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Jingle Bell Pop
- Narrated by: Erin Moon
- Length: 1 hr and 14 mins
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Publisher's summary
It seems like every year, the holiday season arrives earlier and earlier. Before Halloween’s ghosts and ghouls have even had their chance to come out of the shadows, sleigh bells and ribbons begin to materialize at the mall and towering tinsel-tinged trees appear in our living rooms. But the most telltale sign of the arrival of yuletide festivities is the unceasingly merry melody of the seasonal songbook, from "Silent Night" to "Santa Baby." Love them or loathe them, these holiday earworms are here to stay. But how do these songs endure for decades? And why are there so few contemporary Christmas carols?
In this holly jolly Audible Original, New York Times bestselling author and New Yorker columnist John Seabrook uncovers the mysteries of the holiday music machine, exploring how these hits were made and why they’ve dominated the soundwaves each and every winter. From the mid-century reign of songwriter Johnny Marks ("Rudolph the Red-Nosed Reindeer") to the manufactured musical nostalgia of modern holiday hits like "All I Want for Christmas Is You," Seabrook, alongside a cast of singers, songwriters, and producers, reveals the untold stories behind the songs that have us rockin’ around the Christmas tree year after year.
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Our favorite moments from Jingle Bell Pop
You know the songs, now hear the stories behind the songs! This audio presentation is full of fun facts, a few inconvenient truths, and some great interviews with the songwriters themselves. And it’s small enough to fit in your stocking, or rather, short enough to fit into your busy holiday season.
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About the Author
John Seabrook is the author of The Song Machine: Inside the Hit Factory, published by Norton in October 2015. He is also the author of Nobrow: The Culture of Marketing—The Marketing of Culture, which was published in 2000, Deeper: My Two-Year Odyssey in Cyberspace, which was published in 1997, and Flash of Genius and Other True Stories of Invention, published in 2008. He has been a contributor to The New Yorker since 1989 and became a staff writer in 1993. He explores the intersection between creativity and commerce in the fields of technology, design, and music. He lives in Brooklyn with his wife and two children and a dog and a cat.
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There’s nothing quite like the electricity that flows through the crowd at a concert: from the moment the lights come up on stage to the amazing sense of communal energy, it’s an experience unlike any other. So it's been a painful few months for fans, musicians, and venues as the pandemic upended album releases, festivals, concert tours, and other events. These listens offer a much-needed dose of the rhythm, artistry, and melodies you might be missing.
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Erin Moon is an AEA/CAEA/SAG-AFTRA actor and multiple AudioFile Earphones Award–winning narrator of more than 200 novels. She narrates everything from children’s books to romance and is celebrated for her facility with accents. Erin has also narrated nonfiction for world-renowned yoga and holistic health authors. She now lives, records, and teaches narration in beautiful Vancouver, Canada. She can be found on Instagram and Facebook: @mooneybooks.
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The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.
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My first review. This book changed me.
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Lucy
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Ashling is every busy parent’s dream: a professional nanny with experience and a warm, sunny attitude. But from the moment Mary hires her to look after her young children, things start to feel just a little...off. Are Mary’s stressful work schedule and lack of sleep playing games with her own sanity, or has she welcomed an unstable troublemaker into her home?
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Not sure what the point was
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Music Theory: from Absolute Beginner to Expert
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Have you ever been put off by music theory or thought that is too hard to learn? If the answer is yes, then this book is the answer for you. It covers everything that anyone who plays (or wants to play) music, and wishes to become better as a musician, should know. This is the most comprehensive book on music theory that you can find today. Not only that, but this book is written in a way that is really easy to follow, understand and internalize all the concepts explained.
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Title is misleading & no audio examples
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Ayoade on Top
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At last, the definitive audiobook about perhaps the best cabin crew dramedy ever filmed: View from the Top starring Gwyneth Paltrow. In Ayoade on Top, Richard Ayoade, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece.
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Listened for an hour and a half, didn't laugh once
- By Wesley on 12-13-19
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The Way I See It
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From age 11, in 1974, until she left the show, in 1981, Melissa Anderson literally grew up before the viewers of Little House on the Prairie. Melissa, as Mary, is remembered by many as the blind sister - and she was the only actor in the series to be nominated for an Emmy. In The Way I See It, she takes listeners onto the set and inside the world of the iconic series created by Michael Landon, who, Melissa discovered, was not perfect, as much as he tried to be. In this memoir she also shares her memories of working with guest stars like Todd Bridges, Mariette Hartley, Sean Penn, Patricia Neal, and Johnny Cash.
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self serving
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No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty's music and the remarkable rock and roll history he and his band helped to write. Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise.
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Tom Petty gets some bio love
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Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand.
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Screenwriting 101 - Angus Fletcher
- By Siobhan Sands on 04-14-18
By: Angus Fletcher, and others
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What listeners say about Jingle Bell Pop
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Kingsley
- 12-07-18
Making of a Christmas Hit
What makes a Christmas or Holiday song? Why do so many song writers attempt it? Part history, part musical analysis, that is what that audio production tries to answer.
'Jingle Bell Pop' focuses on the 'Christmas Canon', the most popular Christmas and holiday songs that we hear over and over again every year. It looks at the history of them, who created them and why they have stuck around.
There is discussion on how the 'canon' is effectively closed, with no holiday songs with sticking power having been created for a few decades. It discussed how Christmas songs/albums were once in vogue, then fell out and became the thing for artists well past their prime, and it's eventual return to being a 'must have' in many artists catalog.
It looks at the different types of songs such as traditional carols with Christian themes, holiday songs with no Christmas references (just winter/snowy imagery type stuff), WW2 era songs with their dour approach, right up to 'modern' classics.
It discusses the styles (the use of sleigh bells, janglely pianos etc; how often even the newer songs use elements to sound like older songs and invoke nostalgia) and writers (a surprising number are Jewish - mostly writing 'holiday' songs rather than 'Christmas' songs) and much more.
One of the most interesting, yet obvious in hindsight, things in this is the discussion on how writing a Christmas song that comes back every year can truly make an artist rich. You write a #1 pop song, and it sits in the chart for a dozen weeks and you make some quick cash. You make a Christmas song that sticks (either an original or a version that people will play again and again), and it comes back for six weeks every year for the next 50 years. Paying royalties to the artist or their estate for long into the future. A good Christmas/holiday song is a golden ticket.
Erin Moon is good as a main narrator. Clear, well paced and engaging. There is lots of interview snippets throughout, with music experts and historians, but Moon is the vast majority of the audio.
For a audio product about music there is not a huge amount in here. There is snippets of songs every now and again (for example 10 seconds of 'Santa Baby' during the discussion of that song's history) and there is some light instrumental music in the background, but generally the use of music within his is fairly well constrained. It's not over bearing or over used. There are dozens (hundreds) of songs mentioned in passing that no musical reference is made. If you know the song then you know it, if not you move on. There is no way they could have done a musical reference for every song mentioned. It would have been too much. A very good balance between reminding giving the listened a taste and overwhelming the listener is struck.
If you are interested at all in the pop culture history this is an extremely interesting audio documentary and worth listening to.
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57 people found this helpful
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- Christine Carey
- 12-11-18
Enh
I learned two interesting tidbits about "Silent Night"
1) It was originally written for tenor and bass
2) The priest who wrote the lyrics, Benjamin Moore, was an illegitimate child who never knew his parents and was raised by the Church
I learned those interesting tidbits in the first ten minutes, which earned this the 3 stars it got.
Sadly, the rest of this was a lot of interviewees bemoaning the fact that the last big Christmas song, "All I Want For Christmas Is You" is 24 years old. They all pretty much said that the heyday of Christmas songs is past, there is nothing new, and probably never will be. So 3 stars for the tidbits, but I can't really recommend this one to anyone.
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27 people found this helpful
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- Dawn Fowler
- 12-11-18
Good till the politics
It was good till they felt the need to add their personal political views. She mentions how Christmas songs can bring people together during this political divide, and then proceeds to add a misleading narrative.
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15 people found this helpful
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- R. MCRACKAN
- 12-07-18
Tis the season
A deconstruction of popular Christmas music throughout modern history. Especially to answer the question: how can a song escape the death formula 'sentiment + cliche + nostalgia = schmaltz' to achieve cultural, and financial, success?
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13 people found this helpful
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- Richard
- 12-11-18
last two minutes KILLED this!
Antagonist political commentary in the last two minutes RUINED an otherwise excellent story! Needs editing....
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11 people found this helpful
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- Susie Burgess
- 12-11-18
Started out interesting, then....
It was interesting enough. But then it got political at the very end and that ruined it. And I completely disagree with the fact that there are no more popular religious Christmas songs coming out. They are ignoring the popularity of “Mary Did You Know?”
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9 people found this helpful
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- Shaunee
- 12-11-18
Very informative...
I loved it until the ending when the liberal bias came through. The misinformation regarding the immigration situation in America was a little bit off-putting....
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8 people found this helpful
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- Amazon Customer
- 12-08-18
Great listen until the last few minutes.
I would recommend leaving political messages out of original content such as this. It was interesting material but I was very irritated by the political footnote.
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8 people found this helpful
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- IreneMBBT
- 12-10-18
Enjoyable Overview
This was an enjoyable time out regarding a topic very dear to my heart: Christmas Music. My family has made fun of my significant collection - let them. Nothing puts you in the spirit faster than music; notwithstanding mall muzak. I have my favorite few songs and albums that I start with every year; then it’s whichever I feel like playing next.
I found it interesting that they’re rarely immediate hits; mostly slow-burners that can take time to join the annual roster, and can provide life-long residuals for the writers. Who knew? I enjoyed hearing the back story for several songs, especially Santa Baby. I’m old enough to remember seeing Eartha Kitt on TV, and when Madonna released her cover.
Ok, sharing: favorite individual artist CDs are Tricia Yearwood The Sweetest Gift and Amy Grant Christmas to Remember. Fave compilations are Billboard Greatest Christmas Hits 1935-1954 and BGCH 1955-Present
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7 people found this helpful
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- David Brown
- 12-08-18
interesting concept
very interesting concept covered all the standards all the way up to the new ones. but the writer didn't listen to his own writing about longevity and added a political statement at the end. totally lost it at that point it didn't need to be there and it frustrated me because Christmas is supposed to be timeless
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7 people found this helpful