The Sea
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Narrado por:
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John Lee
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De:
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John Banville
The author of The Untouchable (“contemporary fiction gets no better than this”—Patrick McGrath, The New York Times Book Review) now gives us a luminous novel about love, loss, and the unpredictable power of memory.
The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time. The seductive mother; the imperious father; the twins—Chloe, fiery and forthright, and Myles, silent and expressionless—in whose mysterious connection Max became profoundly entangled, each of them a part of the “barely bearable raw immediacy” of his childhood memories. Interwoven with this story are Morden’s memories of his wife, Anna—of their life together, of her death—and the moments, both significant and mundane, that make up his life now: his relationship with his grown daughter, Claire, desperate to pull him from his grief; and with the other boarders at the house where he is staying, where the past beats inside him “like a second heart.”
What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, vividly dramatic, beautifully written novel—among the finest we have had from this extraordinary writer.
©2005 John Banville (P)2006 Random House, Inc.Los oyentes también disfrutaron:
Reseñas de la Crítica
“Remarkable. . . . The power and strangeness and piercing beauty of [The Sea is] a wonder.” —The Washington Post Book World
“With his fastidious wit and exquisite style, John Banville is the heir to Nabokov. . . . The Sea [is] his best novel so far.” —The Sunday Telegraph
“A gem. . . . [The sea] is a presence on every page, its ceaseless undulations echoing constantly in the cadences of the prose. This novel shouldn't simply be read. It needs to be heard, for its sound is intoxicating. . . . A winning work of art.” —The Philadelphia Inquirer
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Would you say that listening to this book was time well-spent? Why or why not?
This story had too many tangential travels for my liking. It's like reading a review that suddenly... oh look a butterfly..Have you listened to any of John Lee’s other performances before? How does this one compare?
NoCould you see The Sea being made into a movie or a TV series? Who should the stars be?
NopeThe Snore
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By comparison (and I know that I wade into deep water here), I find John Lee's reading challenging. I am not sure why that it. Perhaps the Celtic rasp doesn't suit my ear. But like "100 Years of Solitude", the cadence just didn't sympathetically meet my expectation, albeit Irish-like. Alas, there are so many Irish lilts that I just wasn't taken with this one. That doesn't mean that the performance was bad; just not as I expected.
A Time to Live and to Die
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Let it flow over you
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Engaging and colorful
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Masterfully engaging story and beautiful written
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Beautifully written, wonderfully written
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What makes THIS version so outstanding, however, is the reading by John Lee. His voice, phrasing, and emphasis are so perfect, his timing especially so apt, that I have trouble imagining the book without it.
OVERWHELMINGLY FINE
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Delicious writing!
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Great story but mediocre performance
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It was so beautifully written, insightful, humorous at times and just so human.
the sea
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