Mostrando resultados por narrador "Emma Campbell" en Todas las categorías

First published between 1870 and 1893, Émile Zola’s 20-book cycle chronicling four generations of the Rougon-Macquarts was a shocking exposé of the decadence, degradation and moral decay of 19th-century France. It included some of his greatest novels, among them his masterpiece, Germinal. These innovative, ambitious dramas, first broadcast on Radio 4 over 24 hours in 2015-16, are a radical reimagining of Zola’s classic series, introducing us to 104-year-old matriarch, Dide, imprisoned in an asylum in southern France.

CHICAGO, SOMETIME— Two people meet in the Art Institute by chance. Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist, undergoing court-ordered psychotherapy. By the end of the story, these things will still be true. But this is not a story about endings.

A wide range of women—actors, athletes, academics, CEOs, writers, small-business owners, birth workers, physicians, and activists—share their experiences of becoming mothers in this multifaceted, moving, and revealing collection.

Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can't seem to heal through literature is himself; he's still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened.

Chicago, sometime. Two people meet in the armory of the Art Institute by chance. Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist undergoing court-ordered psychotherapy. After their meeting, those things do not change. Everything else, however, is slightly different.

After the death of her wife, Shelby is suffering from prolonged grief. She’s increasingly isolated, irritated by her family’s stoicism and her friends’ reliance on the toxic positivity of self-help culture. Then, in a grief support group, she meets Cammie, who gives her permission to express her most hopeless, hideous feelings. Cammie is charismatic and unlike anyone Shelby has ever met. She’s also recovering from cancer and going through several other calamities. Shelby puts all her energy into helping Cammie thrive—until her intuition tells her that something isn’t right.

After the death of her wife, Shelby is suffering from prolonged grief. She’s increasingly isolated, irritated by her family’s stoicism and her friends’ reliance on the toxic positivity of self-help culture. Then, in a grief support group, she meets Cammie, who gives Shelby permission to express her most hopeless, hideous feelings. Cammie is charismatic and unlike anyone Shelby has ever met. She’s also recovering from cancer and going through several other calamities.

Vicky, a writer in Vancouver in the early 1960s, doesn't consider herself the type of woman who would end up in a bad relationship. Struggling to come to terms with herself, she navigates an emotionally abusive relationship with Mik, a violent logger and ex-con. Mik and Vicky's physical, often violent affair offers an honest and unflinching look at relationships and female suffering. Crossings caused a furor when it was first published and was banned from some feminist bookstores.