adbl_ms_membershipImage_includedwith_altText_B0821SC3ZP
adbl_ms_membershipImage_includedwith_altText_B0821SC3ZP

Try our newest plan – unlimited listening to select audiobooks, Audible Originals, and podcasts.
You will get an email reminder before your trial ends.
$7.95 a month after 30 day trial. Upgrade or cancel anytime.
Buy for $7.95

Buy for $7.95

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's Summary

It’s 1949 in Detroit’s Black Bottom neighborhood, and there’s no better place to hear or play jazz than Paradise Club. Blue (Emmy Award winner, Grammy Award winner, and 2020 Tony Award nominee Blair Underwood), club owner and trumpeter, can wail like no other, but as forces outside the club conspire to irreparably change life inside and outside Paradise’s walls, he must decide whether to stay or sell. Beholden to his girlfriend (Grammy Award winner Kristolyn Lloyd) and fellow bandmates (André Holland and Keith Randolph Smith), Blue faces an uncertain future as he reckons with his troubled past. When Silver (Simone Missick), a smooth and mysterious newcomer from Louisiana, steps onto the scene, everyone in Paradise must choose how to survive. 

For over six decades, Williamstown Theatre Festival, recipient of the Tony Award for Outstanding Regional Theatre and the Commonwealth Award for Achievement, has brought emerging and professional theatre artists together to create a thrilling summer festival of premiere work alongside fresh, new productions of the Western canon, accompanying cultural events including Community Works and Late-Night Cabarets, and readings and workshops of new plays. Under Artistic Director Mandy Greenfield, WTF launched the Andrew Martin-Weber New Play and Musical Commissioning Program, through which theatre artists, including Jocelyn Bioh, Nathan Alan Davis, Halley Feiffer, Justin Levine, Matthew Lopez, Jiehae Park, Benjamin Scheuer, and many others, create new work supported by a year-round play development program. WTF runs unmatched training programs for new generations of theatre talent, and artists and productions shaped at WTF fill theatres in New York, London, and around the country each season.

Williamstown Theatre Festival’s productions of The Bridges of Madison County, The Elephant Man, Fool for Love, Living on Love, and The Visit enjoyed critically acclaimed runs on Broadway, with The Elephant Man and The Visit receiving Tony Award nominations for Best Revival of a Play and Best Revival of a Musical, respectively. WTF's world premiere productions of Cost of Living (winner of the 2018 Pulitzer Prize for Drama), Actually, Paradise Blue, and Moscow Moscow Moscow Moscow Moscow Moscow played acclaimed Off-Broadway runs. In the abbreviated 2019-20 theatrical season, Williamstown Theatre Festival was represented or scheduled to be represented on Broadway, Off-Broadway, and regionally by The Sound Inside and Grand Horizons, both of which received Tony Award nominations for Best Play, The Rose Tattoo, Seared, Selling Kabul, Unknown Soldier, and Lempicka. Visit us at www.wtfestival.org.

Williamstown Theatre Festival would like to thank 321 Theatrical Management, Telsey & Company, and DKC/O&M.

Sound design by: Darron L. West
Original music composition by: Kenny Rampton & Bill Sims Jr.
Assistant Director: Bianca LaVerne Jones
Executive Producer for Audible: Kate Navin
Producer for Audible: Jessica Amato
Executive Producer for Williamstown Theatre Festival: Mandy Greenfield
Producer for Williamstown Theatre Festival: Lucie Ledbetter
 

Staff for Williamstown Theatre Festival
Antonello Di Benedetto, Director of Audience Engagement
Mandy Greenfield, Artistic Director
Henrietta Key, Development Coordinator
Aileen Lambert, Literary Manager
Lucie Ledbetter, Line Producer
Josh Martinez-Nelson, Director of Development & Communications
Amy Russell, Director of Finance
Laura Savia, Associate Artistic Director
Lindsey Turteltaub, Director of Production
Lianna Rada-Hung, Assistant to the Artistic Director

