Christine Falls

A Novel

De: John Banville, Benjamin Black

Narrado por: Timothy Dalton

It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death.

It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin's high Catholic society, among them members of his own family.

Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville's fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black's debut marks him as a true master of the form.

©2006 Benjamin Black (P)2006 Audio Renaissance, a division of Holtzbrinck Publishers LLC

Reseñas de la Crítica

“Christine Falls is a triumph of classical crime fiction, finely, carefully made, not a single false move or wrong word--why don't they write books like this anymore?” —Alan Furst

I'm no more morbid than the next pathologist.

It is hard to review this novel without wanting to give the whole nursery away. The nasty, dark, secretive details of this book are where it's all at, but I'm afraid if I started swinging around just one detail, I would end up spilling it all. Dropping the baby I was dangling. So, I'll just stick with some of the things that are obvious and have already been said.

Benjamin Black is really John Banville. The Man Booker award winner who wrote The Sea and The Untouchable. Banville is a serious artist. He has been honored with such wild descriptions as the "the heir to Proust, via Nabokov." So, what does a serious, literary author do for money? I remember reading once that the poet Allen Ginsberg made less than $70k per year at the height of his success. For most authors/poets, literature just doesn't sell or pay the damn mortgage. So, there is option 1) literature + professorship. This seems to be the route of a lot of serious fiction writers. William H. Gass is a professor, so too was Vladimir Nabokov. Yes, true. Many of these top tier authors get their jobs because of their notoriety and the benefit it brings to the University. It works well for all involved. So, there is option 2) literature + other job. This is the route chosen by T.S. Eliot and Franz Kafka. You write at night, work selling insurance or something during the day. But there is also option 3) literature + entertainments.* This happens, but not as often as the others.

Probably the best example of this is Graham Greene. He wrote his serious major literature: Brighton Rock, The Power and the Glory, The Heart of the Matter, The End of the Affair, The Quiet American, etc. But he also wrote his entertainments: Stamboul Train, A Gun for Sale, The Confidential Agent, The Third Man, Our Man in Havana, Travels With My Aunt, etc. These were his less serious novels. His spy novels. I'm not sure if Greene meant they were inferior, but I don't think he took them quite as seriously. The reason I bring this up is because I think that is what the Quirke novels of John Banville are. His quirky (sorry, I had to) entertainments. They aren't mean to be dripping with poetry. They aren't supposed to be masterpieces. They are supposed to be entertaining. But because they are written by Banville they can't help being great entertainments. The writing is tight. They pacing is fantastic. It works. I loved it. It wasn't a perfect novel, but I'll give it to Banville. I think he has the opportunity to write a perfect entertainment. One that is on par with John le Carré or Graham Greene.

* There is also family money, etc., but I'm already bored with my list making.

A Good Listen

I received much enjoyment from listening to this book. It has a very different setting from my midwestern US life, and the character development is outstanding. Hats off to T. Dalton who narrated superbly. While he is not in the class with Scott Brick and others, he is easy to listen to. The book itself has dark and brooding tones. If you are looking for an uplifting and enlightening book, look elsewhere. But if you want your imagination to be stimulated, as well as your intellect, this book is a good choice.

The narrator makes this one a winner!

I try to avoid books that include the murder of infants, spousal abuse, and rape as part of the plot since reading is escapism for me and I want to escape to a better world this this one. However, there was no hint of those themes in the snyopsis or other reviews. But I am not sorry I chose it. In spite of those painful passages, this is a good book. But I am not recommending it for that reason -- it is for the narrator. Timothy Dalton took my breath away. What a disspointment that there are no other Audible books narrated by him. Wish I could listen to this one again, but I will have to wait for his next one.

Powerful and Seductive Narration!

This is one of the best narrated audiobooks I have heard in years. The atmosphere of the novel and its setting were perfectly enhanced by Timothy Dalton's rich deep voice which almost hypnotised me, it kept me so focused on the story.

Although the story is a mystery there is a feeling of foreboding throughout that makes events much less shocking and more inevitable than might be usual for this genre. THe writing is beautiful and much better than one is likely to expect from a conventional mystery story.

THe story is also deep and complex and composed of many interwoven strands--it's really quite a stunning performance when you take apart the simple and direct pieces of which it is made and see the complexity of the outcome.

Very much enjoyed, very highly recommended. Will look forward to hearing the SILVER SWAN with great anticipation and pleasure.

This is a good listen

I think this is a very good book. I had to listen to the first half hour twice as I found it hard to "get into" the story. After I did that, I really liked it. (Read the NYT book review before you buy it - helps you to know if you are going to like it.)

I Really wanted to like this story

Would you say that listening to this book was time well-spent? Why or why not?

I do like British Detective novels, it's all I seem to be buying these days. But this one took a lot of trying to like before I finally turned it off. The story was good enough. It had more twists & turns & evil with a little religion, some politics & corruption most high, but alas, it was too detailed, to wordy & put me to sleep too many times. Maybe it was the darkness of Quirk's character or the 'noir' of the atmosphere or maybe the tone of the Reader's voice?? I am done. I don't want to have to struggle through a book & this one was a struggle even though the story was a good one.

Any additional comments?

If you loved 'Death in Holy Orders' you will love this book. Same style of extreme detail.

Not my favorite

This book did not get me going at all. It had too many un-redeeming characters I did not like any of them and therefore they were not interesting. Some like it but it was not for me.

Enjoyed this

This was an interesting story with intertwining story lines between Ireland and Boston. The characters were well developed and it was fast paced. I listened to this on audio, and the narration by Timothy Dalton was good. I didn't realize it was a series, as it is also a good stand-alone.

Excellent Choice

I hesitated after reading reviews. So glad I took the plunge. Timothy Dalton was most definitely NOT boring or monotonic. The story was compelling and all the elements were neatly tied together by the end. I could imagine a juicy entry for MASTERPIECE THEATER or MYSTERY!

Too dreary

It's funny how some listeners loved Timothy Daltons reading and others didnt. I found it to be way too monotone. I felt like I should have read this one myself and then I could have decided if indeed the book was as dark and dreary as it seemed while I was listening. I am going to try another book of his and see, because I think the author has potential.