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Publisher's Summary

Earphones Award Winner (AudioFile Magazine)

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.

Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.

As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.

©2011 Haruki Murakami (P)2011 Audible, Inc.

Critic Reviews

"This imaginative, lengthy novel satisfies as a mystery, fantasy, and humorous coming-of-age tale—all blended with the vagaries of love and loss in a dystopia mired in strange cults and mathematical/musical dreamscapes. One surmises that it's no accident that the book's enigmatic title relates to George Orwell's 1984." (AudioFile)
“Profound . . . A multilayered narrative of loyalty and loss . . . A fully articulated vision of a not-quite-nightmare world . . . A big sprawling novel [that] achieves what is perhaps the primary function of literature: to reimagine, to reframe, the world . . . At the center of [1Q84’s] reality . . . is the question of love, of how we find it and how we hold it, and the small fragile connections that sustain us, even (or especially) despite the odds . . . This is a major development in Murakami’s writing . . . A vision, and an act of the imagination.” (David L. Ulin, Los Angeles Times)
1Q84 is one of those books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don’t even notice as the hours tick by and the mountain of pages quietly shrinks . . . I finished 1Q84 one fall evening, and when I set it down, baffled and in awe, I couldn’t help looking out the window to see if just the usual moon hung there or if a second orb had somehow joined it. It turned out that this magical novel did not actually alter reality. Even so, its enigmatic glow makes the world seem a little strange long after you turn the last page. Grade: A.” (Rob Brunner, Entertainment Weekly)

What members say

Average Customer Ratings

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Story

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This Murakami Fan Loves It

I've read quite a number of Murakami's books and have really enjoyed them all. I'm not sure this one is quite as good as The Wind-Up Bird Chronicle but time will tell - I just finished 1Q84.

IQ84 is probably for readers of science fiction more than any other genre - the title's allusion to George Orwell's 1984 is great - but it's not quite that. The world of 1Q84 is just a fraction different from our own and may be running alongside it. The thing Murakami does best is blur the edges of reality and imagination and for this aspect 1Q84 is probably better than The Wind-Up Bird Chronicle because Murakami has it all smoothed out and you don't really know if you're in a reality or a fantasy and it switches all the way through - seamlessly.

The other thing that 1Q84 does better than any of Murkami's prior works is keep the suspense up all the way through virtually every page of a 925 page / 47 hour book! Granted, it's a bit bloated and I even detected some repetition (which may have been deliberate considering the theme) but even so - this is a page turner - hour burner.

The narration was superb. Kudos!

Enjoy!

40 of 46 people found this review helpful

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overbloated

I have read most of the Murakami novels. Overall I enjoyed this book but with some reservations. My two cents.

Pros:
1. Strong narrator performance.
2. Usual Murakami magic realism.

Cons:
1. Over-bloated. 1/3rd too long. The author had material only for two books. Third book-part is so boringly slow. Too much overlap between story lines when characters are basically stepping on each other toes and figuring out the same puzzle parts again and again.
2. Far-fetched love story axis (like in chic lit) made me roll my eyes many times while listening to the book. Some kind of not really believable Japanese version of Odysseus.

For Murakami first novel readers:
1. Be aware that novel is spiced up with some sex scenes. This should be nothing new for the person who read several Murakami novels.
2. Not the best Murakami novel as first read.

61 of 72 people found this review helpful

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excrutiating

This is the most monotonous work I have ever encountered. The slooooow reading of the female narrator who pauses to OVER stress every descriptive word in the book makes you feel like the print she read must have CA..PI..TAL..IZED each one. Like listening to a teacher read out loud to a preschool class, where each syllable is stressed separately to help the kids "sound out" the words on the page in front of them. The male narrator is actually good and that is the only nice thing I can say about this book.

The story itself doesn't help. Nothing ever happens. Or something very interesting happens, but the author skims over it with one brief comment and then goes into excruciating detail about some other minutia, like what they ate, how it was prepared, what was on the side, what spice was used to season it, how much was used, and how was it chopped, course or fine, and then lists a metaphor about how course or fine, why it was chopped that way...blah blah blah. Even the rare event that can not be classified as day to day minutia is interesting at best- like a dream that doesn't make sense, but is so odd that it makes an impression anyway, even if it is disjointed and has no real meaning.

It is so insanely verbose... I just listened to a 15 minute passage about Aomami considering buying a goldfish and deciding on a rubber tree instead (which we already know is the outcome), I fast forwarded 10 minutes and she was still thinking about it when i resumed. That's where I quit the book after about 30 hours. The author repeats everything and repeats it and repeats it. It makes me want to scream. Every time he mentions the fish- its not just "fish" it is the gold fish that she saw on this date that she considered buying after she saw someone else's goldfish, in this particular store, in this location, next to that other place, where she eventually bought a rubber tree, which was a sad specimen- as if you could possibly have forgotten what fish he was talking about a half sentence ago, and the state of the rubber tree has anything to do with the stupid fish! At one point he describes Leader breathing deeply - it takes him over 10 minutes to do it- and the word deeply must be repeated 20 times. Reading this book is like grading a whole 6th grade classes' answers to a vocabulary test- he gives you a word; list a simile, a metaphor, a synonym, use it in a sentence, then repeat 28 times. I'm not kidding. He goes so far that in all of the dialog between Tengo and Fukaeri, Tengo literally repeats verbatim every word Fukaeri just finished saying before adding his comment. All of the other dialog is like this to a slightly lesser, but no less irritating, extent.

