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George Gordon, later Lord Byron, published Fugitive Pieces in 1806 when he was only 18 years old. It was printed, but Byron's friends, particularly Reverend Thomas Beecher, advised him that it contained poems that were scandalously amorous, particularly the poem "To Mary". Byron suppressed it by having all the copies destroyed - or so he thought. As it happened, Thomas Beecher himself kept his copy, and there were three other copies that were not destroyed.

At one point in his moody, erotic, and barbarous romance of She, H. Rider Haggard puts into the mouth of his narrator, Horace L. Holly, the observation that her story sounded like some extraordinary invention of a speculative brain. That, precisely, is what She is: a really marvelously inventive story, combining an amazing variety of what should be utterly implausible ideas into a fabric that constantly feels like truth.

Childe Harold narrates the experiences of a young nobleman, sated with the wine, women, and song of his native England, who goes forth in search of the wine, women, song, and adventure of Spain, Greece, and the Ottoman Empire. The book is literally an armchair travelogue in rhyming couplets. He expresses himself in vivid, forceful and emotional language on all that he enounters and shapes his experience into a deep study of that subject so favored by all the Romantic poets - himself.

This is Carl Sandburg's third book of poetry and his largest. It is also the most wide-ranging. The title, Smoke and Steel, suggests the steel industry he knew in Chicago, Gary and Pittsburg, but he writes about many other things as well. His over-arching theme seems to be human life as a struggle in adversity, a struggle for the mere necessities of life - food, clothing, shelter, work - and a struggle for the human soul, a struggle for love, charity, justice, equality.

William Hazlitt is one of the foremost writers of the English language. His fame as a critic, essayist, and social commentator ranks with the likes of Samuel Johnson and George Orwell. He considered his justly famous Life of Napoleon as his most important work. In this, the first volume of the work, William Hazlitt devotes the vast majority of the work to the vital historical background: Napoleon's family; the history of Corsica; where he grew up, as it affected him and his family; and, above all, the history of the French Revolution up to the siege of Toulon.

For everyone who loves, who ever loved, who searches for love, who suffers from love, who rejoices in love, these poems are for you. Are you in love? Have you ever been in love? Do you wish you were in love? Or perhaps you wish you weren't in love? This set of 70 poems is for you. It ranges in time from the classical Greece to the voices of the early 20th century.

The best way to appreciate this long and fascinating poem, really a novel in verse, is to just let it wash over you. Don't try to get caught up in the story, for Byron won't let you do that; don't try to figure it out, for Byron doesn't want you to do that either. Just listen to the man converse with you and enjoy his playful talk - that's why he wrote it, and that's what it's for.

This volume of The Poetry of Lord Byron is focused on work in which Byron dealt with certain themes that recurred throughout his career, especially personal integrity in the search for freedom and for love, and the suffering that can go with that search. "The Prisoner of Chillon", the keynote piece of this volume, is one of Byron’s most riveting pieces. Based on the true story of Francois Bonivard, it tells a story of political repression and human endurance.

This volume of Lord Byron’s poetry contains four sets of his poems, starting with his famous book of poetry, Hebrew Melodies, and continuing with the Poems of the Separation, poetry he wrote in the period 1816-1823, his “Jeux d’Esprit”, and a group of poems written in homage to the great poets of Italy. Hebrew Melodies is a collection of lyrics Byron wrote to be set to music, as indeed they were, by a composer named Isaac Nathan.

We hope you will enjoy these fine, old-fashioned stories that Lord Byron wrote in an old-fashioned way. He tells these tales in rhyming verse and heroic couplets, and he makes them dashing, romantic, and even melodramatic in a way that has become foreign to us with the passing of time.

Although the theories presented in this book, a 1915 edition of the lectures Jung presented at Fordham University, are now thoroughly outdated, this book is still a fascinating glimpse of Jung's mind at a crucial time in his life. Just three years previously, he had struck out on his own, publishing his Wandlungen und Symbole der Libido, known in English as Psychology of the Unconscious.

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct, and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

John Maynard Keynes died in 1946, but his name is still prominent in economics and politics worldwide. Although his contributions to economic theory established and maintain his fame, he also - particularly at the time in his life when he wrote the present book, Economic Consequences of the Peace - showed a flair for practical political work. At the end of World War I he was appointed as the British Treasury's representative to the Versailles Peace Conference. His experiences at the Conference formed the basis of this book.

The Wood Beyond the World transports its hero, Walter the Golden, from the English village of Langton-on-Holm across the seas to a magical kingdom in a forest beyond the known world, ruled by the Mistress, an extraordinarly beautiful, complex, and sinister woman. There he meets the Maid, a woman captured, enslaved, and tortured by the Mistress, who has magical powers of her own.

This was Carl Sandburg's breakthrough book. It is easy to see how it draws directly on Sandburg's life in Chicago, because it speaks powerfully of the specific character of that city, and indeed, begins with his famous poem that names Chicago as the "City of the Broad Shoulders." His poetry is deeply aware of the inner life of the city, from a homeless woman freezing in a doorway to the lifestyles of the rich and powerful.

Sara Teasdale - winner of a Pulitzer Prize, the Poetry Society of America prize, and other awards - lived for love and beauty and died by her own hand. Her poetry shows vividly what an intensely passionate woman she was, so much so that in some of her poetry she speaks of the impact of beauty in terms of physical pain, and the impact of love in terms of birth and death. She knew the world of her time; her poetry reacts to New York, to Chicago, to Paris; she knew the poets of her time, including a long and painful relationship with the poet Vachel Lindsay.

When Lytton Strachey published Emininent Victorians, he took the general perception of the Victorian age among English-speaking readers and turned it upside-down. Four of the most eminent and idealized heroic figures of the Victorian age came under his witty and unsparing gaze and emerged, astonishingly enough, as human beings.

In Merlin, Edwin Arlington Robinson delves into the minds and hearts of a gallery of characters from the story Camelot. He places the action at the moment when Guinevere and Lancelot have fled to Joyeux Gard, and Arthur, goaded on by Modred and Gawaine, is reluctantly preparing an army to make war on them. It is at this time that he needs the advice and support of his old mentor, Merlin, more than ever before in his reign and his life, but it is at just this crucial time that Merlin has found that the love of Vivian is more important to him than kings, knights, or Camelot itself.

When Lord Byron published Childe Harold's Pilgrimage, he woke up one moring to find himself famous. Not long after that, when the word of his separation from Lady Byron got out, he woke up one morning to find himself infamous. Ever since then, his name has been linked inextricably with great lyric poetry and great sexual scandal. Women found him irresistible; he found them irresistible, and the resulting fireworks flared through the skies of the English upper classes of the Regency with tremendous color and enormous noise.

Conrad Aiken was fascinated throughout his early work with the image of a tempestuous, romantic young man who tears himself away from his wife, his first love, and from a pastoral, peaceful life in a rural setting, to pursue what he hopes will be a richer, fuller, more rewarding life in a great city. In this book, Aiken explores this theme in full, especially in the final long poem, "Dust in Starlight", which also forms Part III of his trilogy, Earth Triumphant.