Showing results by author "Lawrence Block" in All Categories

When I was sifting through copies of my pseudonymous erotic novels of the early 1960s, deciding which books to republish, HIGH SCHOOL SEX CLUB didn’t make the initial cut. While it’s true that it was once mentioned in the same breath as WAR AND PEACE (“Andrew Shaw’s HIGH SCHOOL SEX CLUB is, it must be said, no WAR AND PEACE.” —Philomela Triolet, The Hartshorn Review) it could probably disappear forever with the world of American letters being none the poorer for its absence. I know that’s hard to believe, given the really classy title I hung on the book, but Im afraid it’s ...

Keller ist ein Killer. Durch und durch Profi, cool, selbstsicher, kompetent, zuverlässig. Aber er ist auch eine vielschichtige Persönlichkeit: in sich gekehrt und zurückgezogen, eiskalt und gnadenlos effizient, aber zugleich anfällig für Selbstzweifel und Einsamkeit, Albträume und Zukunftssorgen. Seinem Therapeuten gegenüber gibt er sich als "Troubleshooter" eines großen Unternehmens aus, aber sein eigentliches Metier ist Mord.

Lawrence Block writes: “As a prelude to the process of republishing The Wife-Swappers, I Googled my way to a textual analysis of Andrew Shaw titles by Lynn Munroe, perhaps the leading scholar of Midcentury Erotica. He says of this particular novel, ‘Perhaps the worst-written of the early Shaws (which is saying it's almost unreadable)…’ “I’m not sure it’s terribly wise of me to quote this observation as a way of introducing a book I’d presumably like you to buy. I have a feeling Lynn’s judgment may have been a little harsh, but maybe not. “Regardless, the literary merit ...

It is Kit Tolliver's oft-repeated role in life to hook up with a suitable male, go home with him, have richly satisfying and often inventive sex with him, and then kill him and take his money. She'd done so in three stories ("If You Can't Stand the Heat", set in Hell's Kitchen, "Rude Awakening," set in the Bronx, and "You Can Call Me Lucky," set in an Indian casino in Michigan) and, while I knew her like a sister, I still didn't know her name or her backstory or why she was doing these terrible things. Then Gardner Dozois and George R. R. Martin invited me to contribute a story to a cross-...

Kit Tolliver’s chosen lifestyle is pretty clear-cut. She finds a guy, goes home with him, has sex with him, and kills him. What could be simpler? But way back in “Rude Awakening” (Kit Tolliver #2) she had a little too much to drink, and she fell asleep before finishing the job. During breakfast the next morning, she found a chance to put a little something in her host’s vodka bottle. Alas, it didn’t work out quite the way she’d hoped. Peter Fuhrmann was alive and well, and still a name on her list of The Ones Who GotAway. It took a lot of work to determine this, and more work to...

When Kit Tolliver met Alvin Kirkaby, he looked cute in his military uniform. He was on his way to an overseas assignment, and maybe it was an uncharacteristic attack of patriotism that led her to break her usual pattern and spare his life. But now he’s just a name on her list, and home from the wars, so all she has to do is head down to Hedgemont, North Carolina, and give her soldier boy an honorable discharge. Then she walks into his trailer and finds out things are a little more complicated than that... All of Kit’s homicidal (and increasingly erotic) adventures are collected in book ...

In 2006, the estimable S J Rozan invited me to contribute a story to Bronx Noir, an anthology she'd been commissioned to edit for Akashic Books. As she'd been obliging enough to write a story for my own Manhattan Noir, I felt honor-bound to return the favor. To do so, I enlisted the homicidal services of a young woman who'd starred in "If You Can't Stand the Heat," my Hell's Kitchen story for Manhattan Noir. Although she seemed quite capable of standing the heat, I figured it was nevertheless time for her to get out of the Kitchen, so I sent her up to the Riverdale section of the Bronx. My ...

Kit Tolliver’s got a problem. Whenever she has sex with a man, she feels an irresistible urge to kill him. That’s fine, she enjoys the killing as much as the sex, but it does limit the possibilities for a satisfying long-term relationship. But she’s got a friend, a woman in Kirkland, Washington, and there’s a definite sexual undercurrent to the friendship. Is that a possibility? And would she even enjoy sex with a woman? And what would happen afterward? She’s in St. Louis, hoping a lesbian bar might hold the answer. And she’s not the bar’s only patron with a hidden agenda. ...

Being single no longer means being alone! Today all America is turning into a Singles Society. Men and women alike are discovering that traditional marriage no longer satisfies their need to live a full life--especially in regard to sex. Never before have so many people been so open to seeking sensual fulfillment without legal entanglements or extraneous emotional trappings. This is what this book is all about. In it you will discover how different men and women crossed the line from being married to being single, from being square to swinging all the way, and have never life or love more ...

Lawrence Block remembers: “I wrote Campus Tramp in July of 1959. By then I had written four or five erotic novels for Midwood Tower Books, Harry Shorten’s new paperback publishing venture, all of them published under the pen name of Sheldon Lord. Campus Tramp was written for another publisher, William Hamling’s Nightstand Books, and I chose a new pen name for it—Andrew Shaw. “Before long young mister Shaw was writing a book a month for Nightstand. At one point I brought in a ghostwriter, a friend of my friend Don Westlake, taught him how to write erotic novels, and took a sliver ...

