Mostrando títulos en Historia y Crítica

From Dashboard Confessional, Thursday, and Jimmy Eat World to My Chemical Romance, Paramore, and Fall Out Boy, Say The Quiet Part Out Loud is an ebook chronicling the rise, fall, and rise again of a genre of music that was both vilified and celebrated. This is part 1 of 3, telling the exciting and crazy story of 2000s emo.

In this enlightening and entertaining book, experience the evolution of country music, from the 1970s Appalachian hillbilly chitlin' circuit to the 1980s country music boom that paved the way for modern Americana. In a dim clearing off a county road in Kentucky sits a sagging outdoor stage...

A decade and a half ago, Illmatic launched one of the most storied careers in hip hop, and cemented New York’s place as the genre’s epicenter. With this in-depth look at the record, Matthew Gasteier explores the competing themes that run through Nas’s masterpiece and finds a compelling journey into adulthood.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

The music of Yes indelibly shaped the original sound of progressive rock. But the true tale of this landmark band goes well beyond headline-making albums like Fragile and Close to the Edge. In this book, Kevin Mulryne tells the absorbing story of the final Yes album of the 1970s, Tormato, uncovering myriad fascinating twists and turns for the first time.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

Russell Martin, author of Beethoven's Hair, and his wife, Lydia Nibley, tell the story of how a lock of Ludwig von Beethoven's hair, clipped from the composer's head on his deathbed in Germany in 1827, ended up in Nazi-occupied Denmark in 1943 and was later sold at auction in London in 1994. Learn about this incredible journey through history and the mysteries revealed about Beethoven's deafness and death. Correspondence, research, and forensics further inform this fascinating story.

A behind the scenes look at the music that is currently the soundtrack of the globe, reported on and written by Leila Cobo, Billboard's VP of Latin Music and the world's ultimate authority on popular Latin music. Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past...

With a wide-ranging mix of rants on pop culture, politics, and coping with the present, Parker’s personal stories show you how to conquer problems with poise. Using Parker’s toolbox of humor, irony, and common sense, you too can take on any challenge.

Howard Bloom - called “the greatest press agent that rock and roll has ever known” by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull - is a science nerd who knew nothing about popular music. But he founded the biggest PR firm in the music industry and helped build or sustain the careers of our biggest rock legends, including Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Billy Idol, Chaka Khan, and 100 more. What was he after? He was on a hunt for the gods inside of you and me.

In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound—influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock—the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.

In Live Dead, musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to "Betty Boards," and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years.

The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson’s career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman.

Felix Mendelssohn was a child prodigy to rival Mozart and achieved great fame during his lifetime, fêted across Europe, and composing in the widest possible range of musical genres. However, his music has also been denigrated for its elegance, charm and symmetry. This insightful biography explores the breadth of his achievements, the complexities of his privileged upbringing, and the reasons for the fluctuating nature of his reputation. Musical excerpts include the Violin Concerto, String Octet and Elijah, as well as his choral works, symphonies, sonatas and songs.

Simon Critchley first encountered David Bowie in the early '70s, when the singer appeared on Britain's most-watched music show, Top of the Pops. His performance of "Starman" mesmerized Critchley: it was "so sexual, so knowing, so strange". Two days later Critchley's mum bought a copy of the single; she liked both the song and the performer's bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

The 1960s: The Decade Music Changed and Influenced the Decades That FollowedIt was a time when music felt bigger than ever, changing the way people saw the world and themselves. Artists began experimenting with new sounds, blending different styles. From rock to country, folk to pop, and jazz to Motown, the music of the 1960s captured the energy of a generation that wanted to break free from old traditions and create something new. This was the decade when The Beatles took the world by storm, Bob Dylan made us think with his lyrics, and artists like Aretha Franklin and Sam Cooke used their ...

Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.

A massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees’s Raised on Radio is, remarkably, the first biography of AOR (“Album-Oriented Rock”)...

Bloomsbury presents Unfinished by Lucas Cantor Santiago, read by Christopher Ragland. For most of his career, the Emmy Award–winning composer and producer Lucas Cantor Santiago was a self-described luddite. Technology, he felt, was moving too fast, transforming the world and the arts with no regard for the cost in tradition, hard-won human wisdom, and tried-and-true methods of mastery.