Mostrando resultados por narrador "Nicola Barber" en Todas las categorías

In this short tale for fans of Cinderella and Bridgerton, Pearl’s ball gown may carry the whiff of mothballs, but her dance card for the duke’s ball is full…until she loses a shoe. In her enthusiasm, Pearl’s foot slides out of her too-big damask slipper in the middle of a dance and gets kicked around the ballroom to the amusement of the sophisticated guests. What is a spirited but clumsy heroine to do? Can her composure and good humor save her social dignity?

London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Twenty-five years ago, three girls disappeared while evacuating from London during the Blitz. One was found murdered in the woods near a train line. The other two were never seen again.

New York, 1908: The days are getting longer—and warmer—in Manhattan. Molly Murphy Sullivan doesn’t want to leave her home in the city, but typhoid is back, and she’s expecting. So she heads north with the children to summer with her mother-in-law in Westchester County. Molly tells herself it won’t be so bad, after all the countryside is pretty, and she’s determined to make the best of it. Even if she’s leaving her husband, Daniel, behind. And at least she’s not the only one heading north. Her great friends, Sid and Gus, are headed to the Catskills to visit Sid’s family.

Eleanor, the charming manager of a cozy tea shop, enjoys the transportive ritual of making a cup of Masala Chai tea, reminisces about the tea's origins, and delights in the beauty of her quaint English village during the holidays. Bedtime stories are narrated by the world's most celebrated voices and written with no beginning, middle, or end so you don't stay up to hear what happens next. They're interesting enough to give your mind something to focus on, but delivered in a way that encourages sleep.

First published in 1924, The Man in the Brown Suit is a thrilling adventure and murder mystery by Agatha Christie. The protagonist is Anne Beddingfield, the orphaned daughter of a famous archaeologist, who goes to live with her father’s solicitor and his wife in London. Anne is searching for an adventure and something exciting to occupy her time when she is witness to the sudden death of a man at Hyde Park Corner tube station when the man falls onto the electrified train track and is killed instantly.

Barbados, 1854: Emily Dawson has always been the poor cousin in a prosperous English merchant clan - merely a vicar’s daughter, and a reform-minded vicar’s daughter, at that. Everyone knows that the family’s lucrative shipping business will go to her cousin, Adam, one day. But when her grandfather dies, Emily receives an unexpected inheritance: Peverills, a sugar plantation in Barbados - a plantation her grandfather never told anyone he owned.

When twenty-two-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the direst section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood';s most vivid chronicler. Woven into the ongoing tales of her life in the East End are the true stories of the people Worth met who grew up in the dreaded workhouse, a Dickensian institution that limped on into the middle of the twentieth century.

Dashiell Hammett was a crime writer who elevated the genre to true literature, and The Thin Man was Hammett’s last - and most successful - novel. Following the enormous success of The Thin Man movie in 1934, Hammett was commissioned to write stories for additional films. He wrote two full-length novellas for the films that became After the Thin Man and Another Thin Man.

When 22-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the poorest section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Call the Midwife: Farewell to the East End is the last book in Worth's memoir trilogy, which the Times Literary Supplement described as "powerful stories with sweet charm and controlled outrage" in the face of dire circumstances.

To stop the coming apocalypse, a fellowship was formed. A soldier, a thief, a lost prince, and a young girl bonded by fate and looming disaster. Each step along this path has changed the party, forging deep alliances and greater enmities. All the while, hostile forces have hunted them, fearing what they might unleash. Armies wage war around them. For each step has come with a cost—in blood, in loss, in heartbreak. Now, they must split, traveling into a vast region of ice and to a sprawling capital of the world they’ve only known in stories.

In the autumn of 1948, Iris Digby vanishes from her London home with her American diplomat husband and their two children. The world is shocked by the family’s sensational disappearance. Were they eliminated by the Soviet intelligence service? Or have the Digbys defected to Moscow with a trove of the West’s most vital secrets?

Julia hasn't had sex in three years. Her roommate has a boyfriend - and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she's treading water in a dead-end job, her know-it-all therapist gives her advice she doesn't ask for, and the men she is surrounded by are, to be polite, subpar.

The Black Prince of England hungers to capture the lands of France, and Sir Hyatt Laidley is just the knight for the task. In exchange for years of faithful service, Hyatt will receive both land - and lady - of De La Noye in Acquitane. When Hyatt and his men attack, both lord and castle fall, but the young and newly widowed Aurelie is not so easily conquered. Impassioned by the subjugation of her people, Aurelie pledges to forever honor her late husband. She may be condemned to marry the English bastard, but her heart will never yield!

En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind. Struggling to stay alive, the survivors soon realize that the world they've crashed in is very different from the one they left. But where are they? Why are they here? And how will they get back home?

When Julia Conley hears that she has inherited a house outside London from an unknown great-aunt, she assumes it’s a joke. She hasn't been back to England since the car crash that killed her mother when she was six, an event she remembers only in her nightmares. But when she arrives at Herne Hill to sort through the house - with the help of her cousin Natasha and sexy antiques dealer Nicholas - bits of memory start coming back.

A gifted student foretells an apocalypse. Her reward is a sentence of death. Fleeing into the unknown, she is drawn into a team of outcasts: A broken soldier, who once again takes up the weapons he’s forbidden to wield and carves a trail back home. A drunken prince, who steps out from his beloved brother's shadow and claims a purpose of his own. An imprisoned thief, who escapes the crushing dark and discovers a gleaming artifact—one that will ignite a power struggle across the globe

Tanya is no ordinary girl. She can see fairies. But not the fairies we imagine. Evil fairies who cast spells on her, rousing her from her sleep, and propelling her out of bed. At wit's end with her daughter's inexplicable behavior, Tanya's mother sends her away to live with her grandmother at Elvesden Manor, a secluded countryside mansion on the outskirts of a peculiar Essex town. There is plenty to explore, as long as Tanya stays away from Hangman's Wood - a vast stretch of forest, full of catacombs and notorious for people losing their lives.

The Wollstonecraft Detective Agency was supposed to be a secret constabulary, but after the success of their first case, all of London knows that Lady Ada and Mary are the girls to go to if you have a problem. Their new case is a puzzle indeed. It involves a horrible hospital, a missing will, a hasty engagement, and a suspiciously slippery servant. But Mary's stumbled onto a mystery of her own. She spotted a ghostly girl in a grey gown dashing through the park. A girl who is the spitting image of their new client.

After her near-fatal run-in with the Jack the Ripper copycat, Rory Deveaux has been living in Bristol under the close watch of her parents. So when her therapist suddenly suggests she return to Wexford, Rory jumps at the chance to get back to her friends. But Rory’s brush with the Ripper touched her more than she thought possible: She’s become a human terminus, with the power to eliminate ghosts on contact. She soon finds out that the Shades - the city’s secret ghost-fighting police - are responsible for her return. The Ripper may be gone, but now there is a string of new inexplicable deaths threatening London.

When the British Arean Company founded its Martian colony, it welcomed any settlers it could get. Outcasts, misfits, and dreamers emigrated in droves to undertake the grueling task of terraforming the cold red planet - only to be abandoned when the BAC discovered it couldn't turn a profit on Mars. Mary Griffith and her struggles and triumphs are at the center of it all, in her bar, the Empress of Mars.