Lawrence Block remembers: I stopped writing for Nightstand Books when I stopped being a Scott Meredith client in early 1964. Bill Hamling’s publishing operation was a closed market, exclusive to the Meredith agency, so it was time for me to give up being Andrew Shaw. I had a wife, I had a mortgaged house in a Buffalo suburb, I had two young daughters—and I had no visible means of support. Well, one finds a way. I established two new writing selves, Jill Emerson and John Warren Wells. And I wrote a final Andrew Shaw type novel, though not as Andrew Shaw, as I recount in my memoir of my ...

You might be surprised to learn that back in 1961 Nightstand Books published an inquiry into the heartbreak of scoliosis, but—oh, hang on a minute. You say the title refers to characters who are not spinally but psychosexually bent?Oh.Well, never mind.Dave and Nancy Grantland look for all the world like happy couple leading a comfortable suburban lifestyle. And Lucy King, the regular babysitter for the Gavilans next door, looks for all the world like a normal teenager.But Dave’s lost interest in sex with his wife, as he increasingly becomes obsessed with the desire for a much younger ...

Lawrence Block remembers: “Back in the 1960s, when I was writing erotic novels for several publishers, I trauned and employed several ghostwriters. The first, William Coons, was recruited by my friend Donald Westlake; MAN FOR RENT is half his work and half mine, and here’s what wrote about it in my memoir of those early years, A Writer Prepares…” This happened fairly early in Bill’s ghosting career, when he was living with his wife and daughter in Washington Heights—but not too early, because it was after Nightstand had upped their order to two Andrew Shaw titles a month. I’d ...

Lawrence Block on GIRLS ON THE PROWL: “GIRLS ON THE PROWL was first published by Nightstand Books in 1961, with Andrew Shaw credited as author. Harold W. McCauley provided the cover art. The principal characters—one hesitates to characterize them as titular—are Saundra, Marilyn, and Joan. (Joan is the lesbian.) “A mere forty-three years later, THE BURGLAR ON THE PROWL was first published by William Morrow in 2004, with Lawrence Block credited as author. Amy King provided the jacket design, Paul Oakley the jacket illustration, while the author photograph was the work of Athena ...

Lawrence Block remembers: “Sexpot! was my sixth book for Nightstand, my sixth as Andrew Shaw. Aside from admiring Harold W. McCauley’s cover—and isn't it a perfect example of what it is?—I can’t say I ever really looked at the book after I’d gathered the pages of typescript together, hailed a taxi, and hand-delivered them to my agent at 580 Fifth Avenue. “Or did I put them in the mail? It depends whether I wrote Sexpot! before the spring of 1960, while I was living on Starin Avenue in Buffalo, or later, after I’d married and moved to 110 West 69th Street in New York. ...

Young David Forrester is a sex-obsessed freshman student at Upper Manhattan’s Columbia University, although the institution remains unnamed in the book. An upperclassman shepherds him through the loss his virginity, then steers him into a club of libertines. And, you know, one thing leads to another. But as far as I’m concerned, the most striking aspect of COLLEGE FOR SINNERS is that it seems to have been the occasion for some unwitting plagiarism on my part. The dramatist Moliere has a character who’s astonished, and not half-chuffed, to discover that all his life he’s been ...

LAWRENCE BLOCK remembers: “Actually, the header’s mistaken. In point of fact, I remember next to nothing about Trailer Trollop. I’ve loaded it onto my Kindle in advance of republishing it, and I’ve made my way through a few of its chapters, and while there’s sufficient textual evidence to make it very clear that I wrote this book, the memory of the two or three weeks devoted to so doing has long since left me. “I can tell you where and when I wrote it. In the spring of 1960, my recently-acquired first wife and I took an apartment on West 69th Street in New York. I installed a ...

In seinem vierten Abenteuer nimmt sich Matthew Scudder - nun in deutscher Neuübersetzung - eines ungelösten Falles an, mit dem er schon Jahre früher als Detective beim NYPD befasst war. Louis Pinell, der vor Kurzem gefasste Eispickel-Mörder, gibt freiherzig zu, vor neun Jahren sieben junge Frauen ermordet zu haben - aber er schwört, dass ein Nachahmer für den Mord an Barbara Ettinger verantwortlich war. Scudder glaubt ihm. Die Spur zu Ettingers wirklichem Mörder ist verworren, dunkel und voller Gefahren ... und sogar noch kälter als die Leiche, der er Gerechtigkeit verschaffen will.

Ein Mann kommt in eine Bar und ab da nimmt sein Leben eine Kehrtwendung. Der Mann bringt eine Frau um, flieht vor dem Gesetz und fängt ein neues Leben an, in einer anderen Stadt, und unter einem anderen Namen. Wird ihn seine Vergangenheit irgendwann wieder einholen? Oder schafft er es, mit einem Mord davonzukommen?

Best-selling author Lawrence Block transports you to New York City to walk the shadowy back streets with PI Matt Scudder, ex-cop and recovering alcoholic. In Everybody Dies, Matt is finally leading a comfortable, almost respectable life - until he helps an unlikely friend uncover a nameless enemy. The Big Apple seems to be mellowing now that the crime rate is down and gentrification is sweeping the old neighborhoods. But when a hoodlum buddy from the past asks Matt to investigate the murders of two employees, the spruced-up sidewalks seem as mean as ever.