Mostrando resultados por autor "G.K. Chesterton" en Todas las categorías

Considered by many to be one of G.K. Chesterton’s greatest works, The Everlasting Man (first published in 1925), along with many of Chesterton’s other works, were heavily influenced by his own spiritual journey into Christianity. Published in 1925, The Everlasting Man is said to be a rebuttal of H.G. Wells’ The Outline of History, in which Chesterton delves into the history of religion and the spiritual exploration of Western society while defending any objections to Christianity.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

The enigmatic and diminutive priest continues to fathom the deepest of mysteries in a set of 11 fascinating stories which are set in such diverse locations as a Mexican Hotel, an English Seaside Pier, and an Oxford University Garden. Chesterton presents his humble and blinking detective as an almost childlike contrast to the bizarre and dark machinations of the fallen world.

This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

El conjunto de los relatos del padre Brown, escrito a lo largo de más de veinte años, constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que profundo de la naturaleza humana.

Thirteen classic tales of mystery and suspense dating from the early years of crime fiction, 1890-1925. Sleuths including Max Carrados, Loveday Brooke, Dr. Thorndyke, Father Brown, and the original Great Detective himself, Sherlock Holmes, investigate a range of baffling crimes including murders, country house burglaries, jewel thefts, stolen government secrets, the sensational disappearance of a popular West End actress, and an entire train which has vanished into thin air.

Considered by many to be Chesterton's greatest masterpiece, this audiobook declares his comprehensive view of world history as informed by the Incarnation. Retelling mankind's story from the very beginning, he shows how all human desires are fulfilled in the person of Christ and Christ's church. With his characteristic brilliance and irony, he argues that Christianity is not just a religion to stand beside other religions, for the fact of the Incarnation sets it apart.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

The book acts as a guide which explains how Christianity is the best choice for all human beings, not because it's outside of our world and an independent truth, but because it is the answer to our base needs and desires. Only when Christianity is seen as a way of life instead of a belief can the true power of the faith be realized.

In The Napoleon of Notting Hill, his first novel, G. K. Chesterton creates a witty satire of staid government, set in a London of the future. Auberon Quinn, a common clerk who looks like a cross between a baby and an owl and is often seen standing on his head, is one day told that he has been randomly selected to be His Majesty the King. He decides to turn London into a medieval carnival for his own amusement - with delightful results.

Three BBC Radio performances of works by the great G. K. Chesterton. Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels as well as half a dozen tales from his short story collection

During the first three decades of the 20th century, eugenics, the scientific control of human breeding, was a popular cause within enlightened and progressive segments of the English-speaking world. This prophetic volume counters the intellectual nihilism of Nietzsche, while simultaneously rebuking Western notions of progress - biological or otherwise. Chesterton expands his criticism of eugenics into what he calls "a more general criticism of the modern craze for scientific officialism and strict social organization."

Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought. At his funeral, Ronald Knox said "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton."

A "very short Catholic priest" who does "...not seem to know which was the right end of his return ticket," Father Brown is the embodiment of the phrase 'looks can be deceiving.' Arguably the second best-known crime-solver in English literature, this unassuming man of the cloth solves case after case with ease.

In this important book, G.K. Chesterton offers a remarkably perceptive analysis of social and moral issues, even more relevant today than in his own time. With a light, humorous tone but a deadly serious philosophy, he comments on errors in education, on feminism vs. true womanhood, on the importance of the child, and other issues, using incisive arguments against the trendsetters’ assaults on the common man and the family.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

Chesterton's compilation of essays in Heretics discusses the difference in Orthodoxy and Heretics, rational vs. irrational, and denial vs. affirmation. He questions the reason for the existence of man and the universe and calls out many prominent figures in the artistic and literary fields for their unorthodox ideas; thus labeling them heretics. He will have you thinking of favorite authors like Rudyard Kipling, Oscar Wilde, and H.G. Wells in a new light, challenging their ideals and morals.