Dead Mountain
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Buy for $21.91
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Narrated by:
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Cynthia Farrell
In Colorado near the Cheyenne Mountains, a team of topflight engineers venture on an ambitious cross country ski trip, using their newly invented outdoor equipment. The strapping group of young people are having the adventure of their lives – skiing, laughing, playing in the snow, and mugging for the camera. But when the gang was expected to arrive back from their trip – no one ever returned.
Nora's excavation skills and Corrie's investigative talents are put to the test as they try to uncover what happened to the promising skiers on this cold and isolating mountain. But as more speculations and theories come to light, they fear this may be the hardest case to crack yet.
Praise for the authors: 'Sit back, crack open the book and get ready for the ride of your life.' DAVID BALDACCI
'White-hot bestselling suspense. Simply brilliant!" LISA GARDNER©2023 Splendide Mendax INC and Lincoln Child (P)2023 Grand Central Publishing
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A poor example of a story that could have been handled much better. Authors are losing their touch.
Meh. Not so promising after first chapter
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It is noteworthy that, despite the series bearing Nora Kelly's name, the recent books have showcased Corrie Swanson in a more prominent role. This shift has been rather welcome, as I have found Nora's character a tad irksome while rooting for Corrie.
The pacing seemed a little slower than their usual tempo, but it only added to the charm of the mystery. Furthermore, the storyline was fairly original, albeit with some resemblances to the Dyatlov Pass incident.
The character portrayals were generally well-executed, although Agent Sharp came across as somewhat uninspiring. It's worth mentioning that many of us have been hoping for the occasional appearance of Pendergast, the one who first "discovered" Corrie during her youth.
Now, regarding the overall rating of 4 stars instead of 5—here's the crux of the matter. I couldn't help but notice that this novel featured a noticeably higher use of profanity and even blasphemy compared to the authors' previous works. One of the aspects I've always appreciated about the Pendergast series was the judicious use of strong language. The authors possess such remarkable storytelling prowess that they don't need to resort to edgy language to give their characters depth. While I understand that Pendergast's character was averse to such language, it seemed out of character for the others too, including well-established figures like Nora and Corrie, to engage in profanity and blasphemy. Frankly, I find it off-putting, and I genuinely hope that the authors won't continue down this path. Setting aside this singular grievance, the book would have easily earned a 5-star rating from me.
Cynthia Farrell's narration, while not as good as Rene Auberjonois, who read many of the Pendergast series, was still outstanding.
Another great story, but for the profanity
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