Mostrando resultados por narrador "Nneka Okoye" en Todas las categorías

What is it like to be spring cleaned? Find out in this tragicomic tale about a self-absorbed Hair Spider, an anxious Fluff Ball and a friendly Dust Bunny. The perilous journey of these three friends is sure to suck you in.

With a brilliant mind and a fierce will to survive, Sarah Forbes Bonetta, a kidnapped African princess, is rescued from enslavement at seven years old and presented to Queen Victoria as a “gift.” To the Queen, the girl is an exotic trophy to be trotted out for the entertainment of the royal court and to showcase Victoria’s magnanimity. Sarah charms most of the people she meets, even those who would cast her aside. Her keen intelligence and her aptitude for languages and musical composition helps Sarah navigate the Victorian era as an outsider given insider privileges.

Early 1900s London: Taken from his homeland, twelve-year-old Celestine spends most of the time locked away in the attic of a large house by the sea. The only time Celestine isn’t bound by confines of the small space is when he is acting as an unpaid servant to English explorer Sir Richard Babbington, As the years pass, he desperately clings on to memories of his family in Africa, even as he struggles to remember his mother’s face, and sometimes his real name . . .

The world's population is soaring, creating overcrowded cities and an economic crisis. And in the UK, the breaking point has arrived. A growing number of people can no longer afford to start families, let alone raise them. But for those desperate to experience parenthood, there is an alternative. For a monthly subscription fee, clients can create a virtual child from scratch who they can access via the metaverse and a VR headset. To launch this new initiative, the company behind Virtual Children has created a reality TV show called The Substitute.

Every morning is the same for Eliza: she swims in Hampstead Ponds, diving into her memories, reliving the heady days of her teenage friendship with Eric and Maggie. The obsession, the adoration, and the sense of belonging she always craved was perfect, until everything was destroyed in a single afternoon. With guilt never far from the surface, she still asks herself: what really happened that day?

Did you know that there are more penises than women in the Bayeux Tapestry? That the Peasants’ Revolt of 1381 was started and propelled by women who were protesting a tax on women? Or that Charles Darwin believed not just that women were naturally inferior to men, but that they’d evolve to become ever more inferior? These are just a few of the startling findings you will learn from listening to Philippa Gregory’s Normal Women. In this ambitious book, she tells the story of England over 900 years, for the very first time placing women—some fifty per cent of the population—center stage.

A century ago, scientists theorised that a habitable planet existed in a nearby solar system. Today, 10 astronauts will leave a dying Earth to find it. Four are decorated veterans of the 20th century’s space race. And six are teenagers, graduates of the exclusive Dalton Academy, who’ve been in training for this mission for most of their lives. It will take the team 23 years to reach Terra-Two. Twenty-three years spent in close quarters. Twenty-three years with no-one to rely on but each other. Twenty-three years with no rescue possible, should something go wrong.

Everybody knows that in 1938, runaway heiress artist Juliette Willoughby perished in an accidental studio fire in Paris, alongside her masterpiece Self Portrait As Sphinx. Fifty years later, two Cambridge art history students are confounded when they stumble across proof that the fire was no accident but something more sinister. What they uncover threatens the very foundation of Juliette’s aristocratic family and revives rumors of the infamous curse that has haunted the Willoughbys for generations. But what does their discovery mean? And how is it connected to a murder in present-day Dubai?

City girl Tia Solanké is dreading the festive season. She and her boyfriend are on a break and the last thing she wants is to spend Christmas away from London. Dragged to Saiyan Hedge Farm by her mother, Tia takes an instant dislike to the countryside estate. She falls in horse manure, is chased by sheep and the Wi-Fi sucks. How can she stalk her ex and concoct a foolproof plan to win him back from here?

With their vast cargo holds and a crew that could fill a city, the Greatships are the lifeblood of human-occupied space, transporting an unimaginable volume - and value - of goods from City, the greatest human orbital, all the way to Tradepoint at the other, to trade for xenoglas with an unknowable alien species. It has always been Marca Nbaro's dream to achieve the near-impossible: escape her upbringing and venture into space.

It is the year 1815, and Mr. John Caesar is determined to help his sister, Mary, successfully navigate the marriage mart. A high-stakes endeavor at the best of times, this task is made slightly more difficult by his family’s nontraditional background, the pernicious whims of the ton, and the ever-present complication of living in a world full of scheming fairies and capricious gods. Despite all that, John knows that his parents wish to see his sister comfortably settled. He also knows that the sooner he sees Mary’s future secured, the sooner he can get his own wish.

Marca Nbaro had always dreamed of serving aboard the Greatships, with their vast cargo holds and a crew that could fill a city. They are the lifeblood of human-occupied space, transporting an unimaginable volume - and value - of goods from City, the greatest human orbital, all the way to Tradepoint at the other, to trade for xenoglas with an unknowable alien species. And now, out in the darkness of space, something is targeting them.

It is the year 1814, and life for a young lady of good breeding has many difficulties. There are balls to attend, fashions to follow, marriages to consider, and, of course, the tiny complication of existing in a world swarming with fairy spirits, interfering deities, and actual straight-up sorcerers.

With the end of Alistair Sorenson’s tyrannical reign, Dèmi has accepted Jonas’s proposal to rule as his Queen with hopes to finally free her people, the magical Oluso. Yet social prejudice, corrupt council members, and the continued distrust of the nonmagical Ajès throughout the kingdom prove seemingly implacable obstacles. To make matters worse, Dèmi struggles to control her newly awakened iron blood magic. As Ekwensi’s rebel army—led in part by Colin, her best friend and one-time lover—become more triumphant in their mission, war seems inevitable.

Nice Leng`ete was raised in a Maasai village in Kenya. In 1998, when Nice was six, her parents fell sick and died, and Nice and her sister, Soila, were taken in by their father’s brother, who had little interest in the girls beyond what their dowries might fetch. Fearing “the cut” (female genital mutilation, a painful and sometimes deadly ritualistic surgery), which was the fate of all Maasai women, Nice and Soila climbed a tree to hide.

Don't call this mermaid "little"—call her "captain," unless you want to walk the plank. Mary is in love with the so-called prince of Charles Town, except he doesn't love her back. Which is inconvenient. Since she's a mermaid, being brokenhearted means she'll—poof!—turn into sea-foam. But instead, Mary finds herself pulled out of the sea and up onto a pirate ship. To survive, she joins them.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart. Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms.

We begin with the footsteps of a family walking along a beach 950,000 years ago. From here, Montefiore takes us on an exhilarating epic journey through the families that have shaped our world: the Caesars, Medicis and Incas, Ottomans and Mughals, Bonapartes, Habsburgs and Zulus, Rothschilds, Rockefellers and Krupps, Churchills, Kennedys, Castros, Nehrus, Pahlavis and Kenyattas, Saudis, Kims and Assads.

For Manuela del Carmen Caceres Galvan, the invitation to show her paintings at the 1889 Exposition Universelle came at the perfect time. Soon to be trapped in a loveless marriage, Manuela has given herself one last summer of freedom—in Paris, with her two best friends.

When Gozie and Obianuju meet in August 1978, it is nothing short of fate. He is the perfect man: charismatic, handsome, Christian and—most importantly—Igbo. He reminds her of her beloved Uncle Ikenna, her mother’s brother who disappeared fighting in the Civil War that devastated Nigeria less than a decade before. It is why, when Gozie asks her to marry him within months of meeting, she says yes, despite her lingering and uncertain feelings for Akin—a man her mother would never accept, as his tribe fought on the other side of the war.