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Childe Harold narrates the experiences of a young nobleman, sated with the wine, women, and song of his native England, who goes forth in search of the wine, women, song, and adventure of Spain, Greece, and the Ottoman Empire. The book is literally an armchair travelogue in rhyming couplets. He expresses himself in vivid, forceful and emotional language on all that he enounters and shapes his experience into a deep study of that subject so favored by all the Romantic poets - himself.

With Childe Harold's Pilgrimage, cantos III and IV, Byron comes to the high point of his work and to clear and definite mastery of his art as a poet. Though he himself doubts his powers - he says his visions no longer swim so palpably before his eyes as once they did - his visions are far more palpable to us, expressed as they are with the full depth of his romantic and passionate feelings. He continues the device of the journey of the fictional Harold, but Harold is almost a ghost; the thin disguise and facade that separates him from the poet essentaily vanishes.

The best way to appreciate this long and fascinating poem, really a novel in verse, is to just let it wash over you. Don't try to get caught up in the story, for Byron won't let you do that; don't try to figure it out, for Byron doesn't want you to do that either. Just listen to the man converse with you and enjoy his playful talk - that's why he wrote it, and that's what it's for.

English society in the 1860s was on the brink of enormous change, and some of the biggest changes coming to birth in that time were tremendous changes in the status of women - changes affecting politics, economics, law, government, business, education, psychology, religion, and sexuality, and the list goes on. The changes John Stuart Mill foresaw in 1861 as he wrote The Subjection of Women were just beginning to surface in his own time and have not yet run their full course in ours.

We hope you will enjoy these fine, old-fashioned stories that Lord Byron wrote in an old-fashioned way. He tells these tales in rhyming verse and heroic couplets, and he makes them dashing, romantic, and even melodramatic in a way that has become foreign to us with the passing of time.

In this, the 13th of the series, Dumas, the novelist-historian, finds ample scope for his favorite approach. His subject is a well-documented historical figure: Ali Tepelini, most often known as Ali Pasha and known even in his own day as The Lion of Tepelen. Dumas presents us with an extraordinary character, a man of tremendous courage, unstoppable tenacity, matchless duplicity, extreme debauchery, disgusting cruelty, and amazing ingenuity.

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct, and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

In this, the fourth volume of this series, we hear the poetry in which Byron began to make his mark on the world. Though his major breakthrough with Childe Harold is yet to come, his English Bards and Scotch Reviewers was a definite hit in its time, establishing Byron as a known poet and ensuring that his reputation as a literary bad-boy was off to a good start.

Sara Teasdale - winner of a Pulitzer Prize, the Poetry Society of America prize, and other awards - lived for love and beauty and died by her own hand. Her poetry shows vividly what an intensely passionate woman she was, so much so that in some of her poetry she speaks of the impact of beauty in terms of physical pain, and the impact of love in terms of birth and death. She knew the world of her time; her poetry reacts to New York, to Chicago, to Paris; she knew the poets of her time, including a long and painful relationship with the poet Vachel Lindsay.

The fundamental message of A Preface to Politics is that statesmanship cannot succeed if it focuses merely on the forms and mechanics of government and the technical development and administration of policy. Political leadership can be successful only if political leaders attune themselves to the human beings they lead, keeping themselves abreast of their wants and needs and the social and cultural movements among them. No political mechanism can function without intelligent, perceptive, and responsive people to make it work.

In Earth Triumphant, Conrad Aiken's first major book of poetry, he took on a significant subject: What is the ultimate source of the human spirit? When the young human spirit loves, rages, strives, plays, where does that energy come from? When the old human spirit sees that time has passed and death is coming, where does that spirit find rest?

This is Carl Sandburg's fourth collection of poetry. His signature style, a rough-and-ready free verse that often transforms into poetic prose, is in full view. Like Whitman before him and like Masters and Frost in his own time, he puts his focus directly on life as he sees it around him, life in the rough-and-tumble Chicago of the early 20th century and life in the American West at a time when that wild country was finally succumbing to civilization

John Maynard Keynes died in 1946, but his name is still prominent in economics and politics worldwide. Although his contributions to economic theory established and maintain his fame, he also - particularly at the time in his life when he wrote the present book, Economic Consequences of the Peace - showed a flair for practical political work. At the end of World War I he was appointed as the British Treasury's representative to the Versailles Peace Conference. His experiences at the Conference formed the basis of this book.

George Gordon, later Lord Byron, published Fugitive Pieces in 1806 when he was only 18 years old. It was printed, but Byron's friends, particularly Reverend Thomas Beecher, advised him that it contained poems that were scandalously amorous, particularly the poem "To Mary". Byron suppressed it by having all the copies destroyed - or so he thought. As it happened, Thomas Beecher himself kept his copy, and there were three other copies that were not destroyed.

For those who love Byron’s poetry, the value of this work is not so much the poetry itself as the promise of what is to come, it is fascinating to see how his power as a poet is constantly growing and to see how his enormously romantic heart and soul goes about fashioning itself.What sort of poems are these? They are the work of an enormously talented young man, whose skills as a poet are still developing.

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language - has minced no words - to describe violent scenes of violent times. In this, the first of the series, Dumas tells the luridly sexy, amazingly violent, and strikingly amoral story of the three most famous members of the Borgia family - Pope Alexander VI, Lucrezia, and above all Cesare.

There's a long tradition of English Christmas stories, sometimes serious, sometimes humorous, often revolving around ghosts and apparitions. Dickens drew on it in a serious vein in A Christmas Carol; here, Jerome K. Jerome tells hilarious stories from around an English Christmas fireside.

As in the first two volumes of this series, our interest in these poems is not so much the poetry itself as the promise of what is to come. In these poems, mostly written in the years just before Byron left England to tour in Europe, it is fascinating to see how his power as a poet is constantly growing and to see how his enormously romantic heart and soul goes about fashioning itself.

William Hazlitt is one of the foremost writers of the English language. His fame as a critic, essayist, and social commentator ranks with the likes of Samuel Johnson and George Orwell. He considered his justly famous Life of Napoleon as his most important work. In this, the first volume of the work, William Hazlitt devotes the vast majority of the work to the vital historical background: Napoleon's family; the history of Corsica; where he grew up, as it affected him and his family; and, above all, the history of the French Revolution up to the siege of Toulon.

Sigmund Freud's Psychopathology of Everyday Life is surely the most approachable and enjoyable of all his works. By turning the spotlight of his ideas about the nature and function of the unconscious mind onto simple and easily understandable incidents that we have all experienced, such as slips of the tongue, forgetfulness, and the like, he shows us, often in rather humorous ways, just how our unconscious minds have a powerful influence on everything we do.