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A whimsical love letter, a shared promise, a thank you note, and a whispered secret to mothers and daughters everywhere. The perfect gift, B celebrates the bond that exists between a parent and a child. Short and touching, it is a family tradition waiting to begin.

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, and it has never been out of print. The prophet, Al Mustafa, has lived in the city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition.

On the Night Before Christmas is a modern version of the classic poem, "'Twas the Night Before Christmas". The original poem first appeared in print in 1823 in the New York "Sentinel". Clement Clarke Moore composed the poem after a shopping trip on a sleigh. This version follows the theme of a father who awakens to the sound of reindeer. He runs to the window and sees Santa slip down the chimney, carrying a sack of toys with him. He watches as Santa fills the stockings hanging by the fireplace. Santa then disappears up the chimney, climbs onto his sleigh and flies away into the snowy, night...

Read by author amanda lovelace herself, you are your own fairy tale: the audiobook collection features the three enchanting poetry books that round out the collection: break your glass slippers, shine your icy crown, and unlock your storybook heart. you are your own fairy tale is accompanied by music and includes a bonus interview between lovelace and her spouse, parker lee.

Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey’s debut. Every moment is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the listener slip into the easy sadness of cliche–instead they guide us through the realities and contradictions of losing someone you love and of death–reminding us that they need not be one and the same.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

Drawing from his experience as a translator, Forrest Gander includes, in the first powerfully elegiac section, a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the US border with Mexico. The poems of the third section - a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s - rise like hymns, transforming slowly from reverence to revelation.

Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

The author of the number one New York Times best seller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters, and detractors — an artform that reclaims the vitriol from online trolls and inspires listeners to transform what is ugly or painful in their own lives into something beautiful.

In the spirit of his New York Times best seller Love Poems for Married People and Love Poems for People with Children, as well as his wildly popular New Yorker pieces, Thurber Prize-winner John Kenney presents a hilarious new collection of poetry for anxious people.

I Done Clicked My Heels Three Times takes its inspiration and concept from the cult classic film The Wiz to explore a Black woman's journey out of the South Side of Chicago and into adulthood. The narrative arc of The Wiz—a tumultuous departure from home, trials designed to reveal new things about the self, and the eventual return home—serves as a loose trajectory for this collection, pulling listeners through an abandoned barn, a Wendy's drive-thru, a Beyonce video, Grandma's house, Sunday service, and the corner store.

MINX reveals the vibrant but precarious world of a multi-racial Romani family: a world of grandfathers brewing moonshine in marrows, basement reggae parties, and a mother struggling to support her two daughters on the proceeds of her shadowy profession. Their powerful bond helps the sisters survive when they’re taken into care, in a children’s home that forcibly separates them.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.

Entre o luto pela morte do pai e a felicidade pelo nascimento da filha, Allan Dias Castro nos leva a ver a saudade não mais através da tristeza da perda, mas como a celebração da grandiosidade da vida. Mesclando poesia com histórias pessoais, este é um mergulho nas memórias que todos nós compartilhamos: os almoços na casa da vó, as noites febris da infância, os causos na companhia dos amigos, os conselhos dos mais velhos para aplacar nossos medos.

A Socially Acceptable Breakdown is a poetry collection that explores themes of family, queerness, mental health, grief, pop culture, body image, love, joy, memory, myth, and magic.

Women Without Wombs: Lamentation of the Childless is a collection of poems that I wrote after undergoing hysterectomy myself. I met fellow Black ladies who had womb problems. Some had cancer, some had fibroids, some had conception and problems. There is such fear, so little knowledge about womb disease out there. Some married women had challenges of their husbands cheating or even divorcing these tormented women. To remove a womb amongst some of us Africans it's still a taboo thing. The woman is called names. One Zimbabwean said in her area the woman is called "a mine". There is this ...

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic.