Mostrando resultados por autor "Charlotte Gilman" en Todas las categorías

"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman. In her best-known work, "The Yellow Wallpaper", Gilman writes about different kinds of oppression that women were exposed to at the time. Women were patronized and treated as mentally weak and fragile. They were believed to be prone to many "nervous conditions" and particularly hysteria. Enjoy this timeless classic!

The great-niece of Harriet Beecher Stowe, Gilman wrote much about the unequal status of women within the institution of marriage. The great-niece of Harriet Beecher Stowe, Gilman wrote much about the unequal status of women within the institution of marriage.

Mackenzie Menter performs Charlotte Perkins Gilman’s famous 1892 tale of a woman’s decent into madness. The unnamed narrator secretly keeps a journal and chronicles her decent into madness while subjected to her doctor-husband’s severe postpartum rest cure. She begins to see that a woman is trapped in the suffocating wallpaper that envelops her room, and she becomes determined - at all costs - to free her.

One of the earliest creative approaches to feminist literature, this sinister horror story tells of a woman's mental anguish and unconscious struggle with conformity in a society that generally viewed women as weak and hysterical creatures unable to think for themselves. The author, Charlotte Perkins Gilman (1860-1935), a prominent American feminist, paved the way for other authors like Sylvia Plath and Alice Walker. She suffered mental illness during her life and ultimately committed suicide.

Moving the Mountain is a groundbreaking feminist utopian novel by Charlotte Perkins Gilman, first published in her periodical The Forerunner and later as a book in 1911. This work is a significant contribution to the wave of utopian and dystopian literature that emerged in the late nineteenth and early twentieth centuries. As the first entry in Gilmans utopian trilogy, it sets the stage for her subsequent works, including the renowned Herland (1915) and its sequel, With Her in Ourland (1916). The story follows John Robertson, who, after being lost in Tibet for thirty years, returns to a ...

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

The Crux is the story of group of women who move from New England to Colorado in order to run a boardinghouse for men. One of these women, the young Vivian Lane, falls in love with a man who has both gonorrhea and syphilis. It then falls to Vivian, when she learns of his illnesses, to decide whether she should marry and have children with this man. She is torn between her own heart and the “duty” of motherhood, as one doctor in the novel puts it, to have children with a healthy father.

"The Yellow Wallpaper and Why I Wrote It" is a thought-provoking exploration of the classic short story "The Yellow Wallpaper" by Charlotte Perkins Gilman. The book delves into the psychological and societal themes embedded in the original work while providing an intimate glimpse into the author's motivations and personal experiences that led to the creation of this groundbreaking piece.

First published in 1892, The Yellow Wallpaper is a classic short story by Charlotte Perkins Gilman. It's an early work of feminist literature focused on a female protagonist and her relationship with husband John. A great work for studying and casual listening. This version of The Yellow Wallpaper has excellent narration and the highest quality of audio. All audio is engineered with careful attention to detail for your enjoyment of the story.

A new mother is brought by her doctor husband to a summer house to relax. He has determined that she suffers from a nervous condition. She is told to rest and she must have no intellectual or social stimulation. Her child and the house are taken care of by trusted others. She surreptitiously writes when no one is around. At first she is disturbed by the yellow wallpaper in the room she is staying in. when she requests another room, she is told that it is not good for her to have her whims attended to.

Charlotte Perkins Gilman (1860–1935) è stata una scrittrice, saggista e attivista statunitense, figura di spicco del femminismo americano.Critica nei confronti delle strutture patriarcali, sosteneva l'indipendenza economica delle donne, la riforma della famiglia tradizionale e una visione sociale più equa. I suoi racconti spesso uniscono satira, critica sociale ed elementi fantastici o psicologici.

The three friends Van, Terry and Jeff are about to embark on a mission which will change their lives forever. They have heard of a place where only women live but they are more skeptics than believers. However they really do find such a place. And all their assumptions and stereotypes are shattered. The society that women have created is working more than perfectly. There are no wars, no domination nor conflicts. The three self-invited guests are however not welcome and are held captive for a few months.

The Yellow Wallpaper is a short story of extraordinary power, exploring issues of mental health, the role of women in society, and the oppressive nature of the patriarchy. Told in the first person, the story follows the plight of a woman confined by her husband in a small room in an old mansion—ostensibly for her own good. As her boredom increases and her sanity deteriorates, she becomes fixated on the wallpaper in the room, the yellow design of which includes an image of a trapped woman.

Charlotte Perkins Gilman (July 3, 1860-August 17, 1935) has been inducted into the National Women's Hall of Fame. Included in this collection of her works are "The Yellow Wallpaper", "If I Were a Man", "The Giant Wistaria", "Turned", and "When I Was a Witch". These texts were published in 1892, 1914, 1891, 1911, and 1909.

If I Were a Man is a short story by American writer Charlotte Perkins Gilman. This story, published in 1914, is a "fly on the wall" view of a man's inner landscape as witnessed by his wife, whose wish to inhabit a male consciousness comes true.

The Giant Wistaria, which was originally published in 1891, is a short story by American writer Charlotte Perkins Gilman. Let's join this well-to-do young couple and their friends as they look forward to a lovely summer in the haunted house they rent.

A woman is suffering from severe postpartum psychosis and her husband takes her to a colonial mansion where they can spend the summer. The woman is however closed and isolated in a single room where her nervous depression gets worse with the time. The only thing she sees all day long is a yellow wallpaper which she studies in so many details that she finally finds a creeping woman behind the pattern. The summer is over and the family is about to go home. The husband opens the door to his wife’s room.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.