Mostrando títulos en Historia y Crítica

Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I'd Fight the World, Peter La Chapelle traces the deep bonds between country music and politics. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world.

Taking us on a distinctive time-out-of-mind pilgrimage, Deadologist Howard Weiner revisits all the stops of the Grateful Dead’s 1983 fall tour on the anniversary dates of the shows. As he analyzes the band’s transcendent music in the places where it was created four decades earlier, Howard reflects on his vast touring experiences, and the long, strange trip of Deadheads from this era. The pilgrimage rolls through essential Dead stomping grounds like Madison Square Garden and the Hartford Civic Center, as well as returning to Lake Placid, site of a legendary Dead show three years after ...

The Genius of Johann Sebastian Bach: A Life in Music By Richard Fleischman Primaviolista Press Discover the extraordinary life and enduring brilliance of the man who reshaped music forever. Johann Sebastian Bach wasn’t just a composer—he was an architect of sound, a mathematician of melody, and a storyteller whose music still speaks to the soul centuries later. In The Genius of Johann Sebastian Bach: A Life in Music, music professor, performer, and international lecturer Richard Fleischman takes readers on an inspiring and immersive journey through the life and works of one of ...

From Chant to Choir: Sacred Music in Religion and World Culture In From Chant to Choir, explore the profound power of music as it transcends time, cultures, and spiritual traditions. This captivating journey delves into the sacred sounds that have shaped religious practices across the globe—from the ancient rhythms of indigenous chants to the harmonies of modern worship. Discover how music has been used not only as a tool for devotion and connection to the divine but also as a source of healing, resistance, and transformation. With a focus on the rich and diverse traditions of Hinduism, ...

When it comes to Mariah Carey, star power is never in doubt. She has sold hundreds of millions of albums and cut more chart-topping hits than any other solo artist—ever. And she has that extraordinary five-octave vocal range. But there is more to her legacy than eye-popping numbers. Why Mariah Carey Matters examines the creative evolution and complicated biography of a true diva, making the case that, despite her celebrity, Carey’s musicianship and influence are insufficiently appreciated.

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress, and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire". It was a time when the music was Swing, and Harlem was king.

Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.

In Live Dead, musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to "Betty Boards," and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years.

Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era.

Throughout history, music has not only reflected the world around it but has actively shaped the course of history. In Music That Changed the World, this powerful connection is explored through a curated collection of iconic compositions that became anthems of revolution, resistance, and social change. From Beethoven’s Eroica, originally dedicated to Napoleon and reimagined as a symbol of political upheaval, to Shostakovich’s Leningrad Symphony, performed in defiance against Nazi tyranny, these pieces of classical music are more than just works of art—they are the soundtracks of ...

An intimate portrait of Handel’s life and inner circle, modeled after one of the composer’s favorite forms: the fugue. During his lifetime, the sounds of Handel’s music reached from court to theater, echoed in cathedrals, and filled crowded taverns, but the man himself - known to most as the composer of Messiah - is a bit of a mystery. Though he took meticulous care of his musical manuscripts and even provided for their preservation on his death, very little of an intimate nature survives.

Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one.

Grammy winner John JR Robinson's bestselling memoir, "King of the Groove - How One Dream Transformed into 60 Years of Making Legendary Music," is captivating listeners with behind-the-scenes stories from his unprecedented six-decade career. This book plays a part in helping others to find new ways to believe in themselves. The memoir, featuring a foreword by the late, Quincy Jones offers listener and listeners an intimate glimpse into Robinson's journey from small-town Creston, Iowa into a legacy of over 500 million records sold, proving that rhythm isn't just what he does—it's who he is.

1964 was, without a doubt, one of the most influential years in the history of popular music in America. The arrival of The Beatles changed everything. Following their appearance on The Ed Sullivan Show, watched by a record TV audience, the course of pop music, and pop culture, was forever altered. The Beatles dominated the Hot 100 singles chart like no act had done, placing 6 songs at #1 in 1964. Remarkably, John Lennon and Paul McCartney wrote all of them as well as a seventh for Peter and Gordon. This was while most of their contemporaries were charting with cover versions. The Beatles ...

“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of downtown New York’s 1970s music scene, Talking Heads have endured as a musical and cultural force for decades, their unique brand of transcendent, experimental rock a lingering influence on popular music—despite having disbanded over thirty years ago. Now on the 50th anniversary of the band’s formation, acclaimed music biographer and contributor to The New Yorker Jonathan Gould offers the definitive story of Talking Heads.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day.

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.

Thunderclap Newman stunned the music world in the summer of 1969 with the success of their wonderfully odd debut single "Something In The Air", which ousted none other than the Beatles from the top of the charts. They followed up with an LP described by Nik Cohn as "one of the finest, most truly bizarre albums of the era" before disintegrating just a few months after its release. This is the story of one of the most unlikely combos in popular music history, and of the four disparate characters who formed its core.