Mostrando resultados por narrador "Dylan Moore" en Todas las categorías

Nothing is simple about being a new mom alone in a new house, especially when your baby is collicky. Natalie Fanning loves her son unconditionally, but being a mother was not all she wanted to be. Enter Paul, the neighbor. Paul provides the lifeline she needs in what feels like the most desperate of times. When Paul is helping with Oliver, calmed by his reassuring, steady presence, Nat feels like she can finally rest. But Paul wants something in return.

Vincent is the beautiful bartender at the Hotel Caiette, a five-star glass-and cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: ‘Why don’t you swallow broken glass.’ Leon Prevant, a shipping executive for a company called Neptune Avramidis, sees the note from the hotel bar and is shaken to his core.

In this captivating tale of imagination and ambition, a seemingly disparate array of people come into contact with a time traveller who must resist the pull to change the past and the future. The cast includes a British exile on the west coast of Canada in the early 1900s; the author of a bestselling novel about a fictional pandemic who embarks on a galaxy-spanning book tour during the outbreak of an actual pandemic; a resident of a moon colony almost 300 years in the future; and a lonely girl who films an old-growth forest and experiences a disruption in the recording.

Lives separated by time and space have collided, and an exiled Englishman, a writer trapped far from home, and a girl destined to die too young, have each glimpsed a world that is not their own. Travelling through the centuries, between colonies on the moon and an ever-changing Earth, together their lives will solve a mystery that will make you question everything you thought you knew to be true.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

Jamie Kendal sees life through the bottom of a bottle. After surviving assault and betrayal, she hopes to dull the pain by returning to her hometown to care for her mother. Instead, she’s plagued by terrifying slivers of memories from the night her twin brother disappeared forever....

Vincent is a bartender at the Hotel Caiette, a five-star glass-and-cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company called Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core.

Meet the first Mrs Ford. Beautiful. Accomplished. Wealthy beyond imagination. Married to a much younger man. And now, she’s dead. Meet the second Mrs Ford. Waitress. Small-town girl. Married to a man she never forgot, from a summer romance 10 years before. And now, she’s wealthy beyond imagination. Who is Connor Ford? Two women loved him. And knew him as only wives can know.

Lives separated by time and space have collided, and an exiled Englishman, a writer trapped far from home, and a girl destined to die too young, have each glimpsed a world that is not their own. Travelling through the centuries, between colonies on the moon and an ever-changing Earth, together their lives will solve a mystery that will make you question everything you thought you knew to be true.

Vincent is the beautiful bartender at the Hotel Caiette, a five-star glass-and cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: ‘Why don’t you swallow broken glass.’ Leon Prevant, a shipping executive for a company called Neptune Avramidis, sees the note from the hotel bar and is shaken to his core.

Allie Lang is a professional ghostwriter and a perpetually broke single mother to a young boy. Years of navigating her own and America’s cultural definitions of motherhood have left her a lapsed idealist. Lana Breban is a powerhouse lawyer, economist, and advocate for women’s rights with designs on elected office. She also has a son. Lana and her staff have decided she needs help softening her public image and that a memoir about her life as a mother will help. When Allie lands the job as Lana’s ghostwriter, it seems as if things will finally go Allie’s way.

You probably know someone like Shay Miller. She wants to find love, but it eludes her. She wants to be fulfilled, but her job is a dead end. She wants to belong, but her life is becoming increasingly isolated. You probably don’t know anyone like the Moore sisters. They have an unbreakable circle of friends. They live a life of glamour and perfection. They always get what they desire. Shay thinks she wants their life. But what they really want is hers.

Natalie Fanning already loves her newborn son, Oliver, with everything she has. From the moment he was born she knew that she was meant to be his mother, even though she didn’t want that to be all she was. When Oliver refuses to sleep, and her husband Tyler returns to work, Nat is left mostly alone in a new house, in a new neighbourhood, the task of keeping her small son healthy and happy on her shoulders alone. No one else can breastfeed Oliver; no one else will protect him like she can; no one can help her.

Leah Dawson and McKenna Hawkins had a lot in common, but they had never met. They are smart, professional women living in the same neighbourhood in lovely houses with picket fences and beautiful gardens. And they were both married to successful, good-looking men who both seem bent on having ‘the perfect wife’. They don’t—ever—find themselves in the same train carriage or meet accidentally at the gym or in the coffee shop. And they don’t—ever—discuss their problems and find common ground. But they do cross paths. And they see something each recognises in the other.

Luce Cannon is on the road. Success is finally within her grasp: her songs are getting airtime; the venues she's playing are getting larger. But mass shootings, bombings and now a strange contagion are closing America down around her. The gig Luce plays tonight will turn out to be the last-ever rock show as the world's stadiums, arenas and concert halls go dark for good.

A keenly perceptive coming-of-age novel set at a prestigious New England prep school, as nine young women navigate their ambitions, friendships, and fears against the backdrop of a scandal the administration wants silenced. An all-girls boarding school in a hilly corner of Connecticut, Atwater is a haven for progressive thinking and feminist intellectuals. The students are smart, driven and worldly; they are also teenagers, learning to find their way.

Destiny Whip is a former child prodigy, world-renowned enigmatologist and very, very alone. A life filled with loss has made her a recluse, an existence she’s content to endure until a letter arrives inviting her to interview for the position of Scruffmore family historian. Not only does an internet search for the name yield almost nothing, it’s a role she never applied to in the first place!

You probably know someone like Shay Miller. She wants to find love, but it eludes her. She wants to be fulfilled, but her job is a dead end. She wants to belong, but her life is becoming increasingly isolated. You probably don’t know anyone like the Moore sisters. They have an unbreakable circle of friends. They live a life of glamour and perfection. They always get what they desire. Shay thinks she wants their life. But what they really want is hers.

Natalie Fanning already loves her newborn son, Oliver, with everything she has. From the moment he was born she knew that she was meant to be his mother, even though she didn’t want that to be all she was. When Oliver refuses to sleep, and her husband Tyler returns to work, Nat is left mostly alone in a new house, in a new neighbourhood, the task of keeping her small son healthy and happy on her shoulders alone. No one else can breastfeed Oliver; no one else will protect him like she can; no one can help her.