Mostrando resultados por autor "Charles Dickens" en Todas las categorías

Tantor Media presents a collection of some of the most popular Christmas stories read by two award-winning narrators. This special anthology will transport listeners back to the Christmases of their youth, when they first heard these holiday tales

Nel 1851 Charles Dickens accompagna il detective Charles Frederick Field (1805-1874) in una nottata a giro per i sobborghi londinesi. Il racconto che ne scaturisce - pubblicato sotto forma di articolo sulla rivista Household Words - è l'acuta ricostruzione dello squallore notturno di una grande metropoli. Avventurandosi fra taverne malfamate, vicoli bui e quartieri in mano alla malavita, Dickens, Field e i loro uomini toccano con mano i pericoli che si celano nelle periferie vittoriane, offrendo a chi legge l'opportunità di rivivere un'epoca remota, ma non per questo morta e sepolta.

Improve your English without any extra studying, with audiobooks by Read Stories - Learn English. We meet: a signalman who has a terrible secret working on a lonely railway line; two men who are the only guests in a hotel where strange things keep happening; a painter who meets a mysterious young woman on a train and is asked to paint her portrait; an old professor with many sad memories, who is given a choice: Does he want to forget his past?

"The Battle of Life: A Love Story" is a novella by Charles Dickens, first published in 1846. It is the fourth of his five "Christmas Books". The setting is an English village that stands on the site of an historic battle. Some characters refer to the battle as a metaphor for the struggles of life, hence the title. "The Battle of Life" is the only one of the five Christmas Books that has no supernatural or explicitly religious elements. (One scene takes place at Christmas time, but it is not the final scene.)

Toby Veck is a humble porter who has lost his faith in humanity. Then high up in a church steeple, where spiders spin their castles in the air, the spirit of the bells appear to take Toby on a New Year's Eve journey where he discovers all he has to be grateful for.

This adaptation of Charles Dickens's beloved novella, A Christmas Carol, attempts to convey this wonderful story of a covetous old sinner's redemption into a two hour long performance. In its narration, some slight liberties have been taken to make accessible obscure words and references that some modern listeners may find challenging. The retained dialogues and dialects are those of Charles Dickens and remain faithful to his writing.

When Nicholas befriends Smyke, a physically challenged runaway from a deplorable Yorkshire school, he risks his livelihood and the livelihoods of his sister and mother. Through many hardships and adventures, Nicholas demonstrates that loyalty and integrity can overcome the most devious machinations. Featuring a glorious cast of Dickensian heroes and villains, Nicholas Nickleby is a tour de force Victorian novel.

First published in 1850, David Copperfield is the eighth novel of Charles Dickens. Like most of his work, it had been previously published in serial form in 1849. It is said to be the most autobiographical of all his novels, and Dickens late wrote of it, "… like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield." The book has been greatly praised by some of the world's greatest authors, including Tolstoy, Lawrence, and Dostoevsky.

Oliver Twist jest biedny. Urodzony w przytułku chłopiec zawsze był i będzie traktowany jak wyrzutek. Oliver nie chce przez całe życie ciężko pracować za nędzny posiłek, ale szybko się dowiaduje, że proszenie o coś więcej nie jest dla niego bezpieczne. Tak naprawdę Oliver potrzebuje tylko jednego: rodziny. Jednak czy rodzina złodziei, porywaczy i zabójców zasługuje na takie miano?

After eighteen years as a political prisoner in the Bastille, the aging Doctor Manette is finally released and reunited with his daughter in England. There the lives of the two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil roads of London, they are drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror, and they soon fall under the lethal shadow of the guillotine.

The Mystery of Edwin Drood is the final novel by Charles Dickens, originally published in 1870. Though the novel is named after the character Edwin Drood, it focuses more on Drood's uncle, John Jasper, a precentor, choirmaster and opium addict, who is in love with his pupil, Rosa Bud. Miss Bud, Edwin Drood's fiancée, has also caught the eye of the high-spirited and hot-tempered Neville Landless. Landless and Edwin Drood take an instant dislike to each other. Later Drood disappears under mysterious circumstances.

In the preface to the 1867 Charles Dickens edition of the beloved masterpiece, he wrote, "… like many fond parents, I have in my heart of hearts a favorite child. And his name is David Copperfield." The author’s most autobiographical work, along with his social-reform inspiring classic, Oliver Twist, is faithfully adapted for young listeners in this wonderfully narrated presentation of two timeless Dickens tales.

A newly qualified doctor receives a call from his first patient - a mysterious woman who is deeply distressed and who is covered in a thick black veil. She tells him a confusing story about a dying man who she wishes the doctor to visit the following day, although she assures the doctor that the patient will certainly be dead by then. The young doctor agrees that he will make the visit at nine on the next morning...and finds himself on the strangest professional call of his entire life.

Mrs. Peerybingle is bright and sharp as a tack. Her husband John is a carrier, a profession as lumbering and sturdy as he is himself. When the crafty Tackleton seeks to cause mischief to forward his own nefarious plans, John’s steady heart is sorely wounded. Luckily there is a cricket on the hearth to act as a guardian angel for all of them. A huge commercial success when it was first published in 1845, this Christmas fantasy is a lovely portrait of Victorian life.

"A Christmas Tree" is perhaps best described as Dickens' "other" Christmas story. This is an elderly narrator's reminiscence of holidays past, each incident inspired by the gifts and toys that decorate the traditional tree. There is a range of appeal in the story itself, from snug memories of beloved toys to the passing along of eerie stories surrounding various childhood haunts.

A Christmas Carol is a work of power and beauty. It has delighted and enthralled readers since it was first published in 1843. Perhaps Charles Dickens’ best-loved work, the story follows the trials and tribulations of Ebenezer Scrooge, man of business and notorious skinflint even by the City’s stringent standards, who is taken on a journey of self-discovery by his late business partner, the spirit Jacob Marley, with the help of three supernatural apparitions: the Ghosts of Christmases Past, Present and Yet to Come.

Featuring work by Charles Dickens, Mary Elizabeth Braddon, Clara Venn and Hume Nisbet, this collection of nine enduring stories - some well-known, others less familiar - evoke the many spirits of Christmas. Featuring misty journeys to distant loved ones, Christmas Eve manifestations and lonely, frost-filled vigils.

Great Horror Stories is a vintage collection of some of the finest ghost tales, horror stories, and supernatural legends ever written, by the best writers the genre has to offer.

Dominic Cooper reads Dickens' classic tale Oliver Twist. Dickens' timeless novel transports readers to a Victorian England filled with frightened orphans, grim workhouses and gangs of thieving children. Orphaned Oliver lives in a cold grim workhouse until the day he dares to ask for more food. Escaping to London, Oliver finds new friends and thinks he has a home at last. But his troubles are only just beginning.

I am a Cheap Jack, and my own father's name was Willum Marigold. It was in his lifetime supposed by some that his name was William, but my own father always consistently said, No, it was Willum. On which point I content myself with looking at the argument this way: If a man is not allowed to know his own name in a free country, how much is he allowed to know in a land of slavery? As to looking at the argument through the medium of the Register, Willum Marigold come into the world before Registers come up much,-and went out of it too.