Showing results by narrator "David Rintoul" in All Categories

This audiobook, read by three Audie award-winning narrators, includes unabridged recordings of Fyodor Dostoyevsky and Leo Tolstoy's greatest novels. Translations by Constance Garnett and Aylmer & Louise Maude. This audiobook is fully indexed. Once downloaded, each book and chapter will be listed so you can easily navigate to the individual section.

Since the 16th century we have been fascinated by Henry VIII and the man who stood beside him, guiding him, enriching him, and enduring the king's insatiable appetites and violent outbursts until Henry ordered his beheading in July 1540. After a decade of sleuthing in the royal archives, Diarmaid MacCulloch has emerged with a tantalizing new understanding of Henry's mercurial chief minister, the inscrutable and utterly compelling Thomas Cromwell.

From the searing "Dulce et Decorum Est" to the mournful "Anthem for Doomed Youth," Owen gives voice to the silenced, the shattered, and the sacrificed. His verse speaks across time, resonating with readers today as much as it did a century ago, in an age still scarred by conflict and searching for meaning.

At the end of the Nuremberg trials in 1946, some of the greatest war criminals in history were sentenced to death, but hundreds of thousands of Nazi murderers and collaborators remained at large. The Allies were ready to overlook their pasts as the Cold War began, and the legacy of the Holocaust was in danger of being forgotten. In The Prosecutor, Jack Fairweather brings to life the heroic story of Fritz Bauer who survived the Nazis as a gay Jewish man to force his countrymen to confront their complicity in the genocide.

Book Two in Herbert’s classic ‘rats’ series.They've waited long enough.The mutant white rats had grown and mated, creating offspring in its own image. They dominated the others, the dark-furred ones, who foraged for food and brought it back to the lair. Now the dark rats were restless, tormented by a craving they could not satisfy. But the white sluglike thing that ruled them knew. Its two heads weaved to and fro and a stickiness drooled from its mouth as it remembered the taste of human flesh.

Here, in this second collection of Socratic Dialogues from Plato's Early Period, read by David Rintoul as Socrates with a full cast, are contrasting six works. Often, as with Gorgias, which opens the recording, Socrates combats the popular subjects of sophistry and rhetoric, in direct conversation with Gorgias (a leading sophist teacher), and with one of his pupils, Callicles.

Demosthenes (384-322 BCE) is regarded as one of the greatest orators of Classical times. This view has persisted through the centuries even though his rousing speeches warning of the dangers of Macedonian expansion failed to stem the course of continued military success. Each of the orations in this collection is preceded with an introduction setting the scene, and outlining the context in which they were delivered. This also gives a concise picture of Athens at this difficult point in its history. All the speeches are prefaced by the historical setting.

This recording presents a scholarly but accessible 20th century translation by Constantine FitzGibbon, and opens with an introduction to the life and works of La Rochefoucauld, as well as his own description of himself. It closes with a brief but interesting bibliography, in which FitzGibbon brings clarity to the various editions. It is presented in a very listenable manner by David Rintoul, who gives each maxim the weight and character it deserves.

Detective Ulf Varg from the Department of Sensitive Crimes is often called upon to investigate unusual matters. But rarely is he asked to conduct an inquiry on behalf of his own family. Is such a thing ethical? Adding to Ulf's moral discomfort is the fact that he does not exactly see eye to eye with his younger brother Bjorn - a leading player in one of Sweden's right-wing parties, the Moderate Extremists. Still, family is family, so Ulf finds himself working to uncover the mole leaking secrets to a rival party, the Extreme Moderates.

Robert Louis Stevenson was a novelist, essayist, poet and travel writer, and created some of the most famous and influential characters in modern literature. From Long John Silver and David Balfour to Dr Jekyll and Mr Hyde, his figures swiftly became the shorthand for piracy, monstrous medicine, and the slave trade in America. A master of atmosphere and an enthusiast of foreign travel, Stevenson wrote countless stories which have been enjoyed in film, television and theatre adaptations throughout the years.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

HMS Royston, Coastal Forces Depot Ship, is mother ship to a battered, war-worn bunch of MTBs and MGBs. New on board is Sub-Lieutenant Royce: commissioned for three months, sea experience three months in an Asdic trawler, and aged 20. His commanding officer is Lieutenant Harston, aged 23.

His predecessor has been killed in action 48 hours earlier and is now hardly remembered. The crew are all young - some very young - but all old before their time....

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Joseph Conrad's searing tale of one of the strangest and most memorable journeys ever taken. Quite simply the scariest book ever written, this is a searing tale of one of the strangest and most memorable journeys ever undertaken - to the heart of a geographical and psychological wilderness from which no-one returns unscarred. For this isn't simply a journey up an uncharted river into a geographical wilderness; rather, it's a trip deep into our collective subconscious.

The remarkable range of Plato's Dialogues is vividly demonstrated by these three works. It opens with Phaedrus, a highly personal discussion between Socrates (David Rintoul) and the young, love-struck Phaedrus (Gunnar Cauthery). They go for a walk outside the walls of Athens and, under a plane tree by the banks of the Ilissus, talk about love - erotic and 'Platonic' love. Socrates endeavours to steer Phaedrus away from infatuation and show him that real love is based on concern for the beloved.

When Emily and Jess Volnik's family inherits a remote, crumbling Scottish castle, they also inherit the Boggart - an invisible, mischievous spirit who's been playing tricks on residents of Castle Keep for generations. Then the Boggart is trapped in a rolltop desk and inadvertently shipped to the Volniks' home in Toronto, where nothing will ever be the same - for the Volniks or the Boggart. In a world that doesn't believe in magic, the Boggart's pranks wreak havoc. And even the newfound joys of peanut butter and pizza and fudge sauce eventually wear thin for the Boggart. He wants to go home....

Jonathan Oldbuck, the antiquary of the title, has a passion for the past–and delights in trying to convey it. He meets the mysteriously taciturn young Lovel and the two strike up a friendship, bonding over Roman ruins. When Lovel falls for Isabella, daughter of a local landowner, it looks like an impossible situation. Sharp, funny, gothic, romantic, and full of action, this is a thoroughly entertaining window on Scottish life in the summer of 1794: it was Scott’s intention to show the spirit of the times, and how the past affects the present–and it was his own favourite of all his novels.

It is 1938 and the final days of the British Empire. In a bungalow high up in the green hills above the plains of Ceylon, under a vast blue sky, live the Ferguson family: Bella, a precocious eight-year-old; her father Henry—owner of Pitlochry, a tea plantation—and her mother Virginia. The story centres around the Pavilion in the Clouds, set in the idyllic grounds carved out of the wilderness. But all is not as serene as it seems. Bella is suspicious of her governess, Miss White’s intentions.

It was a strong face, certainly—the eyes pale grey and very cold, the mouth was hard, the dark hair-grey-streaked now—still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorized biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination.

Paris in 1895: Alfred Dreyfus, a young Jewish officer, has just been convicted of treason, sentenced to life imprisonment at Devil's Island, and stripped of his rank in front of a baying crowd of 20,000. Among the witnesses to his humiliation is Georges Picquart, the ambitious, intellectual, recently promoted head of the counterespionage agency that Dreyfus had passed secrets to the Germans. At first, Picquart firmly believes in Dreyfus' guilt. But it is not long after Dreyfus is delivered to his desolate prison that Picquart stumbles on information that leads him to suspect that there is still a spy at large in the French military.