Mostrando resultados por narrador "Mauro Hantman" en Todas las categorías

Fourteen mysteries to test your inner sleuth! This collection includes "The Stolen White Elephant" by Mark Twain, narrated by Mauro Hantman; "The Fenchurch Street Mystery" by Baroness Orczy, narrated by Davina Porter; "Problem of the Superfluous Finger" by Jacques Futrelle, narrated by Stephen R. Thorne; "The Blue Sequin" by R. Austin Freeman, narrated by Simon Vance; "An Intangible Clue" by Anna Katharine Green, narrated by Angela Brazil; and "The Oblong Box" by Edgar Allan Poe, narrated by Mauro Hantman, among others.

A woman falling out of sync with the world; a king’s servant hypnotized by his murderous horse; a transplanted ear with a mind of its own—the characters in these 25 stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined, revealing the breadth and depth of Evenson’s uncanny vision.

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: Of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short-story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration.

You open your eyes for what you know is not the first time and you remember nothing. You find out that a catastrophic event known as the Kollaps has destroyed life as we know it. Something crucial has been stolen - but under no circumstances can you know what or why. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out. Paralyzed from the waist down, you’re being carried around on the backs of two men who don’t seem anything like you at all.

Lay provost Eldon Fochs is a happily married father of four. Based on his disturbing dreams, he may also be a sex criminal. His therapist isn’t sure, and his church is determined to protect its reputation. Written from the perspectives of Fochs, his analyst Dr. Alexander Feshtig, and the letters exchanged between Feshtig and his superiors in the church, Father of Lies is Brian Evenson’s fable of power, paranoia, and the dangers of blind obedience. It offers a terrifying vision of how far institutions will go to protect themselves from the innocents who may be their victims.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

The classic and fascinating story of Jack Kerouac, "King of the Beats" and American literary legend, recorded through the voices of his friends and lovers. Authors Barry Gifford and Lawrence Lee retraced Kerouac's life at home and on the road and talked with the prophets, musicians, poets, socialites, and working people who knew him. Some are famous (Allen Ginsberg, Gore Vidal, William Burroughs); some are not (Jack's boyhood buddies, his lovers, his barroom companions). All have contributed to a remarkably vibrant, riveting portrait of a life.

Our ability to remake our world is unique among all living things. But where does our creativity come from, how does it work, and how can we harness it to improve our lives, schools, businesses, and institutions? The Runaway Species is a deep-dive into the creative mind, a celebration of the human spirit, and a vision of how we can improve our future by understanding and embracing our ability to innovate. Composer Anthony Brandt and neurologist David Eagleman seek to discover what lies at the heart of humanity's ability - and drive - to create.

Say you're a time traveler and you've already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That's why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks 12-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be.

Dorothy meets a handsome young man with an eye for her inheritance while she is in her sophomore year. They are to be married, and her life will be blissful; but Dorothy is pregnant, and her fiancé's plans are ruined, for Dorothy would be disinherited if her father discovered the truth. So the young man provides his bride-to-be with some pills that will solve the problem. Soon there will be no baby - and perhaps no Dorothy either....

The need for love - obsessive, self-destructive, unpredictable - takes us to forbidden places, as in the chilling world of Give Me Your Heart, a new collection of stories by the inimitable Joyce Carol Oates. In ten razor-sharp stories, National Book Award winner Oates shows that the most deadly mysteries often begin at home.

Drafted into the US Army, Michael Mullen left his family's Iowa farm in September 1969 to fight for his country in Vietnam. Six months later, Michael was killed, not by the North Vietnamese, but by artillery fire from friendly forces. With the government failing to provide the precise circumstances of his death, Mullen's devastated parents, Peg and Gene, demanded to know the truth. A year later, Peg Mullen was under FBI surveillance.

Our relentless drive to create makes us unique among living creatures. What is special about the human brain that enables us to innovate? Why don't cows choreograph dances? Why don't squirrels build elevators to their treetops? Why don't alligators invent speedboats? Weaving together the arts and sciences, neuroscientist David Eagleman and composer Anthony Brandt explore the need for novelty, the simulation of possible futures, and the social components that drive the inventiveness of our species.

The funny man is a middling comic in an unnamed city. By day he takes care of his infant son, by night he performs in small clubs, sandwiched between other aspiring comics. His wife waits tables to support the family. It doesn't sound like much, but they're happy, more or less. Until the day he comes up with it. His thing. His gimmick. And everything changes. He's a headliner, and the venues get bigger fast. Pretty soon it's Hollywood and a starring role in a blockbuster, all thanks to the gimmick.

Every afternoon Sean Benning picks up his son, Toby, on the marble steps that lead into the prestigious Bradley School. Everything at Bradley is accelerated - 3rd graders read at the 6th grade level, they have labs and facilities to rival most universities, and the chess champions are the bullies. A single dad and struggling artist, Sean sticks out like a sore thumb amongst the power-soccer-mom cliques and ladies-who-lunch that congregate on the steps every afternoon.