Mostrando resultados por autor "G.K. Chesterton" en Todas las categorías

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

One of the two greatest detectives of the twentieth century come together in this incredible collection.

The Flying Inn is a satirical novel by G.K. Chesterton, first published in 1914. The story is set in a future England where a repressive ideology dominates the country’s political and social life. The narrative follows the adventures of Humphrey Pump and Captain Patrick Dalroy as they travel around the country in a donkey cart with a barrel of rum in order to evade prohibition. The two men spread good cheer wherever they go on their journey, which encounters romance, revolution, and a host of memorable characters.

G. K. Chesterton was a famous English writer, Christian thinker, and philosopher that lived between 1874 and 1936. Here are three of his finest nonfiction works collected in a single volume: What's Wrong with the World, Orthodoxy, and Heretics. Within the audio of this collection, you’ll discover how Chesterton sets forth one of the most telling critiques of contemporary religious notions ever, and how he accepted his opponents’ challenge to set forth his own reasons for accepting the Christian faith.

A collection of thrilling tales from the Golden Age of Detective Fiction, including six full-cast dramas and a short story read by Benedict Cumberbatch In the first half of the 20th century, the detective story exploded in popularity. Innovative authors penned whodunits, whydunits and...

The book acts as a guide which explains how Christianity is the best choice for all human beings, not because it's outside of our world and an independent truth, but because it is the answer to our base needs and desires. Only when Christianity is seen as a way of life instead of a belief can the true power of the faith be realized.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Forty breathtaking short stories of gripping adventures, secrets and strange conspiracies. 'The Dust That Was Barren' by P. C. Wren. 'The Deserter' by Stacy Aumonier. 'The Lighthouse on Shivering Sand' by J. S. Fletcher. 'The Secret of the Smoked Spectacles' by William Le Queux. 'The 39 Steps' by John Buchan. 'Three Pennyworth of Luck' by Basil Murray. 'The Secret of Dr. Vaux’s Intrigue' by William Le Queux. 'A Thread of Scarlet' by J. J. Bell. 'How I Became a Secret Agent' by Dr. A. K. Graves.

Three BBC Radio performances of works by the great G. K. Chesterton. Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels as well as half a dozen tales from his short story collection

Thirteen classic tales of mystery and suspense dating from the early years of crime fiction, 1890-1925. Sleuths including Max Carrados, Loveday Brooke, Dr. Thorndyke, Father Brown, and the original Great Detective himself, Sherlock Holmes, investigate a range of baffling crimes including murders, country house burglaries, jewel thefts, stolen government secrets, the sensational disappearance of a popular West End actress, and an entire train which has vanished into thin air.

This is a new edition of the first collection of G. K. Chesterton's masterful mysteries, The Innocence of Father Brown. Contains 12 thrilling tales, including "The Blue Cross", "The Invisible Man", and "The Sins of Prince Saradine". The audiobook is expertly narrated by British actor Nigel Peever, who brings to life Father Brown and all of Chesterton's marvelous characters.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

G. K. Chesterton’s Father Brown is perhaps the most lovable amateur detective ever created. This short, shabby priest with his cherubic, round face attracts situations that baffle everyone - except Father Brown and his rather naïve wisdom. The twelve enthralling stories in this book take Father Brown from London to Cornwall, from Italy to France, as he gets involved with bandits, treason, murder, curses, and an American crime-detection machine.

Written by G. K. Chesterton, Orthodoxy addresses foremost one main problem: How can we contrive to be at once astonished at the world and yet at home in it? Chesterton writes, "I wish to set forth my faith as particularly answering this double spiritual need, the need for that mixture of the familiar and the unfamiliar which Christendom has rightly named romance."

During the first three decades of the 20th century, eugenics, the scientific control of human breeding, was a popular cause within enlightened and progressive segments of the English-speaking world. This prophetic volume counters the intellectual nihilism of Nietzsche, while simultaneously rebuking Western notions of progress - biological or otherwise. Chesterton expands his criticism of eugenics into what he calls "a more general criticism of the modern craze for scientific officialism and strict social organization."

Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.