The Little Friend

De: Donna Tartt

Narrado por: Karen White

NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review

The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.©2002 Donna Tartt; (P)2002 Books On Tape, Inc.

Reseñas de la Crítica

"This extraordinary book [has] a main character, a twelve-year-old girl named Harriet Cleve Dufresnes, who ranks up there with Huck Finn, Miss Havisham, Quentin Compson, and Philip Marlowe, fictional characters who don't seem in the least fictional . . . If To Kill a Mockingbird is the childhood that everyone wanted and no one really had, The Little Friend is childhood as it is, by turns enchanting and terrifying."
--Malcolm Jones, Newsweek

"Breathtaking . . . A sublime tale rich in religious overtones, moral ambiguities, and violent, poetic acts . . . From its darkly enticing opening, we are held spellbound." --Lisa Shea, Elle

"Readers are easily swept up in [a] darkly comic novel that . . . broadens to examine Southern racial and social strata, religious and generational eccentricities, and the passion of youth that gives way to the ambivalence of age. At times humorous, at times heartbreaking, The Little Friend is most surprising when it is edge-of-your-seat scary." --Dennis Moore, USA Today

"A sprawling story of vengeance, told in a rich, controlled voice . . . Tartt has written a grownup book that captures the dark, Lord of the Flies side of childhood and classic children's literature."
--James Poniewozik, Time

Couldn't put it down

What made the experience of listening to The Little Friend the most enjoyable?

The richly drawn cast of characters is I think the main strength of this book. If you've ever spent time in the South, especially during the time frame she's set this story in, you will agree I think that she really nails it about how people interact, what small towns were like there, etc. The book revolves around an event that takes place (in memory) within the first chapter or so. The rest of the book is loosely organized around the mysterious circumstances that surround that event, a death. Eleven (?) year old Harriet, the central character, is worth the read all by herself. Donna Tarrt could not have done a better job in bringing her to life and making you care deeply about her. I laughed a lot as her thought processes unfolded, as she engaged in her amateur sleuth work, and as she enlisted the help of her adoring young friend with her plans. One reviewer mentioned Nancy Drew. Hardly. This is an adult book, with adult themes. I would challenge those who said it was too long to detail what parts of the plot/story they would have edited out. My book group could not come up with anything they'd have taken out, even though the length of the book is a bit daunting. It is a gripping story and you care deeply about many of the characters. The ending for many, including several in my book group, felt very unsatisfying, I will grant you that. But as we talked about it, we decided that this book was less mystery than it is a study of a time and a place and the ways in which people come to wrong conclusions based on their prejudices, misconceptions, and miscommunications. Those wrong conclusions change whole lives and can be tragic. Many things DO NOT get

Beautiful writing, but story loses its way

Any additional comments?

If I had been reading this novel, I might have put it down, since the story wanders and drifts. But listening to Karen White reading made it a much smoother ride. Tartt paints a lovely world, and she captures the spirit of childhood. No, check that. She nails it 100%. The characters bleed off the page, as does the setting. But don't expect a page turner, based on the opening paragraph.

Interesting

Enjoyed the different characters and the perspective of a 9year old
Girl in 1940$ south

Great Story, DIFFICULT Narrator

Donna Tartt is such a good writer. This book is wonderful, but, David Pitu or some alternative narrator for this unabridged version, would be so helpful.

But I invested 22 hours!

After Donna Tart skillfully pulled me into this fascinating and well-constructed drama, got me to understand and feel for the vivid characters (Go, Harriet!), and wove an intriguingly tangled yet believable web between them, she just CUT OFF the story! I thought there must have been a Part 4 I'd forgotten to download. While some stories end this way on purpose (real life often has loose ends, right?) they usually let you know in some way that it's been done on purpose, that you're supposed to ponder something because of it, etc. This one just ended with NOTHING. All the loose ends were still loose, and more was unresolved than at the beginning. Which would have been ok, really, if Ms. Tart had just communicated in some way that this was the point of the whole thing. The way she left it, however, was very disappointing. Especially since I didn't want to put it down! I feel so cheated.