Tom Stoppard
A Life
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Narrated by:
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Stephen Crossley
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By:
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Hermione Lee
“An extraordinary record of a vital and evolving artistic life, replete with textured illuminations of the plays and their performances, and shaped by the arc of Stoppard’s exhilarating engagement with the world around him, and of his eventual awakening to his own past.” —Harper's
Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations—Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love—remain as fresh and moving as when they entranced their first audiences.
Born in Czechoslovakia, Stoppard escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Václav Havel. Having long described himself as a "bounced Czech," Stoppard only learned late in life of his mother's Jewish family and of the relatives he lost to the Holocaust.
Lee's absorbing biography seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man.
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Amazing theatre artist
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Best bio ever!
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great biography
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I alternated between long audio passages and reading the book. Crossley is one of those narrators who stays in your mind even as you return to the print. Stoppard requested Hermione Lee as a biographer, a form he generally distains. Her research is pretty amazing and she populates it with anecdotes on his working relationships with actors, directors, designers, musicians, royalty, as well as his marriages, family, children, other writers, and critics. It also breaks down his plays, which can be complex in plot and story. Stoppard comes off as one fine chap, at times conservative. always fascinating and gifted. "I'm not as nice as people think I am", he likes to say. There are many such statements, quips and witticisms at which Stoppard is so adept. Lee's afterward has a lovely explanation of how despite all the detail, Stoppard is still a living, breathing (thank goodness) artist of whom this biographical record is only a part.
Extremely thorough, beautifully written
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