Showing results by narrator "John Burlinson" in All Categories

World-famous detective Hercule Poirot has retired to the English village of King's Abbot, determined to dedicate his little grey cells to the growing of vegetable marrows. But when Roger Ackroyd, a local businessman and former acquaintance, is stabbed to death, the man's niece begs Poirot to investigate. Poirot enlists the local doctor to be his assistant and scribe, and the two of them sift through clues to try to discern the ones that will lead them to the killer.

As the first important, book-length academic study in English of four of Shakespeare's major tragedies—Hamlet, Othello, King Lear, and Macbeth—Bradley's work both influenced and enabled modern Shakespearean literary criticism even as it engaged with, and often rebutted, conventional Romantic and Victorian interpretations of the plays and their author. Bradley's achievement has been widely praised for its philosophical and psychological insights and has never been out of print.

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

Endymion is the largest work by John Keats and was composed between April and November 1817. It was published in April 1818, and the critical reception was almost universally hostile. The plot is built around the ancient Greek legend of Endymion, the young shepherd whose beauty was such that the goddess of the Moon entreated Zeus to cast him into a permanent sleep so that she could gaze on him without interruption. Keats expands this story into an epistle on beauty and love, and weaves into it elements from several other Greek legends.

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

Anshel Brusilow started playing violin in 1933 at age five, in a Russian Jewish neighborhood of Philadelphia where practicing your instrument was as ordinary as hanging out the laundry. His playing wasn’t ordinary, though. At 16, he was soloing with the Philadelphia Orchestra. Brusilow turned in his violin bow for the baton and created his own Philadelphia Chamber Symphony. Next he took on the then-troubled Dallas Symphony Orchestra. Brusilow played with or conducted many top-tier classical musicians and has something to say about each one. He also made many recordings.

In the early 1900s, two families in Scurry and Kent counties in West Texas united in a marriage of 14-year-old Gladys Johnson to 21-year-old Ed Sims. Billy Johnson, the father, set up Gladys and Ed on a ranch, and the young couple had two daughters. But Gladys was headstrong and willful, and Ed drank too much, and both sought affection outside their marriage.

"My boy, may an old man's curse rest upon you, if you do not try to avenge your father!" Answering those words, young Frank Eaton determines to settle with each of the six men who had riddled his father full of lead. Frank's thirst for a reckoning takes him across the lawless Indian Territory, to Southwest City, Missouri, to the wide-open mesa lands of eastern New Mexico and, finally, to Albuquerque.

On a bloody day in 1887, death came to Blanco, Texas. Before the sun went down, the livery stable was torched, an outlaw gang robbed the bank, two men were killed, and young newlywed Ellie Taine was raped. One of the dead was the man who planned the robbery - the son of dying, legendary Texas Ranger Jonathan Crossland - the other was Ellie's husband, an innocent bystander.

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

R.U.R. (Rossum's Universal Robots) is a science-fiction drama that was first presented in Czech in 1921. It introduced the term "robot", which is derived from a Czech word meaning "worker," to international vocabulary. The action opens in a factory that has successfully produced thousands of robots, who are essentially mindless drones. An idealistic humanitarian activist launches a plan to imbue some of the robots with human traits. The robots which have been humanized then assume leadership over the other robots and seek to organize them in a revolution to take over the world.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

Will the unlikely romance between the rough and tumble stoker, Mat Burke, and Anna Christopherson, the world-weary daughter of the captain of a coal barge, survive? Set in 1910, the timeless question of, "How does love make us grow?" is pondered. This American classic, Anna Christie by Eugene O'Neill, is a play in four acts and won the Pulitzer Prize in 1922.

Although he achieved notable success as a novelist, poet, essayist, and painter, August Strindberg is best known today as one of the first and most significant masters of naturalist theatre. Among his many dramatic works are a number of one-act plays, four of which are presented in this recording. All of the plays feature a persistent theme in Strindberg's works: the inevitable disillusion that results from intense involvement in relationships, whether they be familial, romantic or circumstantial.

The Salome Ensemble probes the entangled lives, works, and passions of a political activist, a novelist, a screenwriter, and a movie actress who collaborated in 1920s New York City. Together they created the shape-shifting, genre-crossing Salome of the Tenements, first a popular novel and then a Hollywood movie. The title character was a combination Cinderella and Salome like the women who conceived her. Ginsberg considers the women individually and collectively.

The Wild Duck (Vilanden) is a tragedy with comic episodes. Ibsen himself characterized the play as a tragicomedy. It depicts ordinary life realistically instead of romantically and sentimentally, a revolutionary concept in Ibsen's time. The play is now generally acknowledged as one of Ibsen's supreme accomplishments.

In 1870, a 26-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land. The eloquence of her letter was such that it made its way into Harper’s Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and free the Paiutes as well.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

The belief that Native Americans might belong to the fabled “lost tribes of Israel” - Israelites driven from their homeland around 740 BCE - took hold among Anglo-Americans and Indigenous peoples in the United States during its first half century. In Lost Tribes Found, Matthew W. Dougherty explores what this idea can tell us about religious nationalism in early America.

This collection of 10 classic tales is very representative of Wharton's approach to story-telling - in the narrative, the venue becomes a character almost as much as do the people. Situations are presented in an elegantly understated way, and the overall effect is disturbing rather than blatantly horrific.