The Ones Who Got Away

A fresh new contemporary romance from New York Times and USA Today best seller Roni Loren that will rock your world. Twelve years ago, tragedy struck the senior class of Long Acre High School. Only a small number of students survived, a group the media dubbed as The Ones Who Got Away. Now, web designer Liv Arias, along with the rest of the survivors, have returned to the small Texas town to tell their stories for a documentary. Which means Liv seeing former star-athlete and old flame Finn Dorsey.

A lot happened between them that night and Liv is ready to end their decade-long riff and move on. But when her attempt at closure turns into a steamy kiss, moving on proves much more difficult than either of them thought....

©2018 Roni Loren (P)2018 Recorded Books

Horrible narration...

The narration was horrendous ... I have to change it to 2.5x to make it more bearable. Not only that I have a difficult to know when the point of view changes because her tone stays the same. Just bad... but the story was good!

The ones who got away

Romance, romance, romance and a good story to go a long with it. A FBI undercover agent and a photographer find lost love and themselves one summer.

A romance with a real story!

This is a spicy romance with an actual plot line. Quite rare in the romance genre.

My all time favorite romance series!

I love these characters so much! Their stories are comfort food for my sou! Thank you Roni Loren for creating this world.

Compelling story about the Strength, Guilt, & Struggles of School Shooting Survivors

While this is a romance, it is more a story about surviving tragedy. It is the first in a series and a bit of a departure from the author’s erotic romances, though there are several hot scenes. This is more though as it begins to explore the aftermath of a school shooting through the adult memories of teen survivors. The characters are varied and interesting, the narrative unfortunately fairly ringing with elements of truth. The narration was ok- not great- and would have been better with less forced accent and with a dual or duet performance. It is worth a credit if the reader is not fortunate enough to subscribe to the escape package.