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Frost's third book of poetry, North of Boston, is an extraordinary set of poems that are nearly dramas, conversations drawn from the heat of life, love, and death. From "Home Burial" and "Death of the Hired Man" to "A Hundred Collars" and "The Generations of Man", Frost's work in this volume spans the whole range of human experience, expressed always in his characteristic dry, matter-of-fact, yet wonderfully musical verse.

Sara Teasdale - the winner of one of the earliest Pulitzer Prizes for poetry, winner of the Poetry Society of America prize, and other honors - believed passionately in the power and beauty of love. Yet in her own life, love was not enough; she died by her own hand after a long illness. The man she may have loved more than any other, the poet Vachel Lindsay, had killed himself two years earlier. Teasdale's poetry ranges from utter joy to deep loneliness.

Robert Frost's second book of poetry. Sometimes puckishly humorous, sometimes elegiac, sometimes terrifying, these poems show the young artist using his new-found voice to explore a world - a village in New Hampshire - that meant everything to him. This volume includes some of his best-known and best-loved works, such as "The Road Not Taken", "Out! Out!", "Birches", and "The Hill-wife". It also includes one of his poem-dramas, "Snow".

A Shropshire Lad is A. E. Housman's reflections on love, death, and the eternal uncertainty of the human condition, placed in an idealized world of rural England, unpolluted by the taint of the city, but still a place where love can fail, evil can come to good people, and human beings can find themselves torn deeply by conflicting desires and feelings. Housman had great faith in his work even when he could not find a publisher and had to bring it out himself. His faith was rewarded.

For everyone who loves, who ever loved, who searches for love, who suffers from love, who rejoices in love, these poems are for you. Are you in love? Have you ever been in love? Do you wish you were in love? Or perhaps you wish you weren't in love? This set of 70 poems is for you. It ranges in time from the classical Greece to the voices of the early 20th century.

When Lytton Strachey published Emininent Victorians, he took the general perception of the Victorian age among English-speaking readers and turned it upside-down. Four of the most eminent and idealized heroic figures of the Victorian age came under his witty and unsparing gaze and emerged, astonishingly enough, as human beings.

Children of the Night, from 1897, is Edwin Arlington Robinson's second book of poetry. He self-published his first book, The Torrent and the Night Before, in 1896; most of the poems in it also appear in this volume. This book already contains one poem destined to become known as one of his masterpieces, namely the famous portrait of a suicide, "Richard Cory" - the man who "glittered as he walked," the character who may have been inspired in part by Ediwn Arlington Robinson's own brother.

This volume of The Poetry of Lord Byron is focused on work in which Byron dealt with certain themes that recurred throughout his career, especially personal integrity in the search for freedom and for love, and the suffering that can go with that search. "The Prisoner of Chillon", the keynote piece of this volume, is one of Byron’s most riveting pieces. Based on the true story of Francois Bonivard, it tells a story of political repression and human endurance.

The Wood Beyond the World transports its hero, Walter the Golden, from the English village of Langton-on-Holm across the seas to a magical kingdom in a forest beyond the known world, ruled by the Mistress, an extraordinarly beautiful, complex, and sinister woman. There he meets the Maid, a woman captured, enslaved, and tortured by the Mistress, who has magical powers of her own.

This volume of Lord Byron’s poetry contains four sets of his poems, starting with his famous book of poetry, Hebrew Melodies, and continuing with the Poems of the Separation, poetry he wrote in the period 1816-1823, his “Jeux d’Esprit”, and a group of poems written in homage to the great poets of Italy. Hebrew Melodies is a collection of lyrics Byron wrote to be set to music, as indeed they were, by a composer named Isaac Nathan.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In particular, the torture of Beatrice Cenci at the hands of the authorities of Rome is given in brutal and clinical detail, sparing nothing.In this, the second of the series, Dumas tells the frankly horrifying story of the tragic sons and daughers of Francesco Cenci.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In this, the third of the series, Dumas tells the story of three centuries of sectarian violence and civil war between the Protestants and the Catholics of the south of France.

Carl Sandburg fixed his eyes on the people of his time and place. He ignored or scorned the wealthy, the comfortable, the complacent, the powerful and those who serve them; he had no time for the ruling class. His eyes were open to the immigrant, the laborer, the hobo, the farmer, the man who works with his hands, the woman who runs a family, the soldier who goes to war for them.

In The Man Against The Sky, Edwin Arlington Robinson presents us with a gallery of characters drawn from the streets, homes and gathering places of Tilbury Town, his fictional Northeastern dwelling place. A mysterious compelling stranger, a woman living on charity, a welcoming home - this and other portraits give us a compelling and perceptive view of the range of human character and feeling.

Five wonderful stories by Ambrose Bierce, full of vivid characters, precise and evocative language, surprises, and suspense. Written more than a century ago, these stories still capture the imagination with vivid, precise language that bites - and may even draw blood! This Freshwater Seas production presents these five classic stories performed by Susie Berneis and Robert Bethune, with subtle musical underscoring to enhance and enrich Bierce's words.

In Charnel Rose, Conrad Aiken takes the plunge into a deeply metaphysical and surrealistic world, capturing the essence of one aspect of quintessential humanity: how we create and pursue a deeply personal, intensely idealistic, physically and emotionally draining search for love, and how some of us turn away from real love when we do find it, preferring instead to re-invent and re-amplify our idealistic vision of passionate perfection. He does this through an amazing combination of highly imaginative imagery conveyed through strikingly simple and beautiful poetry, musically complex....

This presentation of the beloved tale tells the classic story of the long night Ebenezer Scrooge spent with the ghosts of Christmas, the lessons it taught him, the change it made in his life, and the joy it brought to him and all who knew him. It tells the story the way Dickens wrote it, including scenes and descriptions other versions skip over.On this recording, the story is not merely read, it comes to life with voices and music.

Three stories by Rudyard Kipling, all about the marvelous nature of elephants. In "The Elephant's Child", we learn how the elephant got his trunk - one of the favorite tales from the Just-So Stories. In "Moti Guj, Mutineer", we learn what happens when an elephant has made a bargain - and humans have failed to do their part! In "Toomai of the Elephants", we learn how a special child and his relationship to a special elephant allow him to see something no one in the world has ever seen before. These marvelous stories, told with wit and wonder by Rudyard Kipling, are for young and old of all ages.

In this set of "Uncanny Tales," Mary Louisa Molesworth deftly makes us feel the shiver of ghostly mystery without actually giving us a ghost! Or, to put it another way, she's interested in a different kind of ghostly presence. In "The Man with the Cough", it is the ghostly presence of a secret agent, and the ghostly experience of events that seem like a dream, but have real-world consequences. In "Halfway Between the Stiles", it is the ghostly presence of old memories of love that will not die away, and again, the real world responds. In "Will Not Take Place", it is a man who almost becomes a ghost.

Housman himself knew that his output as a poet would not be large. In his preface to this volume, he wrote, rather touchingly: "I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more." He pulled Last Poems together because his life-long friend, Moses Jackson, was dying and Housman wanted Jackson to be able to read these poems before Jackson passed away.