Mostrando resultados por Editor "Button Poetry" en Todas las categorías

Butcher is a book about love & loss—about being unapologetic and transparent in grief. Natasha finds an unexpected solace in the kitchen after losing her best friend and brother, Marcus. Here, using the cuts of the cow as a metaphor Miller explores addiction, family & tragedy.

Born in a Second Language investigates how translation shapes and alters both language and identity as speakers travel through space and time. In this book, languages are a means of conjuring an existence, of full expression and of defining who one becomes. Home exists on a spectrum: Botswana, Zambia, Ghana, one’s body, music, mother, mother tongue etc.

If Ollie Schminkey’s Dead Dad Jokes asks the question, “What was it like to watch my father die?”, Where I Dry the Flowers asks “How did watching someone die teach me how to live?” This unrestrained and raw sophomore collection explores themes of grief, healing, and forgiveness while refusing to sacrifice the hard truths that come with addiction, caretaking, and the death of a loved one. Ollie opens their heart to listeners and tells them that these emotions are okay, no matter how conflicting and confusing they may be.

Set in three sections, Robert Wood Lynn explores interior uncertainty, interpersonal uncertainty and uncertainty at a larger scale. These narrative poems, influenced by storytelling traditions, find themselves at the nexus of the intimate and the humorous, as well as the absurd and the tragic. These poems examine isolation and grief in their many forms—through heartbreak or the death of loved ones, or show us the world looking back at itself after it ends.

In Sierra DeMulder’s melancholic yet beautifully hopeful poetry collection, Ephemera, she writes with the wisdom of someone who has learned to love and lose. Each poem reads delicately and elegantly, just fleeting memories. Split into 4 sections detailing intimate experiences from the painful deaths of family members who clung to life, to passionate love she feels for her own mortal wife, DeMulder plays a sweet song by pulling on her own well worn heart strings.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.

A Socially Acceptable Breakdown is a poetry collection that explores themes of family, queerness, mental health, grief, pop culture, body image, love, joy, memory, myth, and magic.

Darius Simpson’s debut collection Never Catch Me centers on Black boyhood in the midwest and familial disintegration over time. Simpson pulls back the curtain, exposing the violence enacted against and upon, Black bodies, and yet, still, each poem is saturated in revolution and hope. Never Catch Me is the anthem necessary to organize a community that is committed to a better right now–one that can only be achieved with an intensity and action that goes far beyond the page.

Through poems of immense emotion, and the use of alluring form, Abraham crafts work that examines what we come to own by existing.

The Willies, Falkner’s first full-length poetry collection, offers a sharp and vulnerable portrait of the journey into queerhood in America. Departing from a more familiar coming out narrative he centers the stories of dueling selves. Masquerading white boy. Child of an addict. Closeted varsity athlete. At its core, The Willies asks us to consider who we will become if we do not grapple with what scares us most.

In Please Come Off-Book, Kevin Kantor crafts a raw and vulnerable confluence between two of their passions: acting and poetry, using their experiences as a trans non-binary theatre maker as an extended lens of exploration into gender identity, family dynamics, and growing up queer. Kantor critiques the treatment of queer figures with an adroit blend of humor and earnest longing, imagining a braver and bolder future, one in which Hamlet is trans (obviously) and queer characters get to survive their own stories.

Urbanshee is Siaara Freeman’s retelling of fairy tales and mythological stories through a modern and urban lens. This collection discusses the weight of being Black in America, Freeman’s relationships to lovers and family, and how the physical place you grew up can become part of your identity. Urbanshee expertly combines humor, fantasy, and raw emotion to create this astonishing reinvention of classic fables.

Usman Hameedi’s debut collection, Staying Right Here, is a journey in finding home. Hameedi invites listeners to bear witness to vignettes of joy and hardship as he navigates finding his place in America. From an ode to Bodegas, an autobiography of his eyebrows, and elegies for lost friends, Hameedi’s thematic metaphors for family, wellness, and American biases weave a literary tapestry.

Witty, nostalgic, rhythmic and forlorn, Matt Mason’s poetry calls on the classic rock music that shaped him. Mason laments on his childhood in the 80s and addresses the graduating preschool class of 2023, as he takes us on the coming-of-age roadtrip of a lifetime. An ode and ovation to what our ears taught us before we knew what to say, Rock Stars riffs on all things music, poetry, sports, and more. You’ll be itching with anticipation to flip over the tape, and see what the next track has in store.

Topaz Winters’ third poetry collection spans three countries & three generations. In a far-reaching & deftly-woven series of ars poeticas, Winters questions the boundary between the things we inherit & those we owe, stands at the grave of the American dream, & unspools the enormous grace & guilt of being loved.

In his debut full length collection, Junious ‘Jay’ Ward dives deep into the formation of self. Composition interrogates the historical perceptions of Blackness and biracial identity as documented through a Southern Lens. Utilizing a variety of poetic forms, Ward showcases to his audiences an innovative approach as he unflinchingly explores the way language, generational trauma, loss, and resilience shape us into who we are, the stories we carry, and what we will inevitably pass on.

Afterwards is a book about the things that come after trauma. It encompasses the different kinds of grief–primarily the loss of a friend to suicide, but also the loss of an important relationship, and dealing with some loss related to family. There are frank discussions of mental illness and the spectrum of emotions that come with moving forward.

Plaintive and joyous, sexy and ferocious—often all at once—Hated for the Gods is as much a call to action as it is a work of literature. Gorgeously rendered and skillfully constructed both to educate and inspire, Sean Patrick Mulroy’s poetry weaves together stories from his coming of age in the American South of the 1990s with the broader history of gay men in America. The result is a politically radical text that will leave you shocked with all you didn’t know about the history of queer people, and surprised by what you already knew but never could articulate.

Latinx, queer, poet Bianca Phipps dissects intimate family relationships in hopes of understanding conflict as a means of overcoming. Phipps’ debut explores an alternate timeline version of their own childhood and by moving back and forth between those timelines they highlight their own generational inheritance while inviting us to discover our own.

Between three sections of Basquiat-inspired vignettes, Tartarus offers the listener an unflinching look into Chapman’s emerging understanding of his relationship to Black masculinity through familial ties, the oscillation between nihilism and hope, and the ever present tensions felt moving through a state which sees the existence of your body as an inherent danger.