Mostrando resultados por autor "Alfred Lord Tennyson" en Todas las categorías

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

"The King will follow Christ, and we the King In whom high God hath breathed a secret thing. Fall battleaxe, and flash brand! Let the King reign." This book is a novelisation of The Coming of Arthur from Tennyson's Idylls of the King. It describes the start of the Arthurian world, This is not the polished Camelot we often picture, but a raw, uncertain Britain on the brink of becoming something greater, or falling apart, written in a way that offers a commentary of the Britain of Tennyson’s own time.

Read by award-winning narrator Mike Vendetti. "Tis better to have loved and lost, than never to have loved at all." Comes from this poem.

"I am thy fool, and I shall lose my wits." In this dark and compelling idyll, the great wizard Merlin, wise, but weary, and growing old, falls under the spell of Vivien, a cunning and ambitious seductress. Through flattery and deceit, she seeks to learn his secrets and gain power over him. A tale of betrayal and the downfall of wisdom, Merlin and Vivien explores the dangers of desire and the fragility of even the greatest minds.

"If I am dear to someone else, then I must act as though I am worth the care. Even if I cannot yet feel it fully, I must begin to believe that I am worth saving. Because to be loved by another is not only a gift, it is a call to rise, to heal, to protect what has been seen as worthy." Maud is a narrative poem by Tennyson which tells the story of a tormented man who falls for the beautiful and enigmatic Maud, a love that promises salvation but spirals into obsession and despair. This book is a novelisation of Maud, intended to make the poem more accessible to the general reader and students ...

"Late, late, so late! and dark the night and chill! Late, late, so late! but we can enter still. Too late, too late! ye cannot enter now." Guinevere begins as the radiant bride of King Arthur, chosen not only for her beauty but as the woman who might help him build a new moral order in Camelot. Yet despite Arthur’s love and her high place, Guinevere falls into a forbidden passion with Sir Lancelot, the noblest of Arthur’s knights. Their secret love becomes the fatal flaw in the Round Table’s ideal.

"And still he cried, 'Ah me, the knighthood's gone, The glory gone, and I am here alone!'" The Last Tournament is a tale that explores the complex nature of chivalry, loyalty, and the unraveling of ideals in a world that once prized honor above all else. Set against the turbulent backdrop of Arthurian legend, it focuses on the waning days of Camelot, where once-untouchable knights like Lancelot, Tristram, and Gawain are forced to confront the consequences of their actions, both on the battlefield and in their hearts. It is a story not merely of jousts and glory, but of fractured allegiances...

"Pelleas could only stare. Is Guinevere herself so beautiful? he wondered. The lady's violet eyes were wide and luminous; her skin seemed lit by a dawn from some unclouded heaven. Her limbs bore the grace of full womanhood, and yet her form was slender and her hand delicate. She might have seemed no more than a lovely plaything, but those eyes, deep and mocking, hinted at something sharper." In Pelleas and Ettarre, Tennyson presents a tragic episode in which Sir Pelleas, a young and idealistic knight, enters Arthur's court full of chivalric fervour and romantic hope. He falls hopelessly in ...

"The Charge of The Light Brigade" - written in 1854 by one of the great representative figures of the Victorian age, Lord Alfred Tennyson - celebrates the heroism of a British cavalry unit mistakenly ordered to attack a vastly superior Russian stronghold amidst the Battle of Balaklava during the Crimean War (1853-1856), a military conflict between Russia and a coalition of Great Britain, France, the Kingdom of Sardinia, and the Ottoman Empire.

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

"Love lieth deep; love dwells not in lip-depths." In this tender and tragic idyll, the innocent Elaine of Astolat falls deeply in love with Sir Lancelot, who cannot return her feelings. Bound by his love for Queen Guinevere, Lancelot's heart is unreachable, and Elaine's devotion leads her to a sorrowful fate; a poignant tale of unrequited love, honour, and heartbreak in the shadow of Camelot.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

"Enoch Arden" is a long narrative poem that is built on a theme that has been widely explored in literature and on film. A man is separated from his family due to shipwreck and marooned on an island. After several years of absence from his home, it is assumed that he has died, and his wife remarries and starts a new family. After 10 years, the man finally makes his way home and has to deal with the trauma of discovering his wife and family happily established in a new relationship.

Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould, but it has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice. The masterful score creates a powerful soundtrack to the saga.

"I am a man now. I must do a man's work. Follow the deer? No, follow Christ. Follow the King. Live pure. Speak true. Right wrong. Follow the King. Why else was I born?" Gareth, the youngest son of King Lot, embarks on a daring quest to rescue a maiden, throwing off his disguise as a kitchen-knave to reveal himself as a true knight who is eager to prove himself among the greatest of King Arthur's Round Table.

"And the new sun rose bringing the new year." This is the last book in the Idylls in Prose series. It tells of Arthur's betrayal by Modred and his last last battle. This concluding section doesn't merely recount Arthur's death; it explores the profound impact of his passing on his kingdom and the enduring legacy of his ideals. It is a profound meditation on mortality, loss, and the cyclical nature of time, ending on a note of optimism with a new dawn.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Published between 1856 and 1885, Idylls of the King is a captivating collection of twelve narrative poems by the renowned English poet Alfred, Lord Tennyson. This lyrical cycle beautifully reinterprets the legendary tale of King Arthur, exploring his noble quest to create a utopian kingdom, his deep love for Guinevere, and the heart-wrenching betrayal that leads to his ultimate downfall. With vivid portrayals of valiant knights like Lancelot, Geraint, Galahad, and the tragic figures of Merlin and the Lady of the Lake, each poem reveals the rich tapestry of Arthur’s reign and the poignant ...