
Nothing's Bad Luck
The Lives of Warren Zevon
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Narrado por:
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Fleet Cooper
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De:
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C. M. Kushins
Biography of legendary singer-songwriter Warren Zevon, spanning his nomadic youth and early recording career to his substance abuse, final album, and posthumous Grammy Awards
As is the case with so many musicians, the life of Warren Zevon was blessed with talent and opportunity yet also beset by tragedy and setbacks. Raised mostly by his mother with an occasional cameo from his gangster father, Warren had an affinity and talent for music at an early age. Taking to the piano and guitar almost instantly, he began imitating and soon creating songs at every opportunity. After an impromptu performance in the right place at the right time, a record deal landed on the lap of a teenager who was eager to set out on his own and make a name for himself. But of course, where fame is concerned, things are never quite so simple.
Drawing on original interviews with those closest to Zevon, including Crystal Zevon, Jackson Browne, Mitch Albom, Danny Goldberg, Barney Hoskyns, and Merle Ginsberg, Nothing's Bad Luck tells the story of one of rock's greatest talents. Journalist C. M. Kushins not only examines Zevon's troubled personal life and sophisticated, ever-changing musical style but emphasizes the moments in which the two are inseparable and ultimately paints Zevon as a hotheaded, literary, compelling musical genius worthy of the same tier as that of Bob Dylan and Neil Young.
In Nothing's Bad Luck, Kushins at last gives Warren Zevon the serious, in-depth biographical treatment he deserves, making the life of this complex subject accessible to fans old and new for the very first time.
©2019 C. M. Kushins (P)2019 Hachette AudioListeners also enjoyed...




















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"The best of the books written thus far about Warren Zevon is Nothing's Bad Luck. C. M. Kushins follows the legendary singer/songwriter down streets mostly Californian and mean; like a good detective, he sifts through the relationships and songs left behind. What he uncovers makes for compelling reading." (Kevin Avery, author of Everything Is an Afterthought: The Life and Writings of Paul Nelson)
"[Kushins] captures the essence of the brooding yet wickedly witty singer." (Booklist)
"[An] appreciative but honest biography." (Milwaukee Journal-Sentinel)
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Kushins does an excellent job of weaving the musical talent of Zevon with his personal tales of mind numbing upheaval and crippling addictions. It was this way of life that provided the fuel for such songs as “Desperadoes Under the Eaves” and “Lawyers, Guns and Money.”
I’ve been waiting for a complete biographical account of Warren Zevon, and this is it. I recommend this book to all fans of Zevon and music fans.
A must read for fans of Mr. Bad Example
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if you want to relive zevon...
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Excellent!!
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There is a lot more to Warren than Werewolves,..
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<shakes head>
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A Must for Zevon Fans
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Thoughtful Account Marred by Underprepared Reader
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a story of my favorite person
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My dogs were the greatest beneficiaries of this book -- they received double walks every day, just so I could listen to this story. You don't always like or respect Zevon throughout the balance of the book but as his story reached its inevitable culmination, I found myself awash in sentimentality and admiration for Warren. His story is one of music's criminally-underappreciated tales of redemption.
The performance. Yikes. To be fair, blame the producer as much as the narrator. His inability to correctly pronounce some of the most well-known -- and easily-pronounced -- names in music is astonishing. Glenn Frey, Ray Manzarek, Toots and the Maytals, Leland Sklar and Zevon's partner Tule all bear the brunt of the narrator's wince-inducing mispronunciations. He additionally mispronounces the Palladium ("Puh-ladd-ium") repeatedly. Maddeningly, he gets it right once, then, only a few sentences later, resumes the mispronunciation. He misses other words as well and ultimately, his performance proves a gnawing distraction. But where were the producers? How do you have two or three people recording sixteen hours worth of audio and NOBODY picks up on any of this? The entire production team appears to have been wholly unfamiliar with the American music scene between 1966 and 2003, as nobody bothered to correct the poor guy reading the text. It's a shame because his voice, tone and various voicings are all solid and well-suited to this type of story. But as they say, the devil's in the details.
Still, if you're interested in the life and works of Warren Zevon, you'll enjoy this version, warts and all.
Impeccably-researched and well-written, but...
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Excellent!
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