Mostrando resultados por narrador "Emma Leonard" en Todas las categorías

Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different: one, assured and popular - the other, uncertain and eager to please. But something happens one night in O-week - a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.

Charlie's skin was stinging. Not with heat or sweat, but with that intense, body-defining self-consciousness—that sense of being watched. She lowered her eyes from Eleanor's loving gaze. Her throat taut with tears, she swallowed. ‘You're a good sister, Eleanor.' ‘Don't say that.' After two years of lockdowns, there's change in the air. Eleanor has just broken up with her boyfriend, Charlie's career as an actress is starting up again. They're finally ready to pursue their dreams—relationships, career, family—if only they can work out what it is they really want.

Sera loves owning a pet shelter—even if it’s often tricky to make ends meet, and her mother thinks she's wasting her life. Thankfully, she can always rely on her steadfast best friend, Toby, who just happens to be the local vet. And then famous actor Ethan James enters the scene. After Sera 'saves' Ethan from a friendly German Shepherd, he confesses to a terrible fear of dogs. A canine co-star is all that stands between Ethan and the role of a lifetime—and he wants Sera to help him overcome his fear.

A breathtaking debut that explores love, science, loss and the so-called feminine ideal. The rains come to Brisbane just as Elise and Dan descend into grief. Elise, a scientist, believes that isolation and punishing fieldwork will heal her pain. Her husband, Dan, a writer, questions the truths of his life and looks to art for answers. Worlds apart, Elise and Dan must find a way to forgive themselves and each other before it's too late.

Former social worker Elle Castillo is the host of a popular true-crime podcast that tackles cold cases of missing children in her hometown. After four seasons of successful investigations, Elle decides to tackle her white whale: the Countdown Killer, or TCK. Twenty years ago, TCK established a pattern of taking and ritualistically murdering girls, each a year younger than the last. No one’s ever known why - why he stopped abruptly with his 11-year-old victim, or why he followed the ritual at all.

Grace Harkness looks like she has it all - two beautiful children, four cookbooks under her belt, and an idyllic beachside home #blessed. But add another baby on the way (oops), a spouse that is nowhere to be seen, and a relentless list of things she "should" be doing, and Grace is starting to unravel. When the madness of modern-day motherhood finally pushes her to the brink, Grace and her friends decide to ditch the men in their lives, move in together, and create a "mummune" - sharing the load of chores, school pick-ups/drop-offs, and endless Life Admin.

The first drops start to fall when Quinn spies the body. With no reception and nothing but an empty road for miles, does she stop to help or keep driving to safety? Back at the iconic country pub where Quinn works, Andrea is sandbagging the place in preparation for heavy rains. Alone with her sleeping son in the back room, she reluctantly lets a biker in to wait out the storm. Out on the wet roads, tensions arise among four backpackers on their way to Darwin. They haven’t prepared for this kind of weather and the flooding isn’t the only threat on the horizon.

Former social worker Elle Castillo is the host of a popular true-crime podcast that tackles cold cases of missing children in her hometown. After four seasons of successful investigations, Elle decides to tackle her white whale: the Countdown Killer, or TCK. Twenty years ago, TCK established a pattern of taking and ritualistically murdering girls, each a year younger than the last. No one’s ever known why - why he stopped abruptly with his 11-year-old victim, or why he followed the ritual at all.

Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different—one assured and popular, the other uncertain and eager to please. But something happens one night in O-week—a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power. Initially bonded by their wit and sharp eye, Michaela and Eve soon discover how fragile friendship is.

It’s opening night. The stage is set, the houselights have dimmed, and the handsome male lead is waiting. This is your time. Your chance to prove you are so much more than the understudy. You have worked so hard and would have done almost anything to get here. But not what they are accusing you of - never that. It’s simply bad luck that Australia’s darling of opera has gone missing, throwing the spotlight on you just as the whole world is watching history in the making. But the show must go on, and it’s all down to you.

Ethan James has a problem: he’s about to start shooting a movie and he needs someone to mind his anxious dog, Harry. This film could make or break Ethan's career, and he knows he has to give it all his attention, but Harry's new minder turns out to be more of a hindrance than a help. She's gorgeous and funny, and throws so much shade in his direction that Ethan can't think straight.

Stella is in desperate need of help. With her husband away she’s juggling a full-time job, a tricky stepdaughter and a relentless four-year-old–all while trying to find her footing in her husband’s shiny world. Joining the throng of local mothers, she reluctantly hires an au pair in the hope that it will lighten the load. Stella’s mother-in-law, Elise, thinks this is a terrible idea. But she’s promised her son not to meddle and with her own career battles to slay and her past to contend with, she resigns to let matters lie.

BLUE MOUNTAINS, 2024: Working on a documentary at the historic Carrington Hotel, videographer Emma Quinn discovers a box of handwritten letters belonging to Rose Carey, water dancer and golden girl of the silent film era. Intrigued, Emma begins to read through them, slowly uncovering a deadly secret. SYDNEY, 1923: Rose Carey has faced enough scandal to last a lifetime. After an accident and near-death experience, the threat of bankruptcy, and rumours of her romantic entanglements, Rose decides to take matters into her own hands and propose to her business manager, Walter.

Teenagers sneak out to the creek for a wild New Year's Eve party. A sleep-deprived woman who imagines she is pregnant to a Viking faces her scathing sixteen-year-old self. A woman in love wakes up in a van Gogh painting. These gem-like stories are about the desire to rush out and meet life; about getting in over your head; about danger, and damage, and what it means to survive–and not always survive–the risk of being young. They chart the borderlands between girls and women, daughters and mothers, freedom and fear.

In a busy street market, Abbie lets go of six-year-old Sarah's hand. She isn't a bad mother, just exhausted. When she turns around, her daughter isn't there. Six years later, Abbie is in love and getting married. But her fragile peace is constantly threatened: not knowing what happened to Sarah is like living with a curse. Then she receives a phone call from an unknown number. A man claims to know what happened to Sarah, but if Abbie tells anyone or fails to follow his instructions, she'll never find out. How far will Abbie go to know the truth?