©2020 Dominique Morisseau (P)2020 AO Media LLC

About the Creator

Dominique Morisseau is the author of The Detroit Project (A 3-Play Cycle): Skeleton Crew (Atlantic Theater Company), Paradise Blue (Signature Theatre), and Detroit ’67 (Public Theater, Classical Theatre of Harlem and NBT). Additional plays include: Pipeline (Lincoln Center Theatre), Sunset Baby (LAByrinth Theatre), Blood at the Root (National Black Theatre), and Follow Me to Nellie’s (Premiere Stages). She is also the Tony-nominated book writer on the Broadway musical Ain’t Too Proud – The Life and Times of the Temptations (Imperial Theatre). TV/Film projects: She served as co-producer on the Showtime series Shameless. She’s developing shows with Netflix, HBO, and A24/Scott Rudin and wrote the film adaptation of the documentary STEP for Fox Searchlight. Awards include: Spirit of Detroit Award, PoNY Fellowship, Sky-Cooper Prize, TEER Trailblazer Award, Steinberg Playwright Award, Audelco Awards, NBFT August Wilson Playwriting Award, Edward M. Kennedy Prize for Drama, OBIE Award (2), and the Ford Foundation Art of Change Fellowship, named one of Variety’s Women of Impact for 2017-18 and a recipient of the 2018 MacArthur Genius Grant.

About the Director

Ruben Santiago-Hudson directed Jitney at Arena Stage in DC (Tony Award, Drama Desk, Drama League, NY Drama Critics, Outer Critics, Awards for Outstanding Revival), The Piano Lesson (Lucille Lortel, Joseph A. Callaway, Audelco, Obie), The Happiest Song Plays Last (Second Stage Theatre), My Children My Africa, The First Breeze of Summer, Seven Guitars (The Signature Theatre), Your Blues Ain’t Sweet Like Mine, Two Trains Running, Jitney (The Two River Theater Co.), Things Of Dry Hours (NY Theater Workshop) Gem of the Ocean (The McCarter Theater and A.C.T. San Francisco) Radio Golf (The Kennedy Center). He served as artistic director for August Wilson’s The American Century Cycle, all 10 plays were presented by WNYC’s The Greene Space. As a writer, Santiago-Hudson penned the screen adaptation of August Wilson’s Ma Rainey’s Black Bottom for Netflix.
Santiago-Hudson has acted on Broadway in Seven Guitars (Tony Award); Stick Fly, Gem of the Ocean, and Jelly’s Last Jam. His off-Broadway appearances include How I Learned What I Learned (The Signature Theatre), Lackawanna Blues (Obie Award, Helen Hayes Theatre), The Winter's Tale, Measure For Measure, Henry VIII (Public Theater NYSF), Ceremonies in Dark Old Men (NEC).

Sound Design: Darron L. West
Original Music Composition: Kenny Rampton & Bill Sims Jr.
Recording Musicians:
Brian Charette Piano
Yasushi Nakamura Bass
Tony Mason Drums
Kenny Rampton Trumpet
Assistant Director: Bianca LaVerne Jones
Executive Producer for Audible: Kate Navin
Producer for Audible: Jessica Amato
Executive Producer for Williamstown Theatre Festival: Mandy Greenfield
Producer for Williamstown Theatre Festival: Lucie Ledbetter
Staff for Williamstown Theatre Festival
Antonello Di Benedetto, Director of Audience Engagement
Mandy Greenfield, Artistic Director
Henrietta Key, Development Coordinator
Aileen Lambert, Literary Manager
Lucie Ledbetter, Line Producer
Josh Martinez-Nelson, Director of Development & Communications
Amy Russell, Director of Finance
Laura Savia, Associate Artistic Director
Lindsey Turteltaub, Director of Production
Lianna Rada-Hung, Assistant to the Artistic Director
For over six decades, Williamstown Theatre Festival, recipient of the Tony Award for Outstanding Regional Theatre and the Commonwealth Award for Achievement, has brought emerging and professional theatre artists together to create a thrilling summer festival of premiere work alongside fresh, new productions of the western canon, accompanying cultural events including Community Works and Late-Night Cabarets, and readings and workshops of new plays. Under Artistic Director Mandy Greenfield, WTF launched the Andrew Martin-Weber New Play and Musical Commissioning Program, through which theatre artists, including Jocelyn Bioh, Nathan Alan Davis, Halley Feiffer, Justin Levine, Matthew Lopez, Jiehae Park, Benjamin Scheuer, and many others, create new work supported by a year-round play development program. WTF runs unmatched training programs for new generations of theatre talent, and artists and productions shaped at WTF fill theatres in New York, London, and around the country each season. Williamstown Theatre Festival’s productions of The Bridges of Madison County, The Elephant Man, Fool for Love, Living on Love, and The Visit enjoyed critically acclaimed runs on Broadway, with The Elephant Man and The Visit receiving Tony Award nominations for Best Revival of a Play and Best Revival of a Musical, respectively. WTF's world premiere productions of Cost of Living (winner of the 2018 Pulitzer Prize for Drama), Actually, Paradise Blue, and Moscow Moscow Moscow Moscow Moscow Moscow played acclaimed Off-Broadway runs. In the abbreviated 2019-20 theatrical season, Williamstown Theatre Festival was represented or scheduled to be represented on Broadway, Off-Broadway, and regionally by The Sound Inside and Grand Horizons, both of which received Tony Award nominations for Best Play, The Rose Tattoo, Seared, Selling Kabul, Unknown Soldier, and Lempicka. Visit us at www.wtfestival.org.
Williamstown Theatre Festival would like to thank 321 Theatrical Management, Telsey & Company and DKC/O&M.

