Mostrando resultados por autor "D.H. Lawrence" en Todas las categorías

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

In a tumultuous marriage, Mrs. Holroyd endures the torment of her loutish miner husband, whose drinking and abusive behavior shatter her spirit. When a charming neighbor begins to show her affection, she finds herself harboring dark thoughts about her husbands fate. Will she dare to wish for his demise? - Summary by Michele Eaton

Lady Chatterley's Lover is D. H. Lawrence's last novel. First published privately in 1928, Lady Chatterley's Lover was banned from wider publication in the UK until 1960 and was the subject of censorship and book banning in the United States and elsewhere. Its erotic subject material, colorful language, and discussion of interclass relations were deemed obscene.

From the earliest oral traditions to ink on parchment and ultimately the printing press, this is the story behind the best-selling book of all time. Original texts were captured and passed down from generation to generation by elders and leaders, many inked by hand in extreme conditions. Christians and Jews canonized the Christian, Catholic, and Hebrew Bibles over a period of thousands of years. Devoted people dedicated their lives throughout time to put this unique book into the hands of people worldwide.

The last and most famous of D. H. Lawrence's novels, Lady Chatterley's Lover was published in 1928 and banned in England and the United States as pornographic. While sexually tame by today's standards, the book is memorable for better reasons---Lawrence's masterful and lyrical prose, and a vibrant story that takes us bodily into the world of its characters.

Set in the rural midlands of England, The Rainbow revolves around three generations of Brangwens, a family deeply involved with the land and noted for their strength and vigour. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. Their stories continue in Women in Love.

Written in 1913, D H Lawrence's first major novel, Sons and Lovers, was the one of the earliest in the English language to explore a close-knit mining community from the inside. Lawrence's semi-autobiographical novel, set in the Nottinghamshire coal fields, is renowned for its accurate portrayal of working-class life and for its use of local dialect. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with his over possessive mother, and the women he falls in love with.

Crowned ‘the greatest imaginative novelist of our generation’ by EM Forster, DH Lawrence has an undisputed place in England's canon of great authors. In this wide-ranging collection, dramatisations and readings of some of his major works are brought together, exploring themes such as romantic love and sexual desire, individual freedom, class division, war, the beauty of nature and the ugliness of industrialisation.

Two women isolated on a lonely Cornish farm face an evil greater than all others: A fox has begun carrying off hens and roosters, and nothing they do seems to stop him. And then one day, a mysterious young man appears at the door. Now the women have to fend off not one, but two foxes.

A powerful and engrossing tale of extremes and extremists, D. H. Lawrence's Women in Love follows the passionate relationships of two sisters, Gudrun and Ursula Brangwen, with their respective lovers, the ominous Gerald Crich and the charismatic but fragile Rupert Birkin.

Gerald Crich, son of a wealthy colliery owner, captures the heart of Gudrun, while Ursula becomes enamored with Rupert Birkin, a school inspector - their complex relationship likely modelled on that between Lawrence, his wife Frieda, and John Middleton Murry and Katherine Mansfield. Things are far from harmonious, and the discord and conflict leads to many heated and elaborate philosophical discussions about modern society and the nature of love, while tragedy looms large.

In this course, objectively delivered by Professor Lawrence H. Schiffman, listeners will engage in a discussion on how that collection came into being and how it was passed down and interpreted throughout the ages. You will sample approaches both traditional and modern, making use of the works of a broad sampling of scholars - ancient, medieval, and modern - to understand the message of the Hebrew Scriptures and the stories they told

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; and Mary Shelley, amongst a host of others.

Publicada en Florencia a cuenta del autor en 1928 y prohibida en Gran Bretaña hasta 1960, cuando fue objeto de un famoso juicio por obscenidad, El amante de lady Chatterley está considerada hoy en día una de las grandes novelas del siglo XX. En sus páginas, D. H. Lawrence no solo explora con lujo de detalles el romance adúltero entre una mujer casada con un aristócrata y el guardabosques de su finca, sino que ofrece un magnífico diagnóstico de la sociedad británica del periodo de entreguerras, «una época esencialmente trágica».

With her soft brown hair, lithe figure and big, wondering eyes, Constance Chatterley is possessed of a certain vitality. Yet she is deeply unhappy; married to an invalid, she is almost as inwardly paralysed as her husband Clifford is paralysed below the waist. It is not until she finds refuge in the arms of Mellors the game-keeper that she feels regenerated. Together they move from an outer world of chaos towards an inner world of fulfillment.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

In The Rainbow, D. H. Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. A visionary novel, considered to be one of Lawrence's finest, it explores the complex sexual and psychological relationships between men and women in an increasingly industrialized world.

Lawrence wrote The Plumed Serpent between 1923 to 1924, a time when he was in ill health, living in Mexico, and becoming dependent on his wife Frieda. The plot revolves around a movement to replace the Christian God with the old pre-conquest gods, such as Quetzalcoatl, the plumed serpent of the title.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.