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Eileen
- Narrated by: Alyssa Bresnahan
- Length: 8 hrs and 46 mins
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Publisher's summary
A lonely young woman working in a boys' prison outside Boston in the early 60s is pulled into a very strange crime, in a mordant, harrowing story of obsession and suspense, by one of the brightest new voices in fiction.
So here we are. My name was Eileen Dunlop. Now you know me. I was 24 years old then, and had a job that paid 57 dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes - a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared.
The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father's caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys' prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father's messes.
When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature.
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Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- S. Yates
- 01-09-18
Strange, unsettling, but engrossing
I am incredibly torn on how to rate and review this book. It is an odd story, at once engrossing and rambling and uncomfortable and listless and troubling. It is not a mystery or a coming of age story, though at times there are tinges of these well-worn genres (though grossly distorted). It is not a love story or a thriller, though again, elements suggest a twisted version of each. I kept waiting for something major to happen, for characters to be more fully explained, for gaps to be filled in, and they weren't. What I ended up getting was a compulsive portrait of a young woman, ill at ease in her body and in the world. The narrator relays events of her life, concentrating on her 24th year, when we are obliquely told something momentous happened. The event is slowly approached, as the now elderly narrator sketches her background and thoughts, idiosyncrasies and naivete, dark motives and aching needs. In various asides we know she had to flee home, that she reinvented herself, that she made her way in the world. As she recollects her past, we know that she fantasized about leaving home, killing her father, making something of her life. In the end, the event we have been building towards feels anticlimactic and her relationship with another character (the enigmatic Rebecca) is left feeling half-formed. Though this is something that normally aggravates me in books, it doesn't ruin the experience. While the anticlimax of the central event came and went a bit too quickly, the nascent relationship between the titular Eileen and Rebecca feels appropriately half-formed, almost highlighting the impressionable and unstable mental state Eileen operated under. While I am unsure of how to categorize this book and likewise wary of recommending it, I can say it kept me rapt and ill at ease and that it was unlike anything else I've read.
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- nick
- 02-02-17
Incredible!
Would you recommend this audiobook to a friend? If so, why?
Yes, but probably not to everyone. It really is very strange and dark.
Any additional comments?
I had been reading about Ottessa Moshfegh in various places. I think she has a few awards already and I'm sure over time will get a lot of much deserved recognition. So, I finally gave in and dug into her work. She has been compared to Flannery O'Connor. Only after finishing the book and perhaps along with a few of her short stories do I see why. It's dark, grotesque, strange and beautifully crafted. As a writer I loved this book. I'm excited to read the rest of her stories. That being said, I probably would not recommend this to everyone. I would say the same thing about some of her short stories. If you're feeling adventurous though, read it! She really is a great writer!
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14 people found this helpful
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- MEX
- 01-08-17
Don't buy this book.
So many reviews praised this author and commented on the darkness of the narrative. I found the writing monotonous, unimaginative, and just negative. The story itself is supposed to lead to a plot twist and it does. But that part of the story is so long in coming and so poorly constructed; it is left utterly unresolved and betrays the perseverance of the reader in slogging through this garbage. The narrators annoying tempo, tone, and articulation fits the content perfectly, only augmenting the unpleasantness of this book.
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14 people found this helpful
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- Sharlotte
- 02-10-17
Interesting
I was captivated by this deliciously dark psychological narrative. The narrator was perfect as Eileen. She became the character, someone who sounded unattractive, yet gave you ambivalent reasons to feel torn to empathize with her.
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12 people found this helpful
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- G. Markwardt
- 08-31-15
Not For Me, Characterization Over Plot
Any additional comments?
If I had been reading this instead of using Audible I doubt I would have finished it. Eileen is fantastically written and there is some very deep characterization but there in lies the problem it is all characterization and no plot. Eileen whines, drinks, shits, and describes her period for 80% of the novel before we finally find out were the story is headed. A lot of people will say that there are no likable characters and that is also true though they are very developed. Maybe it's just not my type of novel I was hoping for a good mystery instead I got a very introspective life story of a girl whose only mystery is how she didn't shoot herself. (Not A Spoiler)
The Audible presentation was quite good though and will try Bresnahan's work in the future.
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- ibillinsly@gmail
- 06-21-19
4.28 stars........perfect narrator
Eileen is a bit darker than Moshfegh's latest novel, My Year of Rest and Relaxation, and it's not as funny, but the dark humor is still there. The narrator has the perfect voice for this work and does a fantastic job. This type of character study isn't for everyone because the plot moves slow, but I like this type of novel, and I like this writer.
Overall rating: 4.25 stars
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9 people found this helpful
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- Jon Weimer
- 09-08-18
Slow torture
I finished this cause I'm no quitter, but wanted to chew my leg off to get away. what a waste of time and money.
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8 people found this helpful
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- Carmen C
- 07-31-16
Weird and Meandering
I saw this book on a list of 9 great winter thrillers last year and added it to my library. I'm not sure it's really a thriller, and I'm not sure how it made that list. I knew it was going to be a character driven story, and it did entertain me to some degree, but I expected it to have a plot. By the time we got to any sort of action, what you got wasn't really enough to make the rest of it worthwhile. The action should have come earlier, and there was really no payoff for the reader at the end. Not sure I would recommend this one, but I can see how some people might enjoy it.
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- James B.
- 01-22-17
Beautifully written
The character development was so thorough, I Could nearly feel myself under those layers of skin and death mask. It's an amazing book and I would be shocked if someone doesn't pick up the movie rights to it
nearly feel
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- Tiffany Thompson
- 12-29-16
Gives you that unbearable feeling & I loved it!
The main character is disturbing and normal. She feels and does things most of us do, but she acts on her creepy impulses. The narrative is wicked and character development is impeccable. I highly recommend this story.