Featuring

Featuring

What listeners say about Paradise Blue

Average Customer Ratings
Overall
  • 4.5 out of 5 stars
  • 5 Stars
    142
  • 4 Stars
    37
  • 3 Stars
    14
  • 2 Stars
    2
  • 1 Stars
    1
Performance
  • 5 out of 5 stars
  • 5 Stars
    157
  • 4 Stars
    16
  • 3 Stars
    5
  • 2 Stars
    2
  • 1 Stars
    1
Story
  • 4.5 out of 5 stars
  • 5 Stars
    126
  • 4 Stars
    35
  • 3 Stars
    16
  • 2 Stars
    2
  • 1 Stars
    2

Reviews - Please select the tabs below to change the source of reviews.

Sort by:
Filter by:
  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

BRAVO BRAVO

Loved it but lost me the very last second. Outstanding had me from the beginning to the end.

6 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

history comes to life in the most entertaining way

I stumbled upon this audible by accident. I was just surfing titles and descriptions. From the very beginning I was drawn in. I was multi-tasking at first but turned all of my attention to the story, the actors, the music before it was all over. For me, the best story told is the one where I feel like I am a witness to what is taking place. This was it for me.

4 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

supreme!!!!!!!!

That was exquisite. I loved each actors intention and passion for this play. I wish I could see this on stage. Bravo.

4 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Cliffhanger

This was SO GOOD! The readings were done so well, I could visualize the actors as if they were on stage! But who was shot??? Really leaves you hanging...

4 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

great short story

it was like listening to a play. nice array of characters. good storyline. very entertaining.

3 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Hardcore American Reality

an excellent story told by an impressive crew about the jazz culture in Detroit in the 40s. mostly enjoyed the discussion of the producers at the end especially the systematic destruction of a white mayor to the African-American jazz community and businesses in Detroit. we can learn from these mistakes to prevent things like this from ever happening again, hopefully.

1 person found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Amazing work!

Must hear! I can’t say enough about this brilliant piece of work. It’s so rich and vivid and moving.

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

A big yes!

Beautiful in every aspect ... the music fed the story and viceversa. Listen past the end to hear some of the background of the play, production and inspiration.

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

A Good and Interesting Short Story

I never expected to get into a book that would be enjoyable and I definitely enjoy the cast performances in this audio as well. Would recommend this to anyone who loves jazz music and drama stories.

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Just oh my God this is brilliant!!!!

WOW couldn't breathe last scene,. my stomach hurts.....this is brilliant on so many levels, plus I'm a jazz pianist so I understand more of the depth of it. Interview great for background history. The acting.... wasn't even acting, it was life, real, raw. And that cast! Thank you, Audible Originals!