Showing titles in Absurdist

More than 500 years before his friendship with Kitty, noble Ricardo de Avila's life met a fate-changing twist, and his morally complex, blood-soaked existence as an immortal began. Before being turned, Ricardo de Avila would have followed Coronado to the ends of the earth. Instead he found the end of his mortal life - and a new one, as a renegade vampire. For over 500 years as an immortal, Ricardo has followed his own moral code, upsetting the established order in the demon world.

"In the Penal Colony" is a short story by Franz Kafka written in German in October 1914, revised in November 1918, and first published in October 1919. As in some of Kafka's other writings, the narrator in this story seems detached from, or perhaps numbed by, events that one would normally expect to be registered with horror. Internal clues and the setting on an island suggest Octave Mirbeau's The Torture Garden as an influence.

War on the mainland is draining Reykjavík. For some, the remote islands off Hrímland's coast are their only hope of survival. Elka, a recovering addict, has fled there with her son Sölvi. In their village they find a new life—all thanks to the Deep, a peculiar power their neighbours praise for the booming fishing industry. Everything seems perfect, but Sölvi does not trust the people who take his mother in.

Vienna, settembre, poco dopo l'alba: una telefonata comunica a Ruth, giovane fisica teorica, che i suoi genitori sono morti in un incidente stradale; qualche ora dopo, viene a sapere da una zia del loro desiderio di essere sepolti a Groß-Einland, paesino della Bassa Austria dove entrambi sono nati ma non l'hanno mai portata.

The excoriating stories in Mark Doten's brilliant first collection dissect the pathological narratives that shape our culture and country. Narrated by a crosscutting array of White people, Doten's stories spotlight the self-serving logic through which their characters struggle to make sense of, and take control of, the narrative of our time.

A man with dark thoughts on his mind is racing along the remote snowy roads of Hurmevaara in Finland when there is flash in the sky and something crashes into the car. That something turns about to be a highly valuable meteorite. With euro signs lighting up the eyes of the locals, the unexpected treasure is temporarily placed in a neighbourhood museum, under the watchful eye of a priest named Joel.

Lucas will nichts als seine Ruhe in einer Welt, die ihn einfach nicht in Ruhe lässt. Eine Kurzgeschichte vom internationalen Bestsellerautor Fredrik Backman Videospiele, Wein und Pad Thai – das ist der perfekte Abend für Lucas. Andere Menschen? Muss nicht sein. Warum denn, wenn er auch alleine glücklich sein kann? Als der dreiköpfige Vorstand der Bewohnervertretung überraschend an seiner Tür klingelt und eine Inspektion seiner Bratpfanne verlangt, ist Lucas alles andere als begeistert. Doch Abwimmeln ist nicht.

Exposing his father’s transgressions in a tell-all was the ethical, righteous--and profitable--thing to do. What’s left but to slink back home for a humbling face-to-face with the man whose secrets he sold? He was a notorious government whistle-blower. Depending on whom you ask, he’s a treasonous felon, a folk hero, a validated patriot, or a national disgrace. To his son, Michael, he’s the father who threw his family into upheaval. Now, having moved back home at the age of thirty-four, Michael is getting to know him as a man.

In a chilling echo of George Orwell's dystopian masterpiece, 2084: Oligarchical Collectivism transports us to a world where the Party's insidious control over every facet of human existence has reached its terrifying zenith. Emmanuel Goldstein's forbidden manuscript, unearthed a century after his supposed demise, reveals the chilling blueprint of the global elite's century-long plan for absolute domination. From the rise of mass surveillance and the manipulation of information to the perpetual wars that fuel fear and obedience, the seeds of this dystopia were sown in the 20th century and ...

Während in München Palästinenser des "Schwarzen September" das Olympische Dorf überfallen, geschehen in der Sahara mysteriöse Dinge...

Flash fiction for weirdos.

Brace yourself for a riotous, razor-sharp sci-fi satire that’ll have you howling—until the dinosaurs take the stage! In Jurassic Jest: The Laughing Extinction, Earth becomes the galaxy’s hottest comedy club when a fleet of stand-up saucer-riding dinosaurs returns after 66 million years, armed with killer punchlines and an appetite for tenderized humans. From a T-Rex in a sequined zoot suit to a Velociraptor heckler with a grudge, these cosmic clowns are here to slay… literally. Join Tommy Jenkins, a mediocre influencer turned accidental hero, as he wields the world’s worst dad ...

Björn is a compulsive, meticulous bureaucrat who discovers a secret room at the government office where he works—a secret room that no one else in his office will acknowledge. When Björn is in his room, what his co-workers see is him standing by the wall and staring off into space looking dazed, relaxed, and decidedly creepy. Björn’s bizarre behavior eventually leads his co-workers to try and have him fired, but Björn will turn the tables on them with help from his secret room.

Oyelo.com lo invita a seguir disfrutando de las aventuras de Don Quijote en esta segunda parte de la gran obra de Miguel de Cervantes. Es una obra clásica de la literatura hispana y en la que el autor ha logrado capturar con su magnífica prosa el espíritu humano, con todos los sueños y las aspiraciones que todos tenemos de cambiar el mundo y hacerlo un lugar mejor para todos. Please note: This audiobook is in Spanish.

Is Sex Necessary? was originally published in 1929 as a satirical and comedic exploration of romantic and sexual relationships, co-authored by iconic comedic writers E.B. White and James Thurber. Written in the aftermath of the Jazz Age and amidst changing societal norms regarding gender and relationships, Is Sex Necessary? parodies the burgeoning field of psychological and sexual analysis, poking fun at the over-seriousness with which such topics were increasingly dissected in the early 20th century.

As it is often said in fairy tales and historical analyses, Maša's childhood years were a time when empires were falling—the time of the war in Croatia, 1991. Underground Barbie is set in that era, but also in the sounds of her childhood, the music, and the atmosphere that accompanied Barbie's move from plastic, yet safe, dollhouses to air-raid shelters.

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

Drugs. Delusions. Or the Biggest Mystery in Florida Since Will-o'-the-wisp? Meet Barry Babcock, your typical Florida Man—unemployed, self-medicated, and living in a swamp-side trailer with a laundry list of bad decisions behind him. But when a death-defying stunt lands him in a psychiatric facility, Barry’s got a hell of a story to tell. To the staff psychiatrist, it starts off as the usual Florida nonsense: drugs, booze, alligator dodging, and some questionable life choices. But then Barry takes a sharp left into the unexplainable—because according to him, the real reason he wound up...

Zebra is the last in a line of anarchists, atheists, and autodidacts. When war came, her family didn't fight; they took refuge in books. Now alone and in exile, Zebra leaves New York for Barcelona, retracing the journey she and her father made from Iran to the United States years ago. Books are Zebra's only companions - until she meets Ludo. Their connection is magnetic; their time together fraught. Zebra overwhelms him with her complex literary theories, her concern with death, and her obsession with history. He thinks she's unhinged; she thinks he's pedantic.

What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer.