Gone Girl
A Novel
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Prueba gratis de 30 días de Audible Standard
Compra ahora por $24.75
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Narrado por:
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Julia Whelan
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Kirby Heyborne
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De:
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Gillian Flynn
ONE OF TIME'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME, ONE OF CNN'S MOST INFLUENTIAL BOOKS OF THE DECADE, AND ONE OF ENTERTAINMENT WEEKLY'S BEST BOOKS OF THE DECADE
ONE OF THE TEN BEST BOOKS OF THE YEAR: Janet Maslin, The New York Times; People; Entertainment Weekly; O: The Oprah Magazine; Slate; Kansas City Star; USA Today; Christian Science Monitor
New York Times Readers Pick: 100 Best Books of the 21st Century
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
ONE OF THE BEST BOOKS OF THE YEAR: San Francisco Chronicle, St. Louis Post-Dispatch, The Chicago Tribune, HuffPost, Newsday
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Editorial review
By Mysia Haight, Audible Editor
PSYCH OUT—THE JAW-DROPPING GENIUS OF GONE GIRL
Gillian Flynn’s Gone Girl is among the all-time best crafted stories told by unreliable narrators—two of them, the perfect couple—and a gripping thriller filled with jaw-dropping twists. This dark mystery novel also shines a critical light on the media-fueled public rush to judge people suspected of crimes who, regardless of the evidence, simply look guilty—an unsettling trend that has only escalated in the decade since the book’s release. Along with its critique of media exploitation, the novel has been widely embraced—and hotly debated—as a manifesto of modern feminism.
Ten years ago, I was approaching that dreaded life stage—middle age. After years of doing my best to be a good wife, mother, aunt, sister, daughter, and friend; a good worker, mentor, and role model; and a good listener, problem solver, and crisis manager, I was feeling taken for granted and restless. What if I did something unexpected, something out of character—something bad?
Happily, I satisfied my yearnings by becoming immersed in the brilliant mind and devious machinations of Amy Elliott Dunne, the hero (or, depending on your perspective, villain) of Gone Girl. When it was published in 2012, Gillian Flynn’s ingenious novel about a missing wife and the husband increasingly implicated in her ominous disappearance stirred up a lot of buzz. As an avid fan of psychological thrillers, unreliable narrators, and contemporary fiction driven by strong, complicated women, I couldn’t wait to read it. And I was blown away! In spite of her questionable (to put it extremely mildly) actions, I found Amy, an amazing woman who was taken for granted—first by her parents and then by her husband—relatable and, yes, sympathetic. I kept rooting for her to get the life she wanted, even when I was appalled by what she did and who she hurt to make that happen.
Has Gone Girl changed my life? Well, it didn’t motivate me to change for the badder—old good habits die hard. Yet, thanks in part to Amy and other remarkable women characters like her, I’ve gradually become better at speaking up for myself and getting heard.
Years after first reading Gone Girl, I haven't forgotten Amy. I love the way Rosamund Pike brought her to life in the 2014 film adaptation, which I've watched in its entirety three times with three different women—my sister, my niece, and my daughter. So when I discovered that one of my favorite narrators, the remarkable Julia Whelan, voices Amy in the audiobook, I just had to go back and listen. Her performance is brilliant—so believable, it's chilling—and even though I know every twist in her twisted story, Amy continues to amaze me!
Continue reading Mysia's review >
Featured Article: The 20 Best Thriller Audiobooks to Get Your Heart Racing
Few stories lend themselves to audio better than thrillers. Listening gives you time to play detective and figure out the mysteries with the characters. There’s no way to quickly flip through the tense, nerve-wracking parts—and that’s what makes hearing them so much more exciting. Whether you enjoy classic detective thrillers, or something more sinister, there are endless stories to choose from. Here are the 20 best thriller audiobooks to get you started.
Editor's Pick: Best of the Decade
Get to the gone
"I’m a sucker for great story structure, and Gone Girl uses every inch of its narrative to subvert expectations in ways that shock and amuse. The perfectly utilized diary entries fold into a legendary mid-book reveal. The face-turn-heel of a seemingly perfect victim who revels in the way they’ve expertly managed your expectations. The unreliable narrators who reveal so much about themselves by what they don’t say—or how they shape emotional states into origami. And it all feels fair; while most twist-filled stories tend to seem rather flimsy under a microscope, the closer you look at Gillian Flynn’s masterpiece, the more you notice the sheer togetherness of it all, each part working in concert with another, coalescing to form a story that has one finger firmly on the pulse of popular culture, and one on the carotid of a serial killer."—Sean T., Audible Editor
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Let's start with the writing itself... The writing was probably the worst part of the book BUT, that being said, the writing was actually done really well! The choice of words, sentence formation, the flow, it all was just seamless in nature, the building suspense, the tone… they were all great! I remember commenting to myself while going through this book that this was written really well. This lends to one of the book's most alluring traits... It allows you to be able to get absolutely and positively lost in it. When a book is easy to pass through like this, it's easy to see the time fly by.
Secondly you have the story... the story was (and I go back to my intro) twisted, sick, dark and demented. From the start of the book you know something is not right but not even I thought it would end up the way it did. The more you go into the story and the more you learn about Nick and Amy, the more you find yourself getting lost in the story. This book felt like such a guilty pleasure, that one night stand that you enjoyed supremely, that ice cream sundae you can't help but have even though you’re on a diet, that extra slice of cake that you stole from your older sibling... It fells completely wrong and you know it is completely indulgent but it also feels oh so good. That was what this book represented... If you have even an inkling of a dark side and willing to go through a raw, uninhibited, honest and demented view of an atypical relationship then you would simply LOVE this book. If you are looking for a cookie-cutter/true love conquer all/marriage is wonderful/life is perfect story then run for the hills and don't even look twice on this book.
Thirdly, the narration... It is a toss up to me between the story and the narration as to which was better. I can't decide, every time I choose one of the two I see the merits of the other. I love multi-person narrated titles and when it is done well, I am prone to raving about it. The narrators here though were completely rave worthy. They are able to portray Amy and Nick through the various stages of the book with such precision.... you can feel the angst, anger, apathy, vengeance, brokenness, tension and the myriad of other emotions through their voices. Add the excellent writing to this and you honestly can do nothing but marvel...
I am so impressed by this book. I see why this is seen as one of the best books of 2012. It is so easy to lose yourself in this book it's not even funny.
ONE IMPORTANT THING: DO NOT LISTEN TO THIS BOOK IF YOU HAVE AN AVERSION TO SWEAR WORDS. Do not listen in the company of children. The book is ripe with swear words at all but there are a number of sudden outburst and moments of anger simply filled with rampant curse words.
Demented, twisted, sick and I loved it!
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In the second part my prediction was confirmed but then something funny happened. The book went in a totally unanticipated direction. Now, I was hooked and totally absorbed. I could see possibly how this would end but did not care because this journey was getting so fascinating. Little did I know that there was going to be a couple more surprises in this richly entertaining mystery.
All of you jaded mystery readers and viewers are in for a treat with this book.
Gone Goes in a Different Direction
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Sick and Sicker
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Both performances were great, but Julian Whelan was much more than that. I fell in love with her character and found her completely believable. This was a difficult, complex character to pull off.
Not since Presumed Innocent has a mystery novel been so intriguing.
Wow. Just....wow.
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If part 1 was intriguing, then part 2 was atomic (enough said). The book was flip entirely on its head leaving the reader off-balance. I loved that too.
Then there was part 3, I hated it. If the intention of Gillian Flynn was to elicit a strong reaction from her reader then she succeed, but I would have prefered she did it another way. To say what I didn't like would be to give too much away, so I won't .
If you are a fan of demented, twisted and psycho this book is a definite must read. The two main characters Nick and Amy are multi-faceted (that's putting it gently). They are flawed (gently), but human (barely). The toxic relationship between these 2 are broken up by more relatable characters like Go, Nick's twin sister and Boney, a lead detective on the case. What I also found fascinating was the 24/7 news cycle that we live in where sound-bites and tv ratings control what is truth, and journalists do not simply report the news, but tell you what the truth is without the benefit of a trial, or due process. It should really be a cautionary tale.
"Somethin' Wicked This Way Comes"
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