Mostrando resultados por narrador "Yelena Shmulenson" en Todas las categorías

Maya and Natasha are twin sisters born in the midst of the Siege of Leningrad in 1941 and immediately abandoned by their mother, a prima ballerina at the Kirov Ballet who would rather die than not dance. Taken in by their mother’s best friend at the Kirov, the girls are raised to be dancers themselves. The Vaganova Ballet Academy—and the totalitarian Soviet regime—is the only world they know. In 1958, now seniors at the Vaganova at the height of the Cold War, all Maya and Natasha and their classmates want is to dance with the Kirov, and to join the company on its tour to America next year.

Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories - the details of her grown children's lives, the approaching wedding of her grandchild - yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city.

Sisters Vera and Marya were brought up as good Soviets: obedient despite hardships of poverty and tragedy, committed to communist ideals, and loyal to Stalin. Several years after fighting on the Eastern front, both women find themselves deep in the mire of conflicts shaping a new world order in 1947 Berlin. When Marya, an interpreter, gets entangled in Vera’s cryptic web of deceit and betrayal, she must make desperate choices to survive—and protect those she loves.

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

After the events of The Revolution of Marina M., the young Marina Makarova finds herself on her own amid the devastation of the Russian Civil War - pregnant and adrift in the Russian countryside, forced onto her own resourcefulness to find a place to wait out the birth of her child. She finds new strength and self-reliance to fortify her in her sojourn, and to prepare her for the hardships and dilemmas still to come. She finally returns to Petrograd, the city almost unrecognizable after two years of revolution, the haunted, half-emptied, starving Capital of Once Had Been....

They were granddaughters of Queen Victoria and two of the most beautiful princesses in Europe. Princesses Alix and Ella were destined to wed well and wisely. But while their grandmother wants to join them to the English and German royal families, the sisters fall in love with Russia—and the Romanovs.

“Without stories, we cannot live well,” shares guest editor Min Jin Lee, describing how storytelling affects and nurtures readers. The Best American Short Stories 2023 features twenty pieces of short fiction that reflect a world full of fractured relationships, but also wondrous hope. A lifelong friendship may become a casualty of the Russia-Ukraine war. Rejected by his lover, a man seeks to reconcile with his family. Twitter users miraculously muster enough empathy to help a lost cat find a forever home.

In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women - more than a million in total - were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.

“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises.

St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear before being betrayed in turn.

In the gonzo spirit of Anthony Bourdain and Hunter S. Thompson, Witold Szabłowski has tracked down—and broken bread with—people whose stories of working in Kremlin kitchens impart a surprising flavor to our understanding of one of the world’s superpowers. Traveling across Stalin’s Georgia, the war fronts of Afghanistan, the nuclear wastelands of Chornobyl, and even to a besieged steelworks plant in Mariupol, he shows that a century after the revolution, Russia still uses food as an instrument of war and feeds its people on propaganda.

A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's "darkly hilarious" (Anthony Doerr) intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive.

Tech insider Inbal Arieli goes against the common belief that Israel’s outstanding economic accomplishments are the byproduct of its technologically advanced military or the result of long-standing Jewish traditions of study and questioning. Rather, Arieli gives credit to the unique way Israelis are raised in a culture that supports creative thinking and risk taking. Growing up within a tribal-like community, Israelis experience childhoods purposely shaped by challenges and risks - in a culture that encourages and rewards chutzpah.

Bringing together dozens of voices in her distinctive style, The Unwomanly Face of War is Svetlana Alexievich's collection of stories from Soviet women who lived through the Second World War: on the front lines, on the home front and in occupied territories. As Alexievich gives voice to women who are absent from official narratives - captains, sergeants, nurses, snipers and pilots - she shows us a new version of the war we're so familiar with, creating an extraordinary history from their private stories.

Trapped in Poland in 1941, like many Jews, Millie Werber went from the Radom Ghetto to slave labor in an armaments factory, survived Auschwitz, and toiled in a second factory until liberation came on April 1, 1945. She faced death many times but lived to marry a good man and fellow survivor. Meanwhile, she concealed a photograph in her closet and carried a secret in her heart.

Beautiful, educated Svetlana Petrova defied her stifling aristocratic family to join a revolution promising freedom. Now, released after years of imprisonment, she discovers her socialist party vying for power against the dictatorial Bolsheviks and her beloved uncle, a champion of her cause, was murdered by a mysterious assassin named Orlova. Her signature? Blinding her victims before she kills them. Svetlana resolves to avenge his death by destroying this vicious opponent, even as she longs to reunite with the daughter she has not seen in years.

Mona Maria Manoliu's story begins in 1977, in a village at the foot of the Carpathian mountains in Ceausescu's Romania. She is 17 and madly in love with a mysterious, handsome boy called Mihai.

>Begun as a stage play by Engelhardt, this audio adaptation of Never Again War focuses on key biographical moments in Kollwitz's long life to give the audience an understanding of the complex world in which she lived and the destructive nature of war. Engelhardt is now working on a feature film to further bring awareness of Kollwitz's story to a larger audience. After her youngest son Peter was killed in Belgium in October 1914 during the opening weeks of World War I, she devoted the rest of her life to using her art in the service of her grief and opposition to war.

Abigail Willard first spots her from the back of a New York cab: the spitting image of Abby herself at age 22 - right down to the silver platforms and raspberry coat she wore as a young artist with a taste for wildness. But the real Abby is now 46 and married, with a corporate job and two kids. As the girl vanishes into a rainy night, Abby is left shaken. Was this merely a hallucinatory side effect of working-mom stress? A message of sorts, sent to remind her of passions and dreams tossed aside? Or something more explosive and life-altering?

Born to a Russian family of lower nobility, Xenia, an eccentric dreamer who cares little for social conventions, falls in love with Andrei, a charismatic soldier and singer in the Empress's Imperial choir. Though husband and wife adore each other, their happiness is overshadowed by the absurd demands of life at the royal court and by Xenia's growing obsession with having a child - a desperate need that is at last fulfilled with the birth of her daughter. But then a tragic vision comes true, and a shattered Xenia descends into grief, undergoing a profound transformation that alters the course of her life.