Mostrando resultados por narrador "Paul Scofield" en Todas las categorías

Paul Scofield, Siobhan McKenna and John Neville perform Twelfth Night. This is Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores - only to be pursued by the woman he loves.

Three powerful radio productions from the BBC archives starring Ian McKellen, Ronald Pickup and Paul Scofield and a host of celebrated acting talent. These three legendary plays, performed by some of the best-known theatrical actors of the 20th century, are the perfect way to commemorate England's greatest dramatist.

The Arthurian legends have long held a powerful grip on our collective imagination, inspiring numerous poets, novelists and playwrights to interpret them in countless different ways. In this epic play cycle, based on Malory's classic Le Morte D'Arthur, Graeme Fife gives us his dramatic, in-depth retelling of these perennially popular myths. Focusing on seven key characters: Merlin, Tristram, Gareth, Lancelot, Galahad, Guenever and Arthur himself, he builds a vivid, multi-layered picture of the fabled king and his heroic knights.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

Andrew Rissik's powerful, uncompromising reimaginings of classic tales from Roman and Greek history were hailed as masterpieces when they first aired on BBC radio. Told in contemporary speech, they revitalised the ancient myths, making them fresh, relevant and accessible to a modern-day audience. This collection brings them together on audio for the first time, with stellar casts including Michael Sheen, Paul Scofield, Lindsay Duncan, David Harewood, Eleanor Bron, Chiwetel Ejiofor, Diana Rigg, Roger Allam, Toby Stephens, Anton Lesser and Robert Hardy.

These are masterly readings, by renowned thespian Paul Schofield, of two substantial works of poetry by T.S. Eliot.

One of Russia's most iconic poets, Alexander Pushkin is often described as the 'father of Russian literature'. A gambler, playboy and social reformer, he was exiled by the Tsar for his controversial poetry and died aged 37 in a duel defending his wife's honour. This BBC Radio anthology includes dramatisations and readings of Pushkin's most famous works - plus biographical programmes and an original play based on his life.

Virgil's Aeneid, one of the greatest classical poems, tells the story of Aeneas, son of Priam, after the fall of Troy. His quest is to find the site "in the west" where he will found a new town prophesied to be the seat of a world empire: Rome.

I am a man more sinned against than sinning.

Paul Scofield and Patricia Routledge star in Noël Coward’s classic comedy of manners. Private Lives was written in 1930 and has been a mainstay of British theatre ever since. This sharply funny play of reversals focuses on Elyot and Amanda, a passionate but feuding couple who divorced five years before. Now, on the first night of their honeymoons with their new partners, they find that they are all staying in the same hotel on the French Riviera. Fireworks are inevitable.

These three legendary plays, performed by some of the best-known theatrical actors of the 20th century, are the perfect way to commemorate England's greatest dramatist. The Winter's Tale: one man's consuming jealousy threatens to destroy both himself and those around him, but his actions arouse a passionate sense of honour, love, justice and self-sacrifice in members of his Court and family. First broadcast in 1982, starring Ronald Pickup as Leontes, with Hannah Gordon as Hermione and John Gielgud as Time.

First published in 1843-4, the novel which Dickens considered 'in a hundred points immeasurably the best of my stories' concerns the Chuzzlewit family in all various branches. At the heart of the story is young Martin, who is disowned by his wealthy grandfather and dismissed from the household of the architect Pecksniff, and sets out to make his own way in the world and win the hands of Mary Graham, an orphan raised by his grandfather.

Esther Summerson is an orphan who comes to live with John Jarndyce and is a companion to his wards Richard Carstone and Ada Clare, who are in love. Soon a mysterious connection comes to light between Esther and Lady Dedlock and the romantic tangle of trails is followed by three unforgettable sleuths, Guppy, Tulkinghorn and Bucket. When Lady Deadlock's astonishing secrets are revealed it becomes plain that she has been concealing an all-too-passionate past.

This 1841 exercise in pathos and villainy defines "Dickensian" in all its fascinatingly repulsive excess, containing as it does one of the most celebrated scenes in all Victorian fiction - the death of Little Nell. The abridgment heard here excises many of the author's tedious redundancies (he was paid by the word) while retaining most of what makes Dickens Dickens. Scofield, one of the giants of the British stage, turns the redaction into a lesson in actor's tact.

Murder, a bitter love triangle and a mysterious inheritance. In the last of Dickens's completed novels, the power of money ultimately motivates both character and action. One night Hexam, who makes his living pulling bodies from the Thames, pulls out a body bearing the identification of John Harmon, heir to the fortune of a 'dust-collector'. In fact, Harmon has swapped clothes and identities with a sailor, John Rokesmith.

" I have endeavored in this Ghostly little book to raise the Ghost of an Idea which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their house pleasantly, and no one wish to lay it." With this modest preface affixed to the first edition, Charles Dickens introduced A Christmas Carol to the world. It has since come to embody the true spirit of Christmas. This reading by Academy Award-winning British actor, Paul Scofield, brings the classic story to life once again.

In the squalor of a textile town, successful businessman and arch-pragmatist Thomas Gradgrind, proclaiming that he is a self-made man, teaches his children to suppress their imaginations and embrace hard facts. He arranges the marriage of his daughter Louisa to Josiah Bounderby, an unattractive, boastful manufacturer who is thirty years older than she. Gradgrind believes that he has succeeded as a father when his son Thomas goes to work in Bounderby's bank.

Pip—the orphaned hero of Great Expectations—is one of Charles Dickens's best-loved characters. Young Philip Pirrip—nicknamed Pip—is apprenticed to his blacksmith brother-in-law, but an anonymous benefactor changes the boy's future. After he is lifted to what seems a higher station in life, Pip shuns his kind friends and slips into debt. But as he matures, he progresses from thoughtless selfishness to humble industry.

Perhaps the finest novel of nineteenth-century England, Bleak House embodies artful narrative, an engaging cast of characters, biting satire, and a detailed depiction of Victorian society. At the height of his creative power in this great work, Dickens pursues two great themes.

Nearly two centuries after The Pickwick Papers first appeared in 1837, listeners continue to enjoy the vigorous humor and heartwarming optimism of Dickens' first great literary achievement. Actor Paul Scofield evokes all the warmth and laughter of the unlikely adventures of the immortal Samuel Pickwick, Esq., and the other members of the Pickwick Club. Abetted by Pickwick's faithful manservant, Sam Weller, the Pickwickians bumble through hilarious misadventures, romantic escapades, and other twists of plot, encountering many delightfully Dickensian characters along the way.