Mostrando resultados por autor "G.K. Chesterton" en Todas las categorías

Eight adventures in this classic British mystery series featuring Horne Fisher and his trusted friend Harold March. Horne is a natural sleuth, but his inquiries develop moral consequences. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper crust English society before World War One. Contains eight stories: "The Face in the Target", "The Vanishing Prince", "The Soul of the Schoolboy", "The Bottomless Well", "The Fad of the Fisherman", "The Hole in the Wall", "The Temple of Silence", and "The Vengeance of the Statue."

Mystery, intrigue and fantasy lead us on a scary adventure.

Chesterton takes us on a merry ride of mystery, intrigue, and above all, fantasy in this tale of anarchism. Sometimes it is referred to as a metaphysical thriller, and Chesterton himself referred to it as "a nightmare".

G. K. Chesterton joyously skewers modern philosophers, authors, and artists in Heretics. This is the companion volume to Orthodoxy. Visit www.chestertonbooks.com to see other books in our G. K. Chesterton series.

An engrossing collection of detective stories featuring all the great classic sleuths, including Sherlock Holmes, Father Brown, Max Carrados, J. G. Reeder, and C. Auguste Dupin. 1.The Tea-Leaf by Edgar Jepson & Robert Eustace 2.The Queer Feet by G. K. Chesterton 3.The Curious Circumstances of the Two Left Shoes by Ernest Bramah 4. The Club of One-Eyed Men by Arthur Somers Roche 5.Diamond Cut Diamond by F. Britten Austin 6.The Game Played in the Dark by Ernest Bramah

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.

Father Brown was a character created by G.K. Chesterton and draws inspiration from Arthur Doyle's Sherlock Holmes. While Sherlock Holmes' detective career relies on his logic and deduction, Father Brown relies on sympathy and intuition to solve mysteries and crime. The Innocence of Father Brown is a collection of 12 stories that have Father Brown doing what he does best; being a detective.

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

The first part of the novel involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael, while the rest of the narrative concerns dispute between a Jacobite Catholic named Maclan and an atheist socialist named Turnbull. Both hold fanatic opinions and prepare for a duel that is proposed but never fought, inspiring a slew of comic adventures with allegorical dimensions.

The Sherlock Holmes & Father Brown Collection, read by Jonathan Keeble (as Sherlock) and Nicholas Boulton (as Father Brown), includes unabridged recordings of the complete short stories featuring Sherlock Holmes, and Books 1-4 featuring Father Brown, two of the most iconic amateur detectives in literature.

This is a story from the The Innocence of Father Brown collection. Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest!

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

G.K. Chesterton was one of the towering figures of British literature in the early twentieth century. A man of massive size, massive personality, and massive appetite, Chesterton famous personality, dress, and personality gave rise to an eponymous adjective: Chestertonian. Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public."

Writing in England at the turn of the 20th century, G.K. Chesterton was dubbed the "prince of paradox" for addressing serious questions with his light, whimsical style. In this classic allegory, which has captivated generations since it was first published in 1908, Chesterton tackles such profound concepts as honor, truth, and God with insightful humor and colorful enigma.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

Esteemed writer G. K. Chesterton offers a compelling critique of the works of Charles Dickens, sharing his profound admiration and unique insights into Dickens literary genius in his distinct and engaging style. (Summary by Karen Merline)

A gripping collection of mystery stories, strange tales and horrible crimes: 'The Perfect Murder', by Stacy Aumonier; 'The Magic Casket', by F. Austin Freeman; 'The Shadow of the Shark', by G. K. Chesterton; 'The Marionettes', by O. Henry; 'Charles', by A. J. Alan; 'Moon's Gibbet', by Egerton Castle; 'The Severed Hand', by Wilhelm Hauff; 'The Man with the Watches', by Sir Arthur Conan Doyle; 'The Adventure of the Diamond Necklace', by G. F. Forrest; 'My Adventure at Chislehurst', by A. J. Alan; 'Blackmail', by John Galsworthy.