translation of Strauss's ‘The Life of Jesus’ in 1846. Under the pseudonym of George Eliot that we know so well, ‘Adam Bede’ was published in 1859, followed by her other great novels: ‘Mill on the Floss’, ‘Silas Marner’ and ‘Middlemarch’. ‘The Lifted Veil’ is a both a beautiful story and typical of Eliot’s formidable powers of writing.

Twenty-one marvellously inventive stories by Carnegie Medal-winning author Margaret Mahy, starting with 'The Horrible Story', about a boy whose chilling tales terrify two older boys. The other stories in this collection include 'The Curiosity Concert', 'The Strange Egg', 'The Girl Who Loved Cars', 'The Little Boy Who Wanted a Flat World', and 'Chocolate Porridge' - which gets eaten by a very unusual guest at Timothy's house!

In this volume we gather together verse from lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label lesbian might be anachronistic and so also include those who stand by their sides or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about.

William Morris was born in Walthamstow, London, on 24 March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856. Morris' fascination with the ancient Germanic and Norse peoples dominated his writing, and he was the first to translate many of the Icelandic sagas into English. He also published limited-edition illuminated style books, with his design for The Works of Geoffrey Chaucer standing out.

Between then and now poets have written verse, both serious and humorous, in attempts to keep a poetic track both of feelings and as a tribute to our four-legged friends and their adventures.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as Thomas Hardy, Bram Stoker, Edgar Allan Poe and HP Lovecraft. These tales are designed to unsettle you, just a little, as you sit back, and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

March - the third month of the year in the Gregorian calendar brings with it the Spring Equinox and the promise of warmer days and shorter nights. Our selected poets, including Swift, Yeats, Morris, Swinburne, and Austin, of course provide the words to match the mood.

Anton Pavlovich Chekhov was born on 29th January 1860 in Taganrog, on the south coast of Russia. His family life was difficult; his father was strict and overbearing, but his mother was a passionate story-teller, a subject Chekhov warmed to. As he later said; ‘our talents we got from our father, but our soul from our mother’. Chekhov wrote over 500 short stories which included many, many classics including ‘The Kiss’ and ‘The Lady with a Dog’. His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

April - the fourth month of the year in the Gregorian calendar heralds spring in earnest and, of course, April showers and perhaps other unsettled weather. For our poets, including Owen, Stevenson, Van Dyke, Hardy, and Shelley, the month provides a rich source for them to muse upon.

Today perhaps we all agree that youth is spoilt, ill-disciplined and in search of constant and instant gratification. No matter how much we love them, our children, as they mature from child to youth, are pampered. A century ago, and even further back, even the most privileged of youth was rarely indulged. In this volume we look at those years of youth through the eyes and pens of classic poets. They reveal times of hardship, of fear, of love and loss.

In the beginning, there was nothing but endless flatness. Then came the Carpet... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples and there's a new story in the making. The story of Fray...