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Housman himself knew that his output as a poet would not be large. In his preface to this volume, he wrote, rather touchingly: "I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more." He pulled Last Poems together because his life-long friend, Moses Jackson, was dying and Housman wanted Jackson to be able to read these poems before Jackson passed away.

In this, the fourth volume of the work, William Hazlitt takes us through the great turning point in Napoleon's life: his invasion of Russia. He shows us the situation in Europe at that time: England controlling the sea, France controlling the land, and only Russia left as a land-based threat to France. He also explores the changes in Napoleon's life and mind: his divorce from Josephine, his marriage to Maria Louisa, his friendship with Emperor Alexander...a friendship that turned to deep enmity.

For those who love Byron’s poetry, the value of this work is not so much the poetry itself as the promise of what is to come, it is fascinating to see how his power as a poet is constantly growing and to see how his enormously romantic heart and soul goes about fashioning itself.What sort of poems are these? They are the work of an enormously talented young man, whose skills as a poet are still developing.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In particular, the torture of Beatrice Cenci at the hands of the authorities of Rome is given in brutal and clinical detail, sparing nothing.In this, the second of the series, Dumas tells the frankly horrifying story of the tragic sons and daughers of Francesco Cenci.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In this, the third of the series, Dumas tells the story of three centuries of sectarian violence and civil war between the Protestants and the Catholics of the south of France.

In this set of "Uncanny Tales," Mary Louisa Molesworth deftly makes us feel the shiver of ghostly mystery without actually giving us a ghost! Or, to put it another way, she's interested in a different kind of ghostly presence. In "The Man with the Cough", it is the ghostly presence of a secret agent, and the ghostly experience of events that seem like a dream, but have real-world consequences. In "Halfway Between the Stiles", it is the ghostly presence of old memories of love that will not die away, and again, the real world responds. In "Will Not Take Place", it is a man who almost becomes a ghost.

Three great tales of meetings with ghosts, and perhaps more than ghosts: "The Vacant Lot" by Mary E. Wilkins Freeman; "On the Brighton Road" by Richard Middleton; and "Sister Johanna" by Amelia B. Edwards.

Rupert Brooke possessed one of the most amazingly sensitive, amazingly sensual poetic minds of the 20th century. Born into a world swiftly sliding into war, torn between highly idealized, romanticized relationships with men and conflicted, often bitter love for women, he expressed his complex emotions and vivid perceptions in verse of startling force, striking sensory intensity, and sometimes sly and biting humor. He left us just under 100 poems before his terribly untimely death of sepsis while serving in the British Navy.

In this, the twelfth of the series, Dumas, the novelist-historian, is back in full force. His subject is a well-documented historical fact: that a man named Arnaud du Thil was able to pass for two years as Martin Guerre, deceiving villages, neighbors, friends, family, and even the wife of Martin Guerre with equal success, even to the point of becoming the father of two children by Martin Guerre's wife.

Here is part of the byroads-and-backwaters side of Lord Byron - poems you probably won't hear elsewhere, poems he wrote casually and sometimes never published, but poems that offer a side of him not seen elsewhere.

A Shropshire Lad is A. E. Housman's reflections on love, death, and the eternal uncertainty of the human condition, placed in an idealized world of rural England, unpolluted by the taint of the city, but still a place where love can fail, evil can come to good people, and human beings can find themselves torn deeply by conflicting desires and feelings. Housman had great faith in his work even when he could not find a publisher and had to bring it out himself. His faith was rewarded.

William Hazlitt is one of the foremost writers of the English language. His fame as a critic, essayist, and social commentator ranks with the likes of Samuel Johnson and George Orwell. He considered his justly famous Life of Napoleon as his most important work. In this, the fifth volume of the work, William Hazlitt takes us through Napoleon's captivity on the island of St. Helena, his decline and his death.

In this, the fifth volume of the work, William Hazlitt takes us through Napoleon's fall from power. He shows us the situation in Europe at that time: England controlling the sea, and England, Austria, Russia, and Prussia massed on the borders of France, ready to consummate their 25-year struggle to restore the Bourbon monarchy. Nor were these the only enemies confronting Napoleon.

In this, the third volume of the work, William Hazlitt takes us through the a critical period in Napoleon's life: his leadership of France as first consul. He shows us how the political developments of the time coincided with Napoleon's personal development, the experiences that convinced him that France needed a new leader, and how he came to believe that he himself was that leader. This volume ends with the greatest transition of all, from first consul to emperor.

In this, the second volume of the work, William Hazlitt takes us through the history of Napoleon's campaigns in Italy and Egypt. In the course of these campaigns, and in Napoleon's life in Paris between them, we can see a young, brilliant military leader starting to transform himself from a leader of armies into a leader of nations. His brilliant successes on the battlefield bring him to the adoring attention of the French people and the rather alarmed attention of the French government.

In this, the 15th of the series, Dumas, the novelist-historian, brings his storytelling skills to a subject famous at the time but less so now: Joachim Murat, the brother-in-law of Napoleon Bonapart, who established him as King Joachim the First of Naples. Joachim is nothing if not an attractive, indeed romantic hero.

In 1910, when Edwin Arlington Robinson published The Town Down the River, he included what has become one of his most famous poems: "Miniver Cheevy". His portrait of this man, a "child of scorn" who "wept that he was ever born," who "sighed for what was not", who "scratched his head and kept on thinking", captures Arlington's sense of life in 32 immortal lines. The other poems in the book, though not as famous as "Miniver Cheevy", amplify and explore Arlington's sense of the fate of humankind in ways both serious and comic.

In 1921, Edwin Arlington Robinson was only 52 and many of the pieces in his Collected Poems were written long before that. Yet he shows gifted understanding of old age, the passage of time, the slow decline that everyone must suffer, and the final cease and release of death. Isaac, in Isaac and Archibald, puts it very well to the poet's twelve-year-old alter ego.

In this, the 18th of the series, Dumas explores the history of a famous French aristocratic family: that of Marie de Rossan, also known as Diane de Joannis de Roussan and as Anne-Elisabeth De Rossan, but in any case the Marquise de Ganges and La Belle Belle Provençale - often described as the most beautiful woman of her time. It was, indeed, her beauty that undid her.

In this, the 17th of the series, Dumas, in this case more a novelist than a historian, turns his attention to a story from Russia: that of Vaninka. Her father was a Russian count and a general in the Russian Imperial army under Paul I. She falls in love with one of her father's officers, whose tragic but accidental death leads her to a savage crime. Ironically, bringing her to justice requires a great perversion of justice itself.