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- By: Ottessa Moshfegh
- Narrated by: Julia Whelan
- Length: 7 hrs and 14 mins
- Unabridged
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Overall
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Performance
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Story
Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
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I love it...
- By Claudia Gallegos on 07-12-18
By: Ottessa Moshfegh
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Death in Her Hands
- A Novel
- By: Ottessa Moshfegh
- Narrated by: Ann Marie Lee
- Length: 7 hrs and 51 mins
- Unabridged
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Overall
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Performance
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Story
While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.
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Omg get ON with it
- By Nicole Dreyfus on 06-24-20
By: Ottessa Moshfegh
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Homesick for Another World
- Stories
- By: Ottessa Moshfegh
- Narrated by: Alyssa Bresnahan, Richard Poe
- Length: 8 hrs and 25 mins
- Unabridged
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Overall
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Performance
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Story
There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.
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Funny, Dynamic Writing
- By Sofia Macht on 06-13-18
By: Ottessa Moshfegh
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Poor Things
- By: Alasdair Gray
- Narrated by: Russ Bain, Kathryn Drysdale
- Length: 9 hrs and 15 mins
- Unabridged
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Overall
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Performance
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Story
Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of the beautiful Bella, who he brings back to life in a Frankenstein-esque feat. But his dream is thwarted by Dr. Archibald McCandless's jealous love for his creation... But what does Bella think?
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A magnificent tale, true or false!
- By Sarah B. on 12-04-23
By: Alasdair Gray
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McGlue
- A Novella
- By: Ottessa Moshfegh
- Narrated by: Chris Andrew Ciulla
- Length: 3 hrs and 42 mins
- Unabridged
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Overall
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Performance
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Story
Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation - he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety.
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Ultra-sensory tale of a sailor
- By Rogerio Lira on 12-01-20
By: Ottessa Moshfegh
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Lapvona
- A Novel
- By: Ottessa Moshfegh
- Narrated by: Ottessa Moshfegh
- Length: 8 hrs and 43 mins
- Unabridged
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Overall
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Performance
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Story
Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be.
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uncomfortable
- By Stetson on 07-04-22
By: Ottessa Moshfegh
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My Year of Rest and Relaxation
- By: Ottessa Moshfegh
- Narrated by: Julia Whelan
- Length: 7 hrs and 14 mins
- Unabridged
-
Overall
-
Performance
-
Story
Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
-
-
I love it...
- By Claudia Gallegos on 07-12-18
By: Ottessa Moshfegh
-
Death in Her Hands
- A Novel
- By: Ottessa Moshfegh
- Narrated by: Ann Marie Lee
- Length: 7 hrs and 51 mins
- Unabridged
-
Overall
-
Performance
-
Story
While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.
-
-
Omg get ON with it
- By Nicole Dreyfus on 06-24-20
By: Ottessa Moshfegh
-
Homesick for Another World
- Stories
- By: Ottessa Moshfegh
- Narrated by: Alyssa Bresnahan, Richard Poe
- Length: 8 hrs and 25 mins
- Unabridged
-
Overall
-
Performance
-
Story
There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.
-
-
Funny, Dynamic Writing
- By Sofia Macht on 06-13-18
By: Ottessa Moshfegh
-
Poor Things
- By: Alasdair Gray
- Narrated by: Russ Bain, Kathryn Drysdale
- Length: 9 hrs and 15 mins
- Unabridged
-
Overall
-
Performance
-
Story
Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of the beautiful Bella, who he brings back to life in a Frankenstein-esque feat. But his dream is thwarted by Dr. Archibald McCandless's jealous love for his creation... But what does Bella think?
-
-
A magnificent tale, true or false!
- By Sarah B. on 12-04-23
By: Alasdair Gray
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Animal
- A Novel
- By: Lisa Taddeo
- Narrated by: Emma Roberts
- Length: 10 hrs and 48 mins
- Unabridged
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Overall
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Performance
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Story
Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child - that has haunted her every waking moment - while forging the power to finally strike back.
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Should come with a lot of trigger warnings
- By Harry on 07-13-21
By: Lisa Taddeo
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Nightbitch
- A Novel
- By: Rachel Yoder
- Narrated by: Cassandra Campbell
- Length: 8 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.
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If you don’t get it just say so
- By Stephanie Rzonca on 02-19-22
By: Rachel Yoder
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Too Bright to Hear Too Loud to See
- By: Juliann Garey
- Narrated by: Dan Butler
- Length: 11 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.
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Psychosis or Syphilis?
- By Vira on 04-02-13
By: Juliann Garey
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Brutes
- A Novel
- By: Dizz Tate
- Narrated by: Eleanor McCormick
- Length: 6 hrs and 9 mins
- Unabridged
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Overall
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Performance
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Story
In Falls Landing, Florida—a place built of theme parks, swampy lakes, and scorched bougainvillea flowers—something sinister lurks in the deep. A gang of thirteen-year-old girls obsessively orbit around the local preacher's daughter, Sammy. She is mesmerizing, older, and in love with Eddie. But suddenly, Sammy goes missing. Where is she? Watching from a distance, they edge ever closer to discovering a dark secret about their fame-hungry town and the cruel cost of a ticket out. What they see will continue to haunt them for the rest of their lives.
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i think i might need to read this one again?
- By drew marie lira on 08-19-23
By: Dizz Tate
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Boy Parts
- By: Eliza Clark
- Narrated by: Eliza Clark
- Length: 8 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....
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A modern American psycho but British
- By sofia on 09-23-21
By: Eliza Clark
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Cleopatra and Frankenstein
- By: Coco Mellors
- Narrated by: Kit Griffiths
- Length: 14 hrs and 31 mins
- Unabridged
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Overall
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Performance