Eragon
Inheritance, Book 1
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Narrado por:
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Gerard Doyle
A new adventure hatches in Book One of the Inheritance Cycle, perfect for fans of Lord of the Rings! This New York Times bestselling series has sold over 40 million copies and is an international fantasy sensation.
"Christopher Paolini is a true rarity." —The Washington Post
When fifteen-year-old Eragon finds a polished blue stone in the forest, he thinks it is the lucky discovery of a poor farm boy. But when the stone brings a dragon hatchling, Eragon soon realizes he has stumbled upon a legacy nearly as old as the Empire itself.
Overnight his simple life is shattered, and, gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save—or destroy—the Empire.
Reconocimientos y premios
Esenciales de fantasía
Esenciales de series
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Reseñas de la Crítica
Praise for The Inheritance Cycle:
A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A #1 USA Today Bestseller
A Wall Street Journal Bestseller
"An authentic work of great talent." –New York Times Book Review
"Paolini is a spellbinding fantasy writer." –The Boston Globe
"A breathtaking and unheard of success." –USA Today
“Christopher Paolini make[s] literary magic.” –People
“Will appeal to legions of readers who have been captivated by the Lord of the Rings trilogy.” –School Library Journal
Praise for Eragon:
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“Unusual, powerful, fresh, and fluid.” –Booklist, Starred
"The author takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero." –Publisher's Weekly
A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A #1 USA Today Bestseller
A Wall Street Journal Bestseller
"An authentic work of great talent." –New York Times Book Review
"Paolini is a spellbinding fantasy writer." –The Boston Globe
"A breathtaking and unheard of success." –USA Today
“Christopher Paolini make[s] literary magic.” –People
“Will appeal to legions of readers who have been captivated by the Lord of the Rings trilogy.” –School Library Journal
Praise for Eragon:
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“Unusual, powerful, fresh, and fluid.” –Booklist, Starred
"The author takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero." –Publisher's Weekly
Featured Article: The top 100 series of all time
Featured Article: The top 100 series of all time
The feeling of discovering that your favorite new listen is actually the start of a series is euphoric. That you can immediately hit play and re-enter a beloved new world, or love story, or era from history is a gift to the devoted listener. But how to pick just 100 of these unique and immersive listening journeys? We defined a series as having a minimum of three books, and—after some debate—we decided the titles had to be anchored in fiction. From YA to horror to historical fiction, from fresh voices to seminal tales, hours of discovery await.
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Fun fantasy but ending leaves you hanging
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One of the best books I've heard in over a year...
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But the narration has me grieved. Doyle does a very good job with the human characters, but his Saphira is so rough and gravely that she sounds always like a sick toad... I mean frog. I understand how one might assume that the voice of a large lizard would sound rough to our ears but why would it sound rough in Eregon's head? Their dialogue is always internal! It also contradicts the sense of gracefulness and grandeur and wisdom that the author is building into Saphira. But the big problem with this, besides how grating it is to listen to, is that it is very difficult to convey the nuances of her emotions. She ends up being very one-dimensional. Similarly the ware-cat Solembaum's voice is performed in a growling gravel, which is a smaller problem since his dialogue is a much smaller percentage of the book, but his character suffers just as much. And he sounds almost identical to Saphira.
This deficiency is enough to make me seriously question whether I will purchase the subsequent audiobooks.
Why does Saphira's voice sound like a sick toad?!
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Others reviewed how it seemed to copy other stories and I did find that it smacked of something familiar, but it wasn't that big a deal. Most books lift little bits of other ideas to make a whole new general idea. If I had to put a finger on something that bothered me, I'd say it was the writing style. The author seems to go off on digressions of detail that are overly descriptive of things that don't matter to the story.
The rollercoaster descriptions of personal feelings and emotions are way overdone in many instances. Perhaps reflecting a little of the author's own maturity? Instead of trusting us to grasp certain facets, they're pounded into us. However, all this is minor to the excellent use of imagry and story telling. I was lost in the whole story from beginning to end. It isn't Tolkien and it isn't Harry Potter by a long shot, but it is a good story to switch your brain off reality for awhile.
Couldn't Put My Finger On It...
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Gerard Doyle was phenomenal. This guy can preform!! His range of tones and voices for each character was truly impressive and he brought this book alive. Though if I had one complaint, and it was tiny, it was that I wanted Saphira to sound a little more female, though I did love how he made the Dragons sound!!
A Brilliant story brought to life in the best way by an exceptional narrator.
Excellent!
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