Not only does the author describe what IS there with every possible word that might be applicable - but he then proceeds list everything it can not be... There IS a second moon. It could not be a plane. It could not be a star, it could not be a comet, it could not be his imagination, it could not be a trick of the light... I GET IT ALREADY! MOVE ON! like some twisted 50 hour non-rhyming version of green eggs and ham.

It should have been a 200 page book. Seems like in the process of editing the author wrote each word, each sentence, each thought a dozen different ways and couldn't decide which he liked best, so just left them all- just in case you are a complete nincompoop and didn't understand the first 11 times he described it.

In addition, I can't relate to any of the characters. It may be a cultural thing, but their behavior, thought process, acceptance or disbelief, none of it makes any sense to me.

I really suffered during the 30 hours I stuck with this book becasue of the positive reviews. I hope I can save someone else the same suffering.

101 of 120 people found this review helpful

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  • Doug
  • Golden, CO, United States
  • 12-21-12

Excess detail and poor narration

What disappointed you about 1Q84?

This story dragged on and on, with little tiny detail after little tiny detail; yet the author is always talking about the "little people" with no rationale follow-through of what the little people are.

Also, Allison Hiroto's reading is spoken in an excess attempt to pronounce every vowel and consonant of every word in precise English, and gives the listener the experience that she is reading to a child.

What do you think your next listen will be?

Anything not read by Allison Hiroto

4 of 4 people found this review helpful

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  • Suzn F
  • Fletcher, VT, US
  • 10-03-12

Cant get it out of my Head

This book moves into your heart and mind and stays. It has been months since I've finished this book and I'm still thinking about the wonder of it all. The poetic fantasy realism of it (and I know that doesn't make sense but in the context of this book I feel it is a fit).
The only reason I didn't give the narrators 5 stars is because I think Murakami should please insist upon Japanese narrators. American accents detract a wee bit.
This author is quickly becoming a favorite.

29 of 34 people found this review helpful

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  • Jill
  • buena Park, CA, United States
  • 11-09-11

Great Book!

Being a first time Haruki Murakami reader, I have to say that I truly enjoyed his work. It's very much different from any book I've read and I'm looking forward to listening to other books from this author. It's a book that stays with you, when you've finished. Murakami created the feeling for me, that I was in the parallel timeline, with the characters. Even now that I've started a new book, I find myself thinking often about the story, and details that were left up to the imagination, of the reader.

I agree with some of the other reviewers, that parts of the book, as much as a third of it, wasn't necessary to enjoy the story and made it drag a bit, in places. Maybe it's because we've become an instant gratification society, and require continuous jolts of action, to remain engaged. I loved all the narrators, particularly Allison Hiroto and didn't find her voice annoying as other did. I feel it's one of those personal preferences, that we all have.
Overall a great way to spend 40+ hours of listening!

24 of 28 people found this review helpful

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A truly great work!

This book is such a great listen. The plot is fresh, different and so multi textured. The characters are complex and well developed. Although the story is very long, it keeps you well engaged. The different sub-plots takes a while to merge but each protagonist's story is so interestiing on its on that it is ok. The pace and cadence at which the story is told are also just right. I hope there is another book from this author that is translated in English. I will be searching. You won't be disappointed with this book and you are getting a lot for just one Audible credit. By the way, the narrators did a great job too!!!

39 of 46 people found this review helpful

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What a let down

Spoiler Alert!


His writing is so incredible 3 stars are warranted for his writing alone. However, if you are going to take me on a magical ride to some spectacular world, you have to take me on a magic ride back. I am feeble minded. You cannot leave me with myriad unanswered questions. When he writes in the book that Air Chrysalis did not explain the little people, I was hoping he would not do the same. Not only did he fail to tie up those loose ends but many other were left dangling. I feel like I wasted over 30 hours of listening (I listen at 1.5 speed) and I get no closure on the other universe ... the little people, Fukaeri , other characters, etc. The writing was incredible, but I hate being left in the dark.

58 of 69 people found this review helpful

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  • Howard
  • Cumberland, MD, United States
  • 11-07-11

Worth the investment.

1Q84 is a fantastically interesting and long story - emphasis on both the interesting and the long. Well crafted with interestingly odd characters placed in mystical circumstance. The narration is spot-on, I enjoyed each of them and their performances contribute to the enjoyment of this story. The sound engineering could have been better, because it is noticeable when an edited retake was placed into the performance. Not your typical Audible production values.

38 of 45 people found this review helpful

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Two thumbs down!

I am sure this book has the worst ending, or non-ending of any book I have ever listened to. The story moves along weaving a tale of supernatural events sloooooowly linking together people, and just when it seems the action may, kinda, sorta, maybe start and some answers to questions dealing with the cult, why they want the girl, what do the "little people" say to them, what the alternate world is - why are some able to move between them, ect, ect ---- the story just ends.
Let me put it this way, if this book was a restaurant review of a place you were interested in eating at it would be like this; This restaurant has tables, chairs a very clean bathroom, wait staff that are attentive and food that is brought out on plates, some of the food is served in bowels.
That would be it, but it would take 35 hours to say it.
Not recommended.

13 of 15 people found this review helpful