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Andrew Marvell was born in Winestead-in-Holderness, in the East Riding of Yorkshire on March 31st, 1621. He was educated at Hull Grammar School, and at the age of 13 he attended Trinity College, Cambridge, and eventually received his BA degree. It is thought that in 1642 Marvell travelled in Europe and, while England was embroiled in its civil war, remained there until 1647, mastering several languages including French, Italian and Spanish.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays, and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels. and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays, and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels. and first-class acting alongside high production values.

The ships of Europe explore the globe. The Age of Mercantilism sets the stage for centuries to come. The Reformation is underway, and scientific thinking begins to challenge the Church even as nation falls upon nation. In the Americas and Asia, ancient empires clash. Cultures resonate and express themselves with the fruit of the Ottoman, Safavid, Moghul and Chinese expansion. In England, the Elizabethan age of Shakespeare, Marlowe, Donne, Jonson and Spenser dawns.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Sir Anthony Hope Hawkins was born on 9th February 1863 in Clapton, London. He was educated at St John's School, Leatherhead, Marlborough College and Balliol College, Oxford. Hope trained as a lawyer and barrister and was called to the Bar by the Middle Temple in 1887. Despite what was thought to be a promising legal career, he had literary ambitions and wrote in his spare time. His early works appeared in various periodicals of the day but for his first book, ‘A Man of Mark’ (1890), with no publisher interested, he published with his own resources.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.

Francis Scott Key Fitzgerald was born on 24th September 1896 in Saint Paul, Minnesota into an upper-middle class family. Whilst his mother was pregnant with him, his two young sisters tragically died. Fitzgerald once said this was when his destiny as a writer was ordained. His intelligence and talent was recognised from an early age, with his first story, about a detective being published in the school magazine when he was just 13. He continued to write with great mastery and the titles of his novels and many of his 164 short stories are household names.

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Simon Inglis was a sports fan with a mission. Fed up with being labelled an ‘anorak’, yet repeatedly led astray by the glimpse of a grandstand across a crowded city, in the late 1990s he travelled the world in search of some deeper meaning behind his fascination. What is it, he asked, about men and neatly-edged turf, and about Irish priests and hurling? Why are two cricket grounds in Mumbai so close together? Why do freeloaders revere Chicago’s Wrigleyville, and what can we learn about crowd management and bladder control from the bullfights in Pamplona?

In this rural story a man is inspecting schools in the district of an old and now fabulously rich university friend. When they finally meet a dark secret is revealed to both of them.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

William Wordsworth was born on the 7th of April, 1770 and is rightly regarded as a major English poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature. His words have been proffered by many a tongue around the world. They stir, they inspire they create lyrical pictures and feelings as few others can. Wordsworth's was also Britain's Poet Laureate from his appointment by Queen Victoria in 1843 until his death in on the 23rd of April 1850.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's This Land is Mine starring Charles Laughton and Maureen O'Sullivan.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.