Mostrando resultados por autor "Joe R. Lansdale" en Todas las categorías

The sixteen stories and two screenplays that make up Volume One of the Emmy® Award–winning Netflix Original series Love, Death & Robots.

Joe R. Lansdale’s Ned the Seal Trilogy — now in audio for the first time. All three books collected in one wild, weird, and gloriously unhinged volume. Saddle up your dirigible and prepare for mayhem. This is Joe R. Lansdale completely off the leash. Part dime-store western, part pulp sci-fi fever dream, The Ned the Seal Trilogy careens through alternate histories and impossible realities with a cast that includes Buffalo Bill, Dracula, Jules Verne, a Japanese shogun with Frankenstein’s monster, and a telepathic seal with a taste for sardines and sarcasm.

Part of a secret government organization designed to protect civilians, Elvis Presley and a handful of hardcore warriors set out to save the world from an invasion of hive-minded, shape-shifting vampire-like creatures from a dark dimension who have taken up residence in a New Orleans junkyard.

If there’s one thing Hap Collins and Leonard Pine like, it’s trouble - and they especially like getting paid to find it. So when their friend and sometime boss Marvin Harmon asks the boys to look into a cold-case double homicide, they’re happy to oblige. It turns out that both victims were set to inherit some serious money, and one of them ran with an honest-to-goodness vampire cult. The more closely Hap and Leonard look over the crime-scene photos, the more trouble they see.

In the field of country noir—the dark side of rural and small-town America—Lansdale staked his claim to East Texas with The Nightrunners. A '66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.

Even though a midlife crisis just crashed into Hap Collins like a runaway pickup, he's still got his job, he knows his best friend, Leonard Pine, will always be there for him, and, of course, he's got his main squeeze, Brett Sawyer. Things hit a new low, however, when Brett's daughter, Tillie, who's been walking on the wrong side of the law, suddenly stands in need of a rescue. It won't be easy - it never is - but nothing is going to stop Hap and Leonard as they hit the road destined for Hootie Hoot, Oklahoma.

When Hap and Leonard are called in on a strange request (subduing a meth-hopped hog) by a desperate young lady, they quickly learn this woman is part of a fringe group: The Hatchet Girls, who have pledged their allegiance to a crazed and grudge-bearing leader bent on bloody societal revenge. The timing couldn't be worse to be caught in such a vile, sticky wicket of a case: both boys are wrapped up in their domestic lives: Leonard is in the midst of wedding planning with fiancee, Pookie. And meanwhile, Hap and Brett are hard at work on their new home.

Ed Edwards is in the used-car business, a business built on adjusted odometers, extra-fine print, and the belief that "buyers better beware". Burdened by an aging, alcoholic mother constantly on his case to do something worthier of his lighter skin tone and dreaming of a brighter future for himself and his plucky little sister, Ed is ready to get out of the game. When Dave, his lazy, grease-stained boss at the eponymous dealership Smiling Dave's sends him to repossess a Cadillac, Ed finally gets the chance to escape his miserable life.

Exit Wounds is a thrilling anthology of crime stories written by masters of the genre, including Dean Koontz, Val McDermid, Lee Child, Jeffery Deaver, Elly Griffiths, Dennis Lehane, Joe R. Lansdale, and others.

As a liberal young man in East Texas, Hap Collins is discovering his passion for two-fisted justice in a redneck world. Leonard Pine - black, gay, and the ultimate outsider - is already fighting his own battles against racists and bullies. So when Hap sees Leonard demolishing an angry mob with his fists (and taunts), it’s immediately clear that these two young men have a lot in common.

Hap Collins looks like a good ol’ boy. But even in his misspent youth, his best pal is Leonard Pine, who is Black, gay, and the ultimate outsider. Inseparable friends, Hap and Leonard climb into the boxing ring, visit their families, get in bar fights, and just go fishing - all the while confronting racists, righting wrongs, and eating a whole lot of delicious food.

Hap and Leonard are an unlikely pair - Hap, a self-proclaimed white-trash rebel - and Leonard - a tough-as-nails black, gay Vietnam vet and Republican - but they're the closest friend either of them has in the world. After years of crime-solving companionship, something's changed: Hap, recently married to their PI boss, Brett, is now a family man. Amid the worst flood East Texas has seen in years, the two run across a woman who's had her tongue nearly cut out, pursued by a heavily armed pair of goons. Turns out the girl survived a mob hit, and the boss has come to clean up the mess.

When the Magic Wagon comes to town, folks get a genuine medicine show that includes a wrestling ape, fancy shooting, and a peek at the petrified body of Wild Bill Hickok himself. They also get bottles of a whiskey-laced elixir to drown their aches and pains. Old Albert drives the wagon, a raw-boned youngster named Buster Fogg does the odd jobs, and "champion" trick shooter and fast talker Billy Bob Daniels owns the show. Billy Bob claims to be the illegitimate son of Wild Bill himself.

Throughout history and infinite dimensions, there exists a secret group of supernatural investigators operating on the fringes of society, lurking in the shadows, working strange cases with little reward. They are hardboiled zombies and ghosts, mythological creatures, ass-kicking vampires, tortured humans, and uncanny sleuths whose normal is the bizarre and weird.

When Bill and his friends accidentally witness a homicide by two hitmen known only as Fat Boy and Cobra Man, everyone but Bill is slaughtered. After escaping by the skin of his teeth, Bill runs to his Uncle Hank, who reluctantly gets involved, and together, they begin a clandestine takedown of Fat Boy and Cobra Man that leads them to something much darker, much more unspeakable than simple murder or revenge. Waltz of Shadows, a novel not for the feint of heart, is Lansdale at his darkest.

From the dusty Great Depression to the far future to the Wild West to the era of big-fin automobiles, soda shops, and double features, as well as dark journey on an icy ocean full of ravenous sharks and a fantastic shipwreck that leads its survivors into a nightmarish Lovecraftian world of monsters and mystery, Joe R. Lansdale returns with a pack of stories for your consumption and enjoyment.

Hap Collins has just returned home from a gig working on an off shore oil rig. With a new perspective on life, Hap wants to change the way he's living, and shoot the straight and narrow. That is, until the man who stole Leonard Pine's boyfriend turns up headless in a ditch and Leonard gets fingered for the murder. Hap vows to clear Leonard's name, but things only get more complicated when Leonard's ex shows up dead, too.

In this rollicking, rollercoaster ride of a novel, Hap Collins and Leonard Pine take a break from their day jobs to search for Florida Grange, Leonard's drop-dead gorgeous lawyer and Hap's former lover, who has vanished in the Klan-infested East Texas town of Grovetown. Before she disappeared, Florida was digging up some dirt behind the mysterious jailhouse death of a legendary black bluesman's son, who was in possession of some priceless blues recordings. To Hap and Leonard, something doesn't smell right.

Hap and Leonard return in this incredible, mad-dash thriller, loaded with crack addicts, a serial killer, and a body count. In the second installment of the Hap and Leonard series, Leonard is still nursing the injuries he sustained in the duo's last wild undertaking when he learns that his Uncle Chester has passed. Hap is of course going to be there for his best friend and offers to help clean Uncle Chester's dilapidated house, which Leonard has inherited.

A rollicking novel about Nat Love, an African-American cowboy with a famous nickname: Deadwood Dick. Young Willie is on the run, having fled his small Texas farm when an infamous local landowner murdered his father. A man named Loving takes him in and trains him in the fine arts of shooting, riding, reading, and gardening. When Loving dies, Willie re-christens himself Nat Love, in tribute to his mentor, and heads west.