Mostrando resultados por narrador "John Michaels" en Todas las categorías

A great primal power has risen. The Queen of Flesh and Fire has become the Primal of Blood and Bone—the true Primal of Life and Death. And the battle Casteel, Poppy, and their allies have been fighting has only just begun. Gods are awakening across Iliseeum and the mortal realm, readying for the war to come. But when Poppy falls into stasis, Cas faces the very real possibility that the dire, unexpected consequences of what she is becoming could take her away from him.

#1 NEW YORK TIMES BESTSELLER In John Grisham’s first work of nonfiction since The Innocent Man, “the master of the legal thriller” (Associated Press) teams up with Jim McCloskey, “the godfather of the innocence movement” (Texas Monthly), to share ten harrowing true stories of...

A thousand years ago, Dianna gave up her life in the deserts of Eoria to save her dying sister. She called upon anyone who would listen, not expecting a monster far worse than any nightmare to answer. Now she does what Kaden asks, even if that means securing an ancient relic from the very creatures that hunt her.

A brand new full cast audiobook production of the classic collaboration from internationally bestselling authors Neil Gaiman and Terry Pratchett starring Rebecca Front as the Narrator, Michael Sheen as Aziraphale, and David Tennant as Crowley! ""Good Omens . . . is something like what would have...

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers.

Poppy never dreamed she would find the love she's found with Prince Casteel. She wants to revel in her happiness but first they must free his brother and find hers. It's a dangerous mission and one with far-reaching consequences neither dreamed of. Because Poppy is the Chosen, the Blessed. The true ruler of Atlantia. She carries the blood of the King of Gods within her. By right the crown and the kingdom are hers.

With its first broadcast on BBC Radio 4 on March 8, 1981, this dramatised tale of Middle Earth became an instant global classic. It boasts a truly outstanding cast including Ian Holm (as Frodo), Michael Hordern (as Gandalf), Robert Stephens (as Aragorn), Bill Nighy (as Sam Gamgee) and John Le...

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers. The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing.

The government is a vast, complex system that Americans pay for, rebel against, rely upon, dismiss, and celebrate. It’s also our shared resource for addressing the biggest problems of society. And it’s made up of people, mostly unrecognized and uncelebrated, doing work that can be deeply consequential and beneficial to everyone. Michael Lewis invited his favorite writers, including Casey Cep, Dave Eggers, John Lanchester, Geraldine Brooks, Sarah Vowell, and W. Kamau Bell, to join him in finding someone doing an interesting job for the government and writing about them.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

The second instalment of Tolkien's epic tale, adapted from the original BBC Radio 4 full-cast dramatisation. Having fled the Shire in their escape from Sauron's Dark Riders, Frodo and the Fellowship of the Ring have journeyed to Rivendell and beyond. Their mission is to reach the Mountain of...

In this electric and provocative debut novel, Tamblyn blends genres of poetry, prose, and elements of suspense to give shape to the shocking narratives of victims of sexual violence, mapping the destructive ways in which our society perpetuates rape culture, brilliantly brought to life through a...

The evil Saruman has been defeated by Gandalf, but in Mordor the battle for the Ruling Ring continues. Wounded by the giant spider, Shelob, Frodo has been captured by the dreaded orcs. Sam, alone and in possession of the Ring, must rescue his master if their mission - to find the Cracks of Doom...

Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career, putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA 15 years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.

Heris Serrano - formerly a commander in the Regular Space Service - must take whatever job she can get after her resignation under a cloud. What she can get is the captaincy of a rich old lady's space yacht...a rich old horsewoman, who has little liking for the military, and whose spoiled nephew Ronnie (and his equally spoiled friends) have been foisted on her after his folly embarrassed the family. Lady Cecelia's only apparent interest is horses - she intends to go fox hunting on the private pleasure planet of a friend of hers, Lord Thornbuckle.

Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it.

When Frank Morgan finds there’s a price on his head, there’s only one thing to do - kill the man who put it there - and if he avenges the death of his beloved doing so, the sweeter the justice. But the trail of revenge hides many an ambush. From hired killers to hooded night riders, there’s no rest for the last gunfighter, especially when a beautiful young trick rider needs his help. Guns blazing, the dust never settling, vengeance comes to a showdown in a Nevada ghost town, where an army of gunmen lies in wait....

Two slaves, a mother and daughter, separated during the Civil War never to see each other again. From her mother's diary, Etta Jean will learn to love the mother she never knew. And from the same diary, a mother will finally give of herself.

As did his father before him, Pierce Butler treats his plantation slaves like family. But massive gambling debts force him to sell 429 “family” members. When the auction begins, torrential rain falls - not stopping until the final slave is sold the next day. The ominous rainfall prompts these words: “This ain’t rain. This is God’s tears.” Based on the largest slave auction in U.S. history, this poignant montage is the fictionalized account of that 1859 Georgia tragedy.