Mostrando resultados por autor "G.K. CHESTERTON" en Todas las categorías

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

Chesterton's compilation of essays in Heretics discusses the difference in Orthodoxy and Heretics, rational vs. irrational, and denial vs. affirmation. He questions the reason for the existence of man and the universe and calls out many prominent figures in the artistic and literary fields for their unorthodox ideas; thus labeling them heretics. He will have you thinking of favorite authors like Rudyard Kipling, Oscar Wilde, and H.G. Wells in a new light, challenging their ideals and morals.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

A serious attack against Christianity by well-known newspaper editor Robert Blatchford in 1903 impelled Chesterton to seize the gauntlet of refutation. His reply was immensely successful and was the early formation of his convincing credo that is so brilliantly and cogently argued in Orthodoxy, a masterwork that was published just five years later.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.

Three BBC Radio performances of works by the great G. K. Chesterton. Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels as well as half a dozen tales from his short story collection

El conjunto de los relatos del padre Brown, escrito a lo largo de más de veinte años, constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que profundo de la naturaleza humana.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

This classic novel by the brilliant G. K. Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy - or possibly the most sane man of all. Arriving at a dreary London boarding house accompanied by a windstorm, Smith is an exuberant, eccentric, and sweet-natured man. Smith has a positive effect on the house - he creates his own court, brings a few couples together, and falls in love with a paid companion next door. All seems to be well with the world.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

G. K. Chesterton’s Father Brown is perhaps the most lovable amateur detective ever created. This short, shabby priest with his cherubic, round face attracts situations that baffle everyone - except Father Brown and his rather naïve wisdom. The twelve enthralling stories in this book take Father Brown from London to Cornwall, from Italy to France, as he gets involved with bandits, treason, murder, curses, and an American crime-detection machine.

The book acts as a guide which explains how Christianity is the best choice for all human beings, not because it's outside of our world and an independent truth, but because it is the answer to our base needs and desires. Only when Christianity is seen as a way of life instead of a belief can the true power of the faith be realized.

G. K. Chesterton's classic biography of St. Francis. Visit ChestertonBooks.com to see other books in our G. K. Chesterton series. "St. Francis was above all things a great giver; and he cared chiefly for the best kind of giving which is called thanksgiving.... He knew that the praise of God stands on its strongest ground when it stands on nothing. He knew that we can best measure the towering miracle of the mere fact of existence if we realize that but for some strange mercy we should not even exist...." - G. K. Chesterton

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetic. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

Thirteen classic tales of mystery and suspense dating from the early years of crime fiction, 1890-1925. Sleuths including Max Carrados, Loveday Brooke, Dr. Thorndyke, Father Brown, and the original Great Detective himself, Sherlock Holmes, investigate a range of baffling crimes including murders, country house burglaries, jewel thefts, stolen government secrets, the sensational disappearance of a popular West End actress, and an entire train which has vanished into thin air.

Every story of Chesterton's unassuming little priest detective, from the first four published collections: The Innocence of Father Brown (1911), The Wisdom of Father Brown (1914), The Incredulity of Father Brown (1926), and The Secret of Father Brown (1927).

Published in 1911, The Ballad of the White Horse by G. K. Chesterton is a poem about the deeds of King Alfred the Great. The epic ballad tells the story of how the King defeated the invading Danes at the Battle of Ethandun in the Valley of the White Horse, beneath an ancient equine image on the Berkshire hills. Chesterton employs this mysterious figure as a symbol of the traditions that guard and protect humanity.

A "very short Catholic priest" who does "...not seem to know which was the right end of his return ticket," Father Brown is the embodiment of the phrase 'looks can be deceiving.' Arguably the second best-known crime-solver in English literature, this unassuming man of the cloth solves case after case with ease.