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The Year of Magical Thinking

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The Year of Magical Thinking

By: Joan Didion
Narrated by: Barbara Caruso
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National Book Award, Nonfiction, 2005

"Life changes fast....You sit down to dinner and life as you know it ends." These were among the first words Joan Didion wrote in January 2004. Her daughter was lying unconscious in an intensive care unit, a victim of pneumonia and septic shock. Her husband, John Gregory Dunne, was dead. The night before New Year's Eve, while they were sitting down to dinner, he suffered a massive and fatal coronary. The two had lived and worked side by side for nearly 40 years.

The weeks and months that followed "cut loose any fixed idea I had about death, about illness, about probability and luck...about marriage and children and memory...about the shallowness of sanity, about life itself."

In The Year of Magical Thinking, Didion explores with electric honesty and passion a private yet universal experience. Her portrait of a marriage, and a life, in good times and bad, will speak directly to anyone who has ever loved a husband, a wife, or a child.

©2005 Joan Didion; (P)2005 HighBridge Company

Accolades & Awards

Memoir Essentials
National Book Award
2005
Art & Literature Authors Biographies & Memoirs Grief & Loss Memoir Essentials Mental Health Awareness National Book Award Personal Development Women Marriage Inspiring Thought-Provoking Heartfelt Grief Motherhood
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Critic reviews

  • 2005 Audie Award Nominee, Biography/Memoir
  • National Book Critics Circle Award Nominee, Autobiography, 2005

"Many will greet this taut, clear-eyed memoir of grief as a long-awaited return to the terrain of Didion's venerated, increasingly rare personal essays....This is an indispensable addition to Didion's body of work and a lyrical, disciplined entry in the annals of mourning literature." (Publishers Weekly)
"The Year of Magical Thinking is not a downer. On the contrary. Though the material is literally terrible, the writing is exhilarating and what unfolds resembles an adventure narrative." (The New York Times)

Featured Article: The top 100 memoirs of all time


All genres considered, the memoir is among the most difficult and complex for a writer to pull off. After all, giving voice to your own lived experience and recounting deeply painful or uncomfortable memories in a way that still engages and entertains is a remarkable feat. These autobiographies, often narrated by the authors themselves, shine with raw, unfiltered emotion sure to resonate with any listener. But don't just take our word for it—queue up any one of these listens, and you'll hear exactly what we mean.

Raw Emotional Honesty • Lyrical Prose • Perfect Narration • Insightful Grief Exploration • Thoughtful Reflection

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In four days it will be one year since my father-in-law died in an accidental shooting. He had recently turned 60 and recently celebrated his 40th wedding anniversary. In 18 days it will be four years since my older brother died suddenly in a black hawk crash in Germany. He was closing in on his 40th birthday. He was preparing to land.

I had two father-figures in my life. I also had two brothers. I lost one of each pair suddenly - dramatically. I've watched my wife struggle with the loss of her father. I've watched my mother-in-law struggle with the sad death and absence of her husband. I've watched my sister-in-law and her kids struggle with the death of their husband and father. I've watched my parents, my siblings. I have grieved much myself for these two good men.

I was reading when they died. I know this. When my father-in-law died I was reading 'Falconer'. When my brother died I was reading 'This Is Water'. After their deaths I couldn't read for weeks, and struggled with reading for months. I was in prison. I was drowning in a water I could neither see nor understand.

Reading Didion's sharp, sometimes funny, but always clear and precise take on her husband's death and her daughter's illness ... my experience is reflected. Not exactly. I'm no Joan Didion and my relationship with both my father-in-law and my brother are mine. However, Didion captures in the net of her prose the essence of grief, tragedy, loss, coping, remembering. He memoir makes me wonder how it is even possible that someone could both feel a semblance of what I feel and capture all the sad glitters, glints and mudgyness of mourning at the same time. It takes a helluva writer.

Sharp, sometimes funny, but always clear & precise

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This is the best book I have ever listened to. Joan Didion has so much insight, and compassion. I wanted to cry whenever I listened, but I didn't want it to end. I was careful who I recommended the book to; some people I know are too fragile to listen to this, I think. The narrator was perfect; you believed she was Joan, and I marvel at her strength in reading the book, because I'm sure she nearly broke down reading some of the passages. Absolutely top notch!

The Best

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This may be the best audiobook I have downloaded from Audible in more than 2 1/2 years of membership. Richly deserving of the National Book Award for 2005. Didion is a terrific writer. You feel her experience (the narrator makes you believe that she is Didion, not a mean feat). The book opens with the death of her husband, John, and the chronic & serious illness of their adult daughter, Quintana. The book chronicles the next year of Didion's life, dealing with death, being alone, her daughter's condition ... but much of the time either in a sort of state-of-shock or distracted by Quintana's ongoing illness & always with recollections of their past together. The first 1/2, even 3/4 of the book is a bit like a dream sequence, unfocused, just as Didion's life was at the time (a "mudge," as she & her daughter call this feeling). The pace of the book builds & builds, but very subtly, such that when the last 1/4 appears, a more analytical Didion resurfaces and you get the sense of what it was like to be in her shoes over the whole period, and the emptiness of loss, and the need to go on.

This is not a preachy volume nor a depressing volume. If it was, it would not be so powerful. Rather, it is a book you experience by reading. You do not have to have had a loss, like Didion's, to identify with her situation. Because the book is written that well.

A good sign of its quality -- from my standpoint -- is that I plan to keep it on my iPOD to read again. I haven't done that for a single audiobook of the 100+ I've had the pleasure of enjoying from Audible these last few years.

A wonderful & powerful book

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This book is a tremendous effort to express the complicated grief process that one person went through after the sudden death of their spouse. It is touching, sometimes distressing, and sometimes confusing, much like the grief process itself.

I felt compelled to write a review since so many reviews here seem to criticism Ms. Didion for not grieving in the correct way or not expressing her grief in the right way. This is a memoir. It is about her life and her experienes. It doesn't follow any rules and I believe that is the point. She is letting you experience her grief experience. She's not talking about everyone's grief experience or how you should grieve.

Overall it was a very interesting and insightful read. If you don't enjoy memiors, however, you might not enjoy the style. But this is an excellent book.

The Puzzle of Grief

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This book is a first person account of the grieving process of one woman, including the (she feels) unaccountable lapses in her ability to trust her own mind, and a gradual return to a more steady and "normal" state of mind.

There is no epiphany, where the author realizes that her life can begin anew, just a return to normalcy and sanity. We are with her every step of the way.

A novellist might have made the ending more dramatic, some great rebirth, but this story is more true in that life goes on; sadder and richer for the loss, but able to contain joy again and with an ability not to mark every day by what happened before the awful event.

Some have said that her wealth is distracting, well, her daily life was full of exactly what she wrote. I think it would have been disingenuous to fill the book with details from a less wealthy life or to leave out the details. She wrote what she did, what she saw, what she felt and how she struggled to be in control of the uncontrollable processes of life and death.

This book made me cry.

Made me cry

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