Mostrando resultados por narrador "Paul Metcalfe" en Todas las categorías

Skillfully translating complex scientific concepts into accessible, everyday terms, Safavy invites listeners to consider the arguments for and against universal determinism. How does the presence or absence of free will affect our lives and our decisions? If there is no free will, how would that change our approach to crucial moral and sociological issues? Do we have free will? If not, what is occurring when we make a decision and act on it? The answers lie in No-Choice Theory.

Amity Diaz has had worse days, but not in recent memory. No, recent memory has her waking up amidst smoking wreckage in a hellscape of craggy rocks and woman-eating trees. Did she mention the near-miss to her femoral artery or the deadly respiratory bacteria? Nevertheless, she found drinking water, Meals Ready to Eat, assorted supplies, a stray alien dog, and her trusty artificial general intelligence sidekick hasn't steered her wrong yet.

The Plague Doctor is a historical novel that follows the travels of a Jewish physician and his lawyer brother during the Black Death of 1347. They have lost their wives and children to plague, and devastated, they leave Florence to restart their lives. As the brothers traverse medieval Europe, they meld their medical and legal skills to resolve dilemmas engendered by a rapidly changing world. Along the way the meet two sisters—a midwife and a banker—whom they hope to marry and join them in moving to Poland (whose king is welcoming Jewish immigrants).

If you want to know how to own more than one buy-to-let property with just one capital pot, you would be well advised to take stock of what is presented in this book before getting in too deep. You will find out what you really should know about BRRRR before it is too late, when you have already made simple but serious mistakes.

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

"Rex" is a riotous story of the turmoil caused in a household by the arrival of a puppy. The setting is similar to the one found in Sons and Lovers, but Lawrence thought this scene deserved the fuller treatment of a short story. The question of the destructive force of unconditional love is left open.

This book is a testament to how low human nature can get and offers a comprehensive breakdown of the cases’ key dates before looking into the gritty details. In the chapters, you will learn about the origin of the word “serial killer”, dispel common myths about murderers, and get one step closer to understanding why people kill.

That’s what I’ve been telling myself, but if I’m honest, I’m afraid I miscalculated my ability to withstand pain. After stumbling across a secret so dangerous my enemies would break universal laws to keep it, I formed a plan that would ensure the safety and freedom of my loved ones. But now I’m staring evil in the face, and I don’t think I’ll make it to the next sun's rise. When my savior arrived in the form of a hunky daydream, I thought I must have died. Maybe we aren't exactly fated mate material. But now I’m suffering a different kind of pain.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

"The Princess" of the story is a spoiled, sexless woman who is thrown in with a passionate man whom she takes into her bed and then rejects. This rejection leads to his ultimate death. Lawrence again pleads his case for the necessary domination of woman by man and shows the sterility of a life lead without sexual passion. Set against the bleak mountains of South America, it is one of Lawrence's most enduring tales.

"The Flying Fish" is unfinished, but tells the story of an Englishman, Gethin Day, returning home after years in South America. There is a hint of the homesickness Lawrence may have felt during his long exile. The bulk of the story is the time spent on the ship which is taking Day back to England. It is a ship of fools, a "plague ship", and the only positive note is the joy Day sees in the play of the flying fish and porpoises around the ship. It is tantalizing to speculate how Day would have adapted to English life again, confined to an old house in an old country.

"The Overtone" looks at a sterile marriage with no children and no spontaneous sexual feeling between the couple. Lawrence seems to lose interest in the story, although he introduces a younger woman who walks away baffled at the end. His purpose seems to be to analyze the relationship between men and women in religious terms - Christianity for the women and the old Pan religion for the men. Lawrence produces some fine writing, but the argument at the end of the story seems contrived.

"Adolf" is a charming story of a wild rabbit introduced by the father into a miner's home, to the delight of the children and the despair of the mother. Larger questions of life and death and nature and civilization are touched on with a light hand.

In "The Thimble", Lawrence moves to the world of the affluent middle classes, a world to which he perhaps aspired. The story is a touching one of a disfigured husband returning home from the war to a beautiful new wife. The thimble of the story can be seen to represent purposeless, surface beauty, which has no function. The husband casts the thimble away, but can this marriage survive the surface damage and find a deeper meaning?

In this beautifully observed study of a new marriage and the sexual tensions that run through it, Lawrence returns to his theme that happiness in marriage can only come with the submission of the woman to the man. The young wife strains against the bonds of being married and dallies with another man but returns to the arms of her husband once he shows his true feelings for her.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Jimmy and the Desperate Woman" tells the improbable story of an intellectual editor persuading a working woman to live with him. We would say now "on the rebound" from a failed marriage, but Lawrence crosses the class divide and poses questions about what makes us attracted to other people. The intellectual twists and turns of the magazine editor contrast nicely with the stark honesty of the spurned miner husband.

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?

"Monkey Nuts" was written by D.H. Lawrence in 1922. "Monkey Nuts" turns the traditional love story on its head. It is the woman (the new liberated woman Lawrence had little time for) who does the chasing and the boy who is reluctant. Lawrence seems to be saying it is the unspoken love between the two men in the story which is more satisfying than the possible love between the man and the woman, which the boy rejects. Although the older man goes through the motions of chasing the girl, even he seems to realize the sterility of one-sided love.