Amsterdam

By: Ian McEwan

Narrated by: Steven Crossley

Man Booker Prize, Fiction, 1998

The best-selling author of Atonement and Enduring Love, Ian McEwan is known as one of contemporary fiction’s most acclaimed writers. This Booker Prize-winning novel by McEwan finds two men connecting at the funeral of their ex-lover. Distressed by how she was slowly destroyed by an illness, the two make a pact to save each other from enduring such a fate.

©1998 Ian McEwan (P)2011 Recorded Books, LLC

Another unexpected twist

A fun listen that engaged me and left me wanting more. Did not expect the ending so soon!

Hilarious dialogue

Particularly about the editorial process - extremely knowledgeable about music. I loved listening to this story on our long drive from here to there. Great twists and turns in this story!

Narration!

I could listen to Steven Crossley read anything but his wry tone is perfect for this darkly funny story. A nice little diversion.

Make something, and die.

"There really wasn't much else to do. Make something, and die."
- Ian McEwan, Amsterdam

It won the Booker, but wasn't my favorite Ian McEwan. Similar to 'The Children Act' in its use of classical music (one of the main characters is a classical composer), it is almost too clean, too moralizing, too easily tied up. But really, those are my only major complaints. I found it fascinating at parts and love love love it when Ian McEwan writes fiction about composing or music.

There are a few writers I've read recently who do a fantastic job of incorporating classical music into their stories. I'm thinking of William Gass and 'Middle C', Julian Barnes and 'The Noise of Time', Richard Powers and 'Orfeo', William T. Vollmann also gets a nod with parts of 'Europe Central'. Anyway, I love it. It reminds me of reading DFW when he is riffing on Tennis or Pynchon when he is riffing on physics. There are certain realities that a great prose stylist can almost lift off the page. For me, McEwan's writing about music in this book is what keeps it at four stars and doesn't drop it to three.

A good performance of a reasonably decent novel

Steven Crossley provides sound performance of McEwan’s reasonably decent novel with a good structure and clear writing. I appreciated McEwan’s ability to form and develop the characters and succeeding to stay out of the characters’ internal thoughts, motivations, and actions.