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Graham Greene's first published novel tells the story of Andrews, a young man who has betrayed his fellow smugglers and fears their vengeance. Fleeing from them, with no hope of pity or salvation, he takes refuge in the house of a young woman, also alone in the world. Elizabeth persuades him to give evidence against his accomplices in court, but neither she nor Andrews is aware that to both criminals and authority, treachery is as great a crime as smuggling.

Newly minted professional matchmaker Sophie Go has returned to Toronto, her hometown, after spending three years in Shanghai. Her job is made quite difficult, however, when she is revealed as a fraud—she never actually graduated from matchmaking school. In a competitive market like Toronto, no one wants to take a chance on an inexperienced and unaccredited matchmaker, and soon Sophie becomes an outcast.

Chinese herbalist Chryssy Hua Williams never actually believed in the Hua family curse. But after Break-Up #9, Chryssy stopped laughing. Now she and her aunties run a special healing retreat center for the broken-hearted. After all, there’s nothing a proper cup of herbal tea can’t fix...but Chryssy’s innocent run-in with celebrity cellist and bad boy Vin Chao has everyone brewing about a different kind of tea. So he offers her a deal: they’ll fake-date, he’ll “break” her heart (and increase ticket sales), and in return, he’ll promote her business.

Setting out to create a collection of J. Frank Dobie’s writing that brings him to life and makes him relevant to current generations, Steven L. Davis has combed through the works of this renowned Texas author, gathering together in one volume Dobie’s most vital writings. Dobie’s stories and essays here are meticulously edited to prune away some of the brushy undergrowth and bring Dobie’s folksy, erudite voice bounding back to life.

Dogeaters follows a diverse set of characters through Manila, each exemplifying the country’s sharp distinctions between social classes. Celebrated novelist and playwright Jessica Hagedorn effortlessly shifts from the capital’s elite to the poorest of the poor. From the country’s president and first lady to an idealist reformer, from actors and radio DJs to prostitutes, seemingly unrelated lives become intertwined.

When Meddelin Chan ends up accidentally killing her blind date, her meddlesome mother calls for her even more meddlesome aunties to help get rid of the body. Unfortunately, a dead body proves to be a lot more challenging to dispose of than one might anticipate, especially when it is inadvertently shipped in a cake cooler to the over-the-top billionaire wedding Meddy, her Ma, and aunties are working at an island resort on the California coastline.

Postcolonial Love Poem, the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples.

Fannie Flagg once said that what the world needs now is a good laugh. And that is what she gives us in these thirty warmhearted, often hilarious, always surprising stories about Americans finding clever ways of dealing with the curveballs life throws at us. We meet Velma from Kansas, a loving great-grandmother who struggles to bridge the generational divide with her great-grandchild in California. Why, for instance, does her great-grandchild sign letters to Velma with “(they/them)”?

Upon the release of his first published work, Howl and Other Poems, in 1956, Allen Ginsberg became the unlikely force of a movement that would change a generation. Literature, art, sex, love, family, politics; nothing would ever be the same. The Beat Generation was born through Ginsberg and his friends.

Kahlil Gibran's aphorisms, stories, and poetry on a theme remain among some of those best known to Western readers. His views, however, extend beyond the most-quoted "greeting card" sayings to a wide realm of human emotions and relationships - passion, desire, idealized love, justice, friendship, and the challenges of dealing with strangers, neighbors, and enemies. This little book captures love and life in all of their complexities and nuances.

Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord.

Four destinies collide in a unique fantasy world of war and wonders, where empire is won with enchanted steel and magical animal companions fight alongside their masters in battle. A band of rogues and royals should all be enemies, but they unite for a common purpose: to defeat an unstoppable killer who defies the laws of magic. In this battle, they will forge unexpected bonds of friendship and love that will change their lives - and begin to change the world.

Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…

Thirty years ago, musicians Emilia Oliveras and Paul Winstead were married in Puerto Rico. Forty-eight hours later, Paul vanished from their honeymoon cruise, leaving Emilia devastated—and the prime suspect in his disappearance. So, she ran for her life, leaving behind her love, her dreams, and her identity. Today “Emily Oliver” is a divorced music teacher and mother of two daughters who know nothing about her past: Gracie, a talented attorney who excels in the courtroom but grapples with personal relationships, and Meg, a gifted concert pianist who wrestles with her ambition and purpose.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

In this book novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences - the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own.

The hurricane of 1900, America’s worst natural disaster, left the island city of Galveston in ruins. Thousands perished, including all 93 children at the Sisters of the Incarnate Word orphanage—except six-year-old Hester, who miraculously survived. Oleander City is the tale of this little girl and the volatile collision between the American Red Cross, the Ku Klux Klan, and one of the most famous boxing matches in American history.

Once in a faraway kingdom there was a man prophesied to be the chosen one, who would defeat a great villain, the Eternal Khan, and save the kingdom. But then the Eternal Khan died . . . and the prophecy was broken. For Jian, the fated hero, this could have been a moment to succumb to despair. But instead, he chose to create his own destiny. He studied under Taishi, his curmudgeonly but beloved mentor, to become a great warrior.

Two giants of the theater, five-time Tony Award® winner Angela Lansbury and three-time Tony Award winner James Earl Jones, star in 1988’s Pulitzer Prize-winner for Drama. Driving Miss Daisy is Alfred Uhry’s tale that follows the complicated friendship between a feisty Jewish widow and her Black chauffeur in mid-century Atlanta over the course of 20 years.

The pain of China’s Cultural Revolution well behind them, Benfu and his treasured Calla Lily are content in their old age surrounded by their family of adopted daughters. Once abandoned, the girls are now cherished members of the Zheng family. Yet there remains an emptiness in their hearts: their only biological daughter, Dahlia, was abducted as a newborn 30 years before. When their daughter Linnea discovers an unexpected clue about what really happened to Dahlia, the elderly couple’s hopes are